CAN I CALL IT PANFORTE?

I almost always like to experiment with traditional recipes, often by including ingredients that traditionally are not tolerated by purist Italians. I persevere with my variations because I usually like the end result. It is a little like the situation with Sangiovese produced in Tuscany and the wine from Sangiovese grapes grown in Australia. I once had a lengthy discussion with a lovely wine bar owner in Firenze who could not believe that we would dare call our wine Sangiovese because Australia could not possibly have the traditional characteristics of the Tuscan region, the terroir and the climate. But how important are the skills of the winemaker and the subtle variations of in an aged old tradition?

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I make panforte every year for Christmas. In traditional panforte recipes the most common nuts are almonds and hazelnuts. In recent times pistachio nuts, walnuts and macadamia have become common, especially in Australia.

We have also taken liberties with what we do with the nuts – whole or chopped nuts, skin-on, blanched or toasted? This time I used blanched almonds and hazelnuts with their skins – I blanched and toasted the almonds and toasted the hazelnuts and rubbed some of their skin off.

I like black ground pepper and plenty of it; traditional recipes do not add as much as I do, but then again I also like to add black pepper to my fruitcakes. The common spices are cinnamon, cloves and nutmeg. Some add coriander, and I too have done so in other panforte I have made.

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I added cocoa powder and chopped dark chocolate pieces. I wanted colour, richness and a slight bitterness, a contrast with the sweetness of the fruit. I also thought that the chocolate would melt and once cool would solidify (like in a Florentine biscuit) and make the panforte texture less candied. I used citron and orange peel, figs and ginger (in syrup, but I drained it). I have also eaten panforte with cranberries, cherries and pineapple. Where does one draw the line?

Could I still call what I made panforte? Not likely.

Zenzero (ginger) is not common in Italian cuisine and is not found in panforte, nor are dark chocolate pieces included in the traditional mix.

I used  equal amounts of honey and sugar – the sugar, like toffee makes it brittle, the honey adds flavour and gives the panforte a softer, less brittle consistency.

A little flour and a little butter – the more flour you add, the firmer the texture of the panforte; the more butter the richer and shorter the mixture. I used the chocolate and too much of it and because of the chocolate’s fat high content I should not have used. the butter. My panforte did not end up as chewy as the classic variety of panforte.

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I ended up with a fabulous tasting concoction – how could it not be with all of those good ingredients and flavours. The ginger and pepper makes it very more-ish. But is it panforte?

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I enjoyed making it and shall enjoy eating it and sharing it with friends but not call it a panforte – an experiment perhaps, so that I could make use of all of the ginger in syrup that I had in my pantry.

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A friend went overseas and left me with an incredible amount of  candied ginger. I made a syrup and turned the candied ginger into moist ginger in a very flavourful syrup with the texture of honey.

370 g of nuts – almonds, hazelnuts

370 fruit – figs, citrus, lemon and orange peel

4 tsp ground black pepper

2 tsp ground spices – cinnamon, nutmeg, less quantity of cloves
150g plain flour
4 tsp cocoa powder

150g chopped dark chocolate

1 tsp butter (I used 1 tbs and this was too much)
1 cup white sugar
1 cup honey

Roughly chop the figs, place then into a bowl with the peel and drained ginger
In a different bowl put in the nuts.
Into a large heatproof mixing put in the flour, cocoa and spices. Combine these and stir in the fruit and the nuts.
Heat the oven to 200C
Line containers with baking paper.
Put the white sugar and honey into a pan and gently heat until it bubbles. Keep it on the gentle heat for another minute. Place in the butter.
Work quickly and stir the hot liquid into the other ingredients until well combined, then scrape into the prepared tins and press down. Bake the small ones for about 15mins and larger shapes about 30 minutes. They harden as they cool.
Cool the panforte before turning out. Wrap them in more baking paper until you are ready to gift wrap them in cellophane and sprinkle with icing sugar.

Previous posts about panforte:

PANETTONE AND PANFORTE for an ITALIAN CHRISTMAS

PANFORTE again and again

RAGÙ DI CAPRETTO – Goat/ kid ragout as a dressing for pasta

Ragù di capretto (kid) used as a dressing for pasta is a showstopper exquisite tasting dish!

INGREDIENTS and PROCESS

Sometimes, it is easier to tell a story and describe a recipe by photos.

Goat or kid is a popular ingredient in Spring.

The mint on my balcony is thriving, celeriac is in season, the last of the red tomatoes are also in season and there is a glut of carrots in Victoria at the moment. All of these ingredients, are cooked on low heat for a long time and it makes a delicious ragù as a pasta sauce. On this occasion and a good quality Pecorino cheese is essential.

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CAprettoKid –  lean and pale meat

Kid cut into cubes – you can tell that it is not an old goat by the pale colour of the meat. It is trimmed of fat.

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SOFFRITTO

The usual onion , part of the soffritto in most Italian soups and braises.

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Celeriac

Add a chopped carrot and instead of celery I used some celeriac, some of the bulb and some of the inner leaves of the celeriac.

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Browning the meat (KID/Capretto ) and soffritto has been set aside

Remove the soffritto, add a little more extra virgin olive oil and brown the meat.

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Rosemary, sage, bay, cloves

Add the herbs and spices. Recognise them? Salt and pepper too.

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A couple of red tomatoes.

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KID/Capretto ready to be braised

Top with liquid. I added a mixture of chicken stock (always in my freezer) and some Marsala, to keep it in the Sicilian way of things. On another occasion I may add white wine or dry vermouth.

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Cover the pan and braise slowly.

Cooked capretto

It does not look as good as it tasted…the perfume was fabulous too.

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Casarecce and ragout/ ragù

Serve with fresh mint leaves and grated Pecorino.

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Pecorino grating cheese

N.B.  Real Pecorino is made from pecora (sheep)..i.e. sheep’s milk. I used a Pecorino Romano. See how white it is in colour?

OVEN COOKED KID (capretto)

BRAISED KID (capretto) in a simple marinade of red wine, extra virgin olive oil and herbs

RICETTE per capretto (e capra) – Recipes for slow cooked kid and goat

SLOW COOKED LEG OF GOAT WITH HOT MINT SAUCE

KID/GOAT WITH ALMONDS (SPRING IN SICILY, CAPRETTO CON LE MANDORLE)

 

SPAGHETTINI E COZZE – Spaghettini with mussels

In Australia, Easter is not a significant cultural event, whereas in Italy it is closely associated with religious observances and traditionally, Italian Catholics eat fish on Good Friday, even if they are not practising Catholics, hence a mussel recipe.

Victoria is a prolific producer of mussels, which I regularly purchase at the Queen Victoria Market. These are typically farmed in Port Phillip Bay and recently from Mount Martha. When available, I prefer to visit Portarlington, where they are sold directly from the boats. Mussels are a sustainable seafood option.

I plan to cook something simple – a pasta dish with Mussels. Cozze in Italian, cuzzili in Sicilian.

This is not a complicated dish. It is made with fresh mussels and a little fresh tomato, but not so much to mask the taste of the other ingredients.

Red, ripe tomatoes are excellent at this time of year, but tinned tomatoes are also suitable. I  had some ripe, yellow heirloom tomatoes and added these as well in this sauce. The cause was slightly paler in colour but I did not taste any difference in taste.

Spaghetti (thin spaghetti) is used for this dish. The thin strands cook quickly but will also provide a greater surface area, allowing for greater absorption of the sauce.

The sauce is prepared quickly while the pasta is cooking. The same ingredients and method can be used with other fish, such as squid.

The use of grated cheese with fish is a traditional Sicilian practice. While it may not be common elsewhere in Italy, it is a distinctive feature of the dish. The cheese is optional, particularly if the fresh taste of the tomatoes is preferred.

spaghettini, 500g
mussels, 2 kg fresh, live mussels
red tomatoes, fresh, 500 g, chopped and peeled
garlic, 3 chopped…to taste
parsley, 1 cup finely chopped
extra virgin olive oil, ½ – ¾ cup
salt and pepper
basil, fresh, some stalks and leaves in the sauce and some leaves to decorate and provide a last-minute aroma
grated pecorino, (optional), to taste

Clean the mussels by rubbing them against each other in cold water (or use a scourer or brush). Pull the beards sharply towards the pointy end of the shell.
Heat 2 tablespoons of olive oil in a deep pan.
Add the mussels.
Cover and cook over a brisk flame, shaking the pan every now and then, until the mussels have opened. Turn off the flame and let them cool slightly, then remove and discard the shells of about ¾ of them. Use the whole mussels for decoration.

If the mussels have not opened after sufficient time, they are still alive and can be returned to heat. Save the liquid from the mussels, some will be used in the sauce, but store the leftover in jars in the freezer- it makes good fish stock.

Add the onion to a new pan, sauté till golden.
Add the chopped tomatoes and some basil stalks with leaves attached (these can be removed at time of serving).
Simmer the sauce for about 8-10 minutes, just to blend the flavours and to evaporate some of the tomato juice. Place the tomato sauce aside.

Add some extra virgin olive oil and garlic to a new pan (or wipe down the same pan that you have used to cook the sauce).  Soften the garlic and add the parsley.

Cook the spaghettini.

Add the  mussel meat to the pan and toss the ingredients around for a few minutes before adding the tomato sauce and as much of the mussel juice as you think you will need for the sauce. Remove the cooked basil (it has done its job).
Add the mussels in their shells (gently) to warm through.

Drain the pasta. Add it to the pan with the rest of the ingredients toss them around till they are well coated. Be gentle with the cooked mussels in their shells as you want to keep the mussel meat in the shell.
Add fresh basil leaves.

Present with grated cheese for those who wish.

Pasta with cozze is eaten all over Italy but in Northern Italy parsley and garlic are the preferred flavourings and no tomatoes. No grated cheese in the north either!

MUSSELS, three ways: in brodetto, with spaghetti and risotto

COZZE IN BRODETTO (mussels in a little broth)

SAFFRON RISOTTO WITH MUSSELS (Risu cu Zaffaranu e Cozzuli is the Sicilian, Riso con Zafferano e Cozze is the Italian)

 

SICILIAN TORRONE made with sesame seeds (also called GIUGGIULENA/ JUJIULENA, CUBBAITA) and PASTELI and SIMSIMIYAH

What is sometimes referred to as a Sicilian torrone, one of Sicily’s most treasured traditional sweets is giuggiulena (also spelled giurgiulena, giugiulena or jujiulena), a sesame brittle that some Sicilians also call cubbaita.

Although it is sometimes grouped with torrone, it is quite different. Made with sesame seeds, honey, sugar and fragrant lemon or orange zest, it is crisp, aromatic and deeply rooted in Sicily’s culinary traditions.

In my family, the finest giuggiulena comes from my cousin Franca, who lives in Ragusa. Every Easter and Christmas, the extended family eagerly awaits its annual supply. Franca is the designated maker of giuggiulena, just as she is entrusted with preparing scacce. Other family members have their own special roles too—my elderly aunt, for example, is responsible for making the fresh pasta and ricotta ravioli for our family celebrations. These treasured food traditions have been passed from one generation to the next, with each recipe entrusted to the person who makes it best.

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Sesame seeds

Because giuggiulena keeps well, it is not only made for Easter and Christmas but is also kept on hand throughout the year to offer unexpected visitors. Like many traditional Sicilian recipes, it varies from one town—and often one family—to another. Some recipes are made entirely with sugar, others only with honey, while many use a combination of both. My relatives in Ragusa add cinnamon, and I have come across versions flavoured with a pinch of cumin. Almonds or pistachios are sometimes included, perhaps explaining why this sesame brittle is occasionally referred to as a Sicilian torrone.

ARAB CULTURE

Sicilians generally regard giuggiulena as part of the island’s rich Arab culinary legacy, reflecting the influence of more than two centuries of Arab rule. This connection is hardly surprising, as similar sesame sweets are enjoyed throughout the eastern Mediterranean and the Middle East. In Lebanon and Egypt, for example, a comparable confection is known as simsimiyah, while in Greece it is called pasteli. Each country proudly claims the sweet as its own, but they all share a long tradition of combining sesame seeds with honey or sugar to create this simple yet enduring confection.

The variety and quality of the honey you use will make a difference to the taste of giuggiulena.

Different types of honey

I used this honey to make my latest batch:

 have already written two posts about giuggiulena on this blog. One features my cousin Franca’s much-loved family recipe from Ragusa, while the other showcases the version made by Dolcetti Pasticceria in Melbourne. Its proprietor and pastry chef, Marianna, comes from a Sicilian family and continues this traditional confection with the same care and respect for its heritage.

Franca makes giuggiulena in large quantities – her recipe:

INGREDIENTS

1k honey, 1 k sesame seeds, 4 cups sugar, ½ teaspoon of each: cinnamon, cloves, grated orange peel.

PROCESSES

Melt the sugar in a large saucepan on very low heat, when sugar is melted add honey. Add sesame seeds and aromatics mix well. Remove the torrone from the heat quickly (or the sesame seeds my burn). Let cool slightly.
Pour mixture onto a tray with oiled baking paper or a marble that has been coated with oil. Spread evenly and quickly before the torrone hardens, cut into rectangular pieces before it cools and store in airtight containers. Franca often wraps pieces in cellophane paper before she distributes it.

You will find references to her recipe in: EASTER IN SICILY – A SICILIAN FEAST IN RAGUSA – RECIPES AND GIUGGIULENA

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Giuggiulena as named and packaged at Dolcetti

This is Dolcetti’s recipe for giuggiulena:

INGREDIENTS
250gms sesame seeds
250gms orange blossom honey
250gms sugar
250gms whole raw almonds
zest of 1 orange (not too finely grated)

METHOD
Combine the honey and sugar in a pot and stir until it begins to melt and soften.
Add the sesame seeds and almonds and cook, stirring continuously until it begins to bubble.
Let it cook and darken to a dark golden brown colour.
Add the orange zest.
Pour onto a sheet of baking paper lined with a touch of oil or oil spray or onto a lightly greased marble or granite surface.
Flatten it slightly with an oiled rolling pin.
Let it cool before cutting it into pieces.
Keep stored in airtight container.

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Marianna

You will find references to Marianna’s recipe in: GIUGGIULENA (also CUBBAITA) – a brittle Sicilian toffee of sugar and honey with sesame seeds and almonds 

Pasteli and Simsimiyah: Variations on Sicilian Giuggiulena

These variations show how widely sesame sweets are loved across the Mediterranean and the Middle East. Greek pasteli and Middle Eastern simsimiyah are close relatives of Sicilian giuggiulena, but each tradition has its own preferred balance of sesame, honey, sugar and flavouring.

In many recipes for pasteli and simsimiyah, the sesame seeds are lightly toasted separately before the hot sugar-and-honey toffee is poured over them and mixed through.

You will notice that Sicilian recipes often use equal quantities of sugar and honey, while some Greek and Middle Eastern versions use more honey than sugar. Sugar produces a harder brittle, so increasing the honey creates a softer, more chewy texture.

Greek recipes often include a little lemon juice in the sugar-and-honey mixture. Middle Eastern versions may use lemon juice, orange blossom water or vanilla; I particularly like this variation.

The sesame and toffee mixture is usually poured into a square tin lined with lightly oiled baking paper, or onto a lightly greased marble or granite surface. One recipe from Cairo suggested using a mixture of flour and oil to grease the surface, and I like this method as well.

 

 

New Year’s Eve Baccalà Mantecato

This is baccalà that has been soaking for two days. I kept it in the fridge in a sealed container and changed the water four times per day.

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This is baccalà that I am poaching in some water (to cover) and some bay leaves. I usually poach it in milk but the friend I was preparing this for is allergic to dairy.

I  let it cool and removed the bones, skin and cartilage.

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I then drained the solids because I wanted to use some of the liquid in the mixture that I blended in my food processor  – the baccalà, with oil and garlic until it looked like mayonnaise.

So what is this?

Baccalà Mantecato and  I present it spread on crostini.

I have the recipe in my second cookbook Small Fishy Bites and is popular in Trieste and Venice and neighbouring localities .

For background and full recipe see early post: Baccalà Mantecato

STOCKFISH and SALT COD -The differences between stoccafisso and baccalà and recipes.

 

 

CHRISTMAS Sicilian sweets at DOLCETTI 2017

What will the carretto siciliano carry to you and your friends from Dolcetti this year?

There  are many sweet treats (dolcetti) for Christmas at Dolcetti Pasticceria.

This year  all the dolcetti have been wrapped in subtle, neutral colours and packed in wooden boxes. They look very attractive.

And as you would expect, everything is delicious.

There is something for everyone.

New treats too.

These are new as well.

Sicilian favourites: Pipparelli…I love the pepper in these biscuits.

Sicilian favourites: Ciascuni

Sicilian favourites: Gigiolena (also Giuggulena)…sesame seeds and sugar and honey. Arabic or Sicilian?

And Marianna and her angels are still mixing fruit mince for the mince pies. We live in Australia after all.

 

Links to some Christmas recipes for sweets from Dolcetti, pastry chef – Marianna Di Bartalo :

CHRISTMAS AT DOLCETTI in 2014 (and Recipe for Spicchiteddi Sicilian biscuits)

CHRISTMAS DOLCI and DOLCETTI and Pistachio Shortbread Biscuits 2013

GIUGGIULENA (also CUBBAITA) – a brittle Sicilian toffee of sugar and honey with sesame seeds and almonds

PANETTONE AND PANFORTE for an ITALIAN CHRISTMAS

CAPONATA DI NATALE (Christmas, winter caponata made with celery, almonds and sultanas)

Caponata di Natale is a traditional Sicilian Christmas caponata that surprises many people familiar only with the more common eggplant version.

In Sicily, caponata exists in many forms, and not all caponate contain eggplants.

This festive caponata reflects the season in which it is served. While eggplants and peppers are abundant during the Sicilian summer, they are not winter vegetables. For Christmas, some Sicilians prepare a caponata based on celery hearts, creating a dish that is lighter, fresher and particularly suited to festive meals.

It may be very different from the Christmas fare many Australians expect, but it makes a wonderful antipasto, salad or accompaniment to roasted meats and fish.

A Christmas CAPONATA  – a Dish Rooted in Sicilian Seasons

One of the pleasures of Sicilian cooking is its respect for seasonal produce. Traditional Christmas tables often feature dishes that celebrate winter vegetables rather than relying on ingredients available year-round.

In many parts of Sicily, celery is the principal ingredient in Caponata di Natale. Some regional versions also include leafy winter greens such as chicory, spinach or endive.

Traditionally, the celery is boiled before being sautéed. I prefer a simpler approach: slicing the celery very finely and cooking it gently in olive oil until just softened. This preserves some of its texture and freshness while allowing it to absorb the sweet-and-sour flavours that are characteristic of Sicilian caponata.

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Caponata di Natale served at room temperature—a traditional Sicilian Christmas antipasto made with celery, olives, capers and almonds
The Magic of Agrodolce

Like many Sicilian dishes, this caponata relies on the balance of agrodolce—the combination of sweet and sour flavours.

The sweetness comes from sugar and sultanas, while vinegar provides acidity. Salty capers and olives add depth, and almonds contribute richness and texture.

The result is a dish full of contrasts:

  • Sweet and sour
  • Salty and fruity
  • Soft and crunchy
  • Delicate and robust

It is these contrasts that make Sicilian caponata such a memorable dish.

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Unlike the better-known eggplant caponata, this festive Sicilian version celebrates winter vegetables, especially tender celery hearts.

 

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The sweet-and-sour agrodolce dressing brings together the distinctive flavours of capers, olives, sultanas and almonds.

Sultanas or currants are both good to use. Muscatels and raisins are OK as well, but their size may not be as visually pleasing.

Sometimes I toast the almonds, sometimes I have used pine nuts.

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Prepared a day ahead, Caponata di Natale develops deeper flavours and is ideal for entertaining.

Serving Caponata di Natale

Although I often serve this caponata alongside meat or fish, I particularly enjoy it on its own at the beginning of a meal with good bread and a glass of wine.

Like most caponate, it improves with time. Preparing it a day ahead allows the flavours to develop and meld together beautifully.

Serve it at room temperature and finish it with toasted almonds or, for an extra layer of texture, a sprinkling of toasted breadcrumbs.

Caponata di Natale (Christmas Caponata)

Serves 6–8

Ingredients
  • 1 cup blanched almonds, toasted and chopped
  • 1 large celery heart, using only the pale inner stalks and tender leaves
  • 1 large onion, finely chopped
  • ¾ cup sultanas or currants
  • ½ cup capers (salted or in brine)
  • ¾ cup green olives, pitted and chopped
  • ½ glass white vinegar
  • 3 tablespoons sugar
  • ½ cup extra virgin olive oil
  • Salt and freshly ground black pepper
Method

Prepare the Vegetables

Finely slice the celery stalks and chop the tender leaves.

Heat the olive oil in a deep frying pan and gently sauté the celery and onion. Season lightly with salt and cook for about 10 minutes, or until softened.

Add the olives, sultanas and capers. Cook for a further 2 minutes.

Transfer the mixture to a bowl.

Make the Agrodolce Sauce

Using the same pan, gently heat the sugar until it begins to melt and lightly caramelise.

Carefully add the vinegar and allow it to bubble and reduce slightly.

Return the vegetable mixture to the pan and stir well to coat everything in the sweet-and-sour sauce.

Add some of the almonds, reserving the remainder for garnish.

Rest and Serve

Transfer the caponata to a serving dish and refrigerate overnight.

Bring to room temperature before serving.

 Top with the rest of the almonds or breadcrumbs when ready to serve.

A Caponata for the Festive Table – SICILIAN SEAFOOD COOKING

This celery-based Christmas caponata is one of the many traditional Sicilian caponate featured in my book Sicilian Seafood Cooking. It demonstrates the remarkable diversity of Sicilian cuisine and the way seasonal ingredients shape festive cooking across the island.

While it may not resemble the caponata most people expect, it remains unmistakably Sicilian—rich in contrasts, deeply rooted in tradition, and always at its best when shared, especially with guests who are only familiar with eggplant caponata.

THE MANY VERSIONS OF CAPONATE and grilled food

ARTICHOKES and how we love them; CAPONATA DI CARCIOFI

CAPONATA Catanese (from Catania) made easy with photos

SICILIAN CAPONATA DI MELANZANE from Palermo (Eggplant caponata with chocolate)

SICILIAN CAPONATA DI MELANZANE from Palermo (Eggplant caponata with chocolate)

Caponata has evolved over the ages to become a true symbol of Sicilian cuisine. It is cherished especially during festive occasions—making it a perfect dish for Christmas celebrations. As you might expect, there are countless regional variations and enhancements to what began as a humble dish.

The influence of Sicilian aristocracy played a significant role, with the chefs known as monzu—a term derived from the French monsieur—adding their unique flair and creativity. This blend of tradition and innovation has made caponata into an iconic, classic and traditional dish, showcasing the diverse flavours and culinary heritage of Sicily.

In this post I have included the version of caponata enriched with chocolate.

In Sicilian cooking, the melanzana (eggplant) is often referred to as the queen of vegetables, right behind the tomato in importance. This high status is well-deserved, as the eggplant is the principal ingredient in caponata, bringing depth and richness to the dish. The versatility and unique flavor of eggplants make it a standout component in many Sicilian recipes.

Below is a photo of two of the most popular types of Sicilian eggplants – the common very dark variety and the violetta – the violet variety. This is referred to as a sweet variety, it is not as seedy or bitter as its counterpart.

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I like to keep my caponata di melanzane simple, though the possibilities for ingredient variations are endless. Some recipes incorporate garlic, while others might include oregano. You’ll find versions with anchovies, sultanas, or even pine nuts and toasted almonds—each of these variations are both authentic and delicious.

Staying true to the Palermo tradition, just before serving, I like to sprinkle a handful of coarse breadcrumbs (toasted in a bit of hot extra virgin olive oil)  and/or chopped blanched and toasted almonds on top. This finishing touch adds a delightful crunch and enhances the dish’s overall texture, making it even more enjoyable.

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In my view, Peter Robb perfectly encapsulates the essence of Sicilian caponata in his book Midnight in Sicily. He vividly compares the caponata he enjoyed in Palermo with the version he had experienced in Naples. This comparison highlights the unique flavors and ingredients that define Sicilian cuisine with its  its distinctive flavours within Italian gastronomy.
As Robb discovered: eggplant is the purple heart of Sicilian caponata – and it is the principal ingredient.

I realised caponata in Palermo was something very different. It was the colour that struck me first. The colour of darkness. A heap of cubes of that unmistakably luminescent dark, dark purply-reddish goldy richness, glimmerings from a baroque canvas, that comes from eggplant, black olives, tomato and olive oil densely cooked together, long and gently. The colour of southern Italian cooking. Caponata was one of the world’s great sweet and sour dishes, sweet, sour and savoury.

The eggplant was the heart of caponata. The celery hearts were the most striking component: essential and surprising. Pieces of each were fried separately in olive oil until they were a fine golden colour and then added to a sauce made by cooking tomato, sugar and vinegar with a golden chopped onion in oil and adding Sicilian olives, capers …….

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CAPONATA DI MELANZANE CON CIOCCOLATA (Caponata with chocolate)

In Sicilian cuisine there are a number of recipes, which include chocolate to enrich the flavour of a dish (see HARE or RABBIT COOKED IN CHOCOLATE and chocolate in eggplant caponata is a common variation in certain parts of Sicily.

In the early 1500s, the Spanish conquistadors discovered a variety of unknown foods in the New World.Among these was xocolatl, (chocolate) obtained from ground cacao seeds. Spanish nobility arrived in Sicily during the 15th and 16th centuries and they brought their exotic ingredients from the New World to the island. This was also an ostentatious period of splendour and opulence for the clergy and the Sicilian aristocracy.

Although many traditional Sicilian dishes are said to be Spanish legacies, it is more accurate to say that some Sicilian cuisine incorporated both Sicilian and Spanish traditions.

Follow the recipe for eggplant caponata below and add good quality cocoa or/and dark chocolate with a high percentage of cocoa .

Cocoa: The majority of the recipes for caponata enriched with chocolate suggest the use of cocoa powder (about 2 tablespoons of cocoa to 2 tablespoons of sugar dissolved in a little water to form a thick paste). Add this mixture to the pan after you have made the agro dolce sauce and before you add the cooked vegetables.

Dark Chocolate: My most favoured alternative is to use 50g of dark, extra fine chocolate (organic, high cocoa content – 70%). Add the chocolate pieces into the agro dolce sauce and stir it gently as it melts, and then I add the cooked vegetables. This results into a much smoother and more luscious caponata.

In a modern Sicilian restaurant with a young chef, I was presented with an eggplant caponata where the chocolate was grated on top, much like grated cheese on pasta. A creative and successful alternative.

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Process for making eggplant caponata

You will need a deep, large fry pan aand sometimes I use my wok. If you use a non-stick frypan you may not need as much oil, but the surface will not be as conducive to allowing the residue juices to form and caramelise as in a regular pan. (After food has been sautéed, the juices caramelise – in culinary terms this is known as fond. Non-stick pans do not produce as much fond).

Although the vegetables are fried separately, they are all incorporated in the same pan at the end. When making large quantities I sometimes use a wok.

extra virgin olive oil, ¾ cup (depending how much the vegetables will absorb)
eggplants, 3-4 large, dark skinned variety
onion 1, large, chopped
red tomatoes, 2 medium size, peeled and chopped or 2 tablespoons of tomato paste and a little water or some canned tomatoes
capers, ½ cup, salted or in brine
green olives, ¾ cup, stoned, chopped
celery, 2-3 tender stalks and the pale green leaves (both from the centre of the celery)
white, wine vinegar, ½ cup
sugar, 2 tablespoons
salt and freshly ground pepper

Cut the eggplant into cubes (approx 30mm) – do not peel. Place the cubes into abundant water with about 1 tablespoon of salt. Leave for about 30 minutes – this will keep the flesh white and remove any bitter juices while you prepare the other ingredients. Although it is not always necessary to do this, the eggplant is said to absorb less oil if soaked previously. You will need to weigh the eggplant down. I use a lid that is smaller than the basin to keep the eggplants submerged.

Prepare the capers – if they are the salted variety, ensure that they have been rinsed thoroughly and then soaked for about 30 minutes before use, and then rinsed again.

Chop the onion.
Slice the celery into very fine slices and chop the green leaves.
Peel, and coarsely chop the tomatoes (or use tomato paste or canned tomatoes).

Drain the eggplants and squeeze them to remove as much water as possible – I use a clean tea towel.
Heat a large frypan over medium heat with ½ cup of the extra virgin olive oil.
Add eggplant cubes and sauté until soft and golden (about 10-12 minutes). Place the drained eggplants into a large bowl and set aside (all of the vegetables will be added to this same bowl).
Drain the oil from the eggplants back into the same frypan and re-use this oil to fry the next ingredients. Sometimes I use a colander to drain the batches of eggplant and this makes it easier to return the drained oil into the frypan.

Add the celery and a little salt gently for 5-7 minutes, so that it retains some of its crispness (in more traditional recipes, the celery is always boiled until soft before being sautéed).
Remove the celery from the pan and add it to the eggplants.

Sauté the onion having added a little more oil to the frypan. Add a little salt and cook until translucent.
Add the tomatoes or the tomato paste (with a little water) to the onions, and allow their juice to evaporate.
Add the capers and olives. Allow these ingredients to cook gently for 1- 2 minutes.
Empty the contents of the frypan into the other cooked vegetables.

 

For the agro dolce sauce (sweet and sour sauce):

Add the sugar to the frypan (already coated with the caramelised flavours from the vegetables). Heat it very gently until it begins to melt and bubble. Add the vinegar and allow it to evaporate.

IMG_7384
Incorporate the cooked vegetables into the frypan with the agro dolce sauce.
Add ground pepper, check for salt and add more if necessary.
Gently toss in all of the cooked ingredients over low heat for 2-3 minutes to blend the flavours.
Remove the caponata from the pan and cool before placing it into one or more containers. Store in the fridge till ready to use and remove it from the fridge about an hour before eating– it will keep well in the fridge for up to one week.

When ready to eat, sprinkle with either toasted almonds or toasted breadcrumbs. I like to add fresh basil or mint leaves.

In my first book, Sicilian Seafood Cooking there is whole chapter devoted to caponata. I have also written other posts with recipes on the blog :

A MOUNTAIN OF CAPONATA – two days before Christmas 

CAPONATA SICILIANA (CATANESE – Caponata as made in Catania) 

FENNEL CAPONATA (Sicilian sweet and sour method for preparing certain vegetables)

CAPONATA (General information and recipe for Caponata di patate – potatoes)

ABOUT PANETTONE AND SOURDOUGH

Artisan panettone, lievito madre (sourdough starter) and the slow art of Christmas baking are inseparable from the story of this celebrated Italian Christmas cake.

As Christmas approaches, panettone seems to appear everywhere. Once principally associated with Milan and northern Italy, it is now enjoyed around the world, and Australian shops increasingly display elaborate boxes of imported Italian panettoni alongside versions made by local artisan bakers.

But not all panettone is the same.

There is a considerable difference between an inexpensive, industrially produced panettone and one made slowly by an artisan baker using lievito madre — the traditional natural leaven. The difference is evident in the texture, fragrance, flavour and, inevitably, the price.

And lievito madre takes me back to something my Sicilian father used to tell me about his mother.

Panettone has travelled far beyond its Milanese origins to become one of Italy’s most recognisable Christmas foods.

From Milan to the World

Panettone has long been associated with Milan, but its transformation into an Italian national Christmas tradition owes much to the growth of commercial production during the early twentieth century.

From the 1920s onwards, large-scale producers were able to make panettone more consistently, package it attractively and distribute it by rail throughout Italy. What had been strongly identified with Milan gradually became part of Christmas celebrations across the country.

Eventually, panettone travelled much further.

Today it is produced not only by the large Italian manufacturers but also by pastry chefs and artisan bakers throughout Italy and beyond. The traditional panettone has also inspired numerous variations using regional ingredients and contemporary combinations.

Photo caption: The distinctive tall, domed shape of panettone became synonymous with Christmas throughout Italy during the twentieth century.

Artisan Panettone and Lievito Madre (sourdough starter)

Many inexpensive commercial panettoni rely on production methods designed for consistency, volume and shelf life. Artisan panettone, however, is generally associated with much slower fermentation and, in its traditional form, with lievito madre.

Lievito madre literally means “mother yeast”. It is a living culture of wild yeasts and lactic acid bacteria maintained with regular additions of flour and water.

It is related to what English speakers generally call a sourdough starter, although the lievito madre traditionally used for enriched Italian doughs such as panettone is usually maintained differently from the wetter starter commonly used for sourdough bread.

And this is where my grandmother enters the story.

My Sicilian Grandmother Was Using Lievito Madre

When I first began experimenting with bread at home, like most people I used commercial baker’s yeast – lievito di birra in Italian.

My father would tell me that his mother never needed it.

Whenever she made bread, she saved a piece of uncooked dough from the loaf she was shaping, put it aside and used it to leaven the next batch. As far as he was concerned, this was simply how his mother made bread.

My father was Sicilian and full of such stories. He also talked about companion planting and the influence of lunar cycles on sowing, germination and plant growth.

Thinking myself a modern woman, I regarded much of this as folklore.

Years later, when I learned more about natural fermentation, I realised that at least one of those old stories contained some very sound science. My grandmother had been maintaining a form of natural leaven – her own lievito madre.

The yeasts and bacteria within a mature starter ferment the flour, producing the gases that make dough rise while also contributing acidity and a complexity of aroma and flavour that cannot be achieved simply by adding commercial yeast and rushing the fermentation.

Suddenly, my father’s story made perfect sense.

Slow Bread and Zeally Bay Bakery

This appreciation of natural fermentation is one reason I have long enjoyed the breads made by Zeally Bay Sourdough in Torquay, Victoria.

John and Jan Farnan established the bakery with a commitment to traditional sourdough methods and certified organic and biodynamic ingredients. The bakery has developed an extensive range of naturally leavened breads and baked goods, and its culture has a history stretching back to 1981.

Over the years, I have had the pleasure of tasting many of their breads, as well as brioche and Easter buns.

More recently, I tried the bakery’s panettone.

And it was very good.

Photo caption: Naturally leavened artisan bread depends on fermentation, good ingredients and, above all, time.

What Makes a Good Artisan Panettone?

The panettone was fragrant and complex, with the individual flavours of the flour, eggs, butter and fruit still discernible rather than being overwhelmed by sweetness or artificial flavouring.

That complexity is one of the rewards of long fermentation.

A good panettone should be extraordinarily light for something containing so much butter, egg yolk, sugar and fruit. Pull it apart and the crumb should be soft, elastic and almost feathery, with long strands rather than the close texture of an ordinary cake.

Natural leavening also contributes to its characteristic aroma and keeping qualities. Properly made and carefully wrapped, a good panettone can remain beautifully moist for days, with its flavours continuing to meld and develop.

The quality of the ingredients matters too. Butter should taste of butter; citrus peel should taste of citrus; dried fruit should remain succulent rather than becoming anonymous specks suspended in sweet dough.

What looks simple requires considerable skill.

Imported or Locally Made Panettone?

So, if you are planning to serve panettone at Christmas, should you buy an imported Italian one, choose one made by a local artisan baker, or attempt to make your own?

There is no simple answer.

Some commercially produced Italian panettoni are very good, and large-scale production does not automatically mean poor quality. However, it is worth reading the ingredients and considering how the panettone has been made.

With an imported product, freshness is another consideration. Panettone intended for international distribution must survive packaging, transport and storage before reaching an Australian shop.

Higher-priced artisan panettoni are generally made with greater attention to ingredients and fermentation, although price alone is never a guarantee of quality.

Buying from a good local artisan baker offers another advantage: the panettone may have travelled only a few kilometres rather than halfway around the world.

Photo caption: Imported Italian panettone now appears in Australian shops in an extraordinary range of styles, prices and elaborate Christmas packaging.

Panettone Has Moved Beyond Milan

Although Milan remains the spiritual home of panettone, artisan bakers throughout Italy have made the tradition their own.

Alongside the classic combination of raisins and candied citrus peel, contemporary panettoni may contain chocolate, chestnuts, figs, nuts, spices or other regional ingredients.

In Sicily, it is hardly surprising to find artisan panettoni that make generous use of the island’s extraordinary produce: pistachios, almonds, chocolate and candied citrus fruits such as orange, lemon and citron.

These are not necessarily ancient Sicilian traditions. Rather, they demonstrate how a food can retain its essential identity while being adapted to another region’s ingredients and tastes.

Panettone may have begun as a Milanese speciality, but it now provides a canvas for pastry chefs throughout Italy.

Photo caption: Sicilian artisan panettone often celebrates the island’s own ingredients, including pistachios, almonds, chocolate and candied citrus.

Could You Make Panettone at Home?

Of course you could.

The more pertinent question might be: do you really want to?

Few home bakers make traditional panettone, and there is a reason for this. It is one of those foods that looks deceptively simple in its paper mould.

Making a traditional panettone with lievito madre requires patience, precision and an understanding of fermentation. The starter must be mature, active and balanced before you begin.

It needs regular feeding of flour and water to maintain the microorganisms responsible for fermentation. Before making panettone, bakers commonly give the lievito madre repeated feedings of flour to ensure that it is strong enough to raise an exceptionally rich dough.

And it is rich.

Butter, egg yolks, sugar and fruit all make life more difficult for yeast. The flour therefore needs sufficient strength to support the dough through long mixing and fermentation while developing the characteristic tall, airy structure.

The dough is generally developed through successive stages rather than simply mixing everything together and leaving it to rise.

In other words, this is not a cake you decide to make at four o’clock because friends are coming for dinner.

And Then You Hang It Upside Down

Even after the panettone emerges magnificently from the oven, the work is not finished.

The hot, delicate crumb is so rich and fragile that the panettone can collapse under its own weight as it cools.

The traditional solution is wonderfully dramatic.

The base is pierced with long metal skewers and the entire panettone is turned upside down and suspended while it cools — often for many hours. Home bakers improvise by suspending it between two supports or across a deep saucepan.

Hanging allows the delicate internal structure to set without the dome collapsing.

It is one of those techniques that makes you appreciate why an artisan panettone costs considerably more than an ordinary cake.

Photo caption: Freshly baked panettone is traditionally cooled upside down so its delicate, airy structure does not collapse.

So, Will You Make One?

Making traditional panettone at home can be enormously satisfying. For an experienced bread maker who enjoys working with natural leavening, it is a fascinating challenge.

You will need an active lievito madre, strong flour, excellent butter and eggs, good fruit, accurate timing and plenty of patience.

You will mix, knead, wait, refresh, ferment, mix again, wait again, bake — and finally hang your creation upside down.

Or you could find an excellent artisan baker who has already spent years learning how to do all of this.

Christmas is close.

Do you really wish to make your own panettone?

Zeally Bay Sourdough Panettone

PANETTONE AND PANFORTE for an ITALIAN CHRISTMAS

 

 

PASTA CON SARDE – the baked version, Palermo, Sicily

This is Pasta con le Sarde, the baked version, and a taste of Sicily’s history. It is one of the most iconic Sicilian dishes and consists of bucatini pasta tossed with sardines, wild fennel, pine nuts, saffron, and topped (or encased)  with golden, fried breadcrumbs.

Pasta con le Sarde can be served hot or cold and is visually more impressive when baked into a tummàla, a Sicilian term derived from the Arabic. The Italian name is timballo, from the French timbale, the cooked ingredients are encased in rice, pasta or pastry.  The dry breadcrumbs are used to line and cover the contents in the baking pan, the long bucatini can be coiled around the pan and together with the sardine sauce become the filling.

I’ve cooked this dish many times and it is one of those recipes that tells a tale that begins with Sicily’s layered history and whenever I make this dish, I enjoy telling this story to my guests.

A tale – a Dish Born of Conquest and Creativity

Muslim Arabs took control of North Africa from the Byzantines and Berbers and began their second conquest of Sicily in 827 from Mazara, the closest point to the African coast. By 902 they had fully conquered Sicily. The Muslims were known as Moors by the Christians and by the time of the Crusades, they were also referred to as Saracens.

When the Muslim Arabs conquered Sicily from 827 to 902 AD, they brought with them not just new rulers, but new flavours — saffron, nuts, and dried fruit. Legend has it that when Arab troops first landed on the island, their cook was told to prepare food from whatever could be foraged. The soldiers brought to the cook wild fennel and sardines, plentiful along the Sicilian coast.

The cook combined these local ingredients with his own Arabic exotic ingredients and flavours of Arabs and North Africans – the saffron, dried fruit and the nuts. And so Pasta con le Sarde was born.

To this day, it remains a quintessentially Sicilian dish, especially in Palermo. Its sweet-savoury, sea-meets-land flavour captures Sicily’s unique blend of cultures.

Baked or Fresh Pasta con le Sarde  – The Sicilian ‘Tummàla’

This layered, breadcrumb-crusted bake turns simple pasta into a festive centrepiece. The recipe  with slight variations is also featured in my book, Sicilian Seafood Cooking.

Wild fennel is seasonal and is not always easy to find so I use fennel bulbs. On this occasion I bought fennel bulbs with the greatest amounts of green fronds, added some ground fennel seeds and a splash of Pernod to enhance the fennel taste.

Wild fennel

If you can get wild fennel, place it into some cold, salted water (enough to cook the pasta) and boil it for 10-15 minutes (it can be left in the water for longer). The green tinged, fennel-flavoured water is used to cook the pasta — it will flavour and colour the pasta. Reserve some of the tender shoots of wild fennel raw to use in the cooking of the sauce.

Drain the cooked fennel and keep the fennel-flavoured water to cook the pasta. Some of the cooked fennel can be added to the pasta sauce.

Traditionally, wild fennel is boiled to make the aromatic water used to cook the pasta. When wild fennel is scarce, bulb fennel makes an excellent substitute. I like to boost the anise flavour with a pinch of ground fennel seeds or a splash of Pernod.

Baked Pasta con le Sarde (Serves 4–6)

I prepare Pasta con le Sarde in sufficient quantities to have some leftovers for baking. This is a particularly useful strategy when I have different guests arriving on two occasions in close proximity. It is especially advantageous around Easter and Christmas when fish is still a preferred dish on Good Friday and Christmas Eve. The leftovers can be reconfigured for the following day.

Ingredients:

  • 500g bucatini
  • 500g fresh sardines (fillets)
  • 1 large fennel bulb with fronds, finely chopped
  • 1 tsp ground fennel seeds or a dash of Pernod
  • ½ cup extra virgin olive oil
  • 1 onion, finely sliced
  • 4 anchovies, chopped
  • ¾ cup toasted  pine nuts
  • ¾ cup toasted almonds
  • ¾ cup currants or sultanas (soaked)
  • ½–1 tsp saffron threads (soaked)
  • Salt, black pepper or chilli flakes
  • 100g coarse breadcrumbs, made with day old, quality bread (sourdough/pasta dura), lightly tossed and toasted in oil with a little lemon zest, a little cinnamon, and sugar

Method:

Prepare the fennel and Sardines : Slice the fennel into thin slices and cut fronds finely. Cut about two thirds of the sardine fillets into thick pieces. Reserve whole fillets to go on top and provide visual impact.

Cook the sauce:

In a wide pan, heat olive oil and sauté onion until golden. Add fennel and cook until softened. Stir in pine nuts, almonds, and currants  (drained). oss gently until heated.

Add the sliced sardines, salt and pepper or chili. Cook  for about 5-7 minutes, stirring gently.

Add the anchovies (try to remove any bones if there are any) and as they cook, crush them with back of spoon to dissolve into a paste. Add ground fennel seeds or a splash of Pernod to enhance the fennel taste. Add saffron (and the soaking water) and continue to stir and cook gently.

Fry the whole fillets of sardines in a separate frying pan, keeping them intact. Remove them from the pan and put aside.

The Pasta: Boil bucatini in the fennel water (if using wild fennel) until al dente.
Drain the pasta.

Combine: Toss pasta with the sauce, sprinkle with breadcrumbs, and top with fried whole sardine fillets.

Timballo (Baked Version) of Pasta con le Sarde

Method:

Make more breadcrumbs using the quantities above. For a deeper crust, double the quantities. I am not a great lover of using more breadcrumbs as you see in the photos.

Line a baking tin with baking paper or foil to prevent sticking and make lifting easier. Traditionally a round shape is used.

Sprinkle with the toasted breadcrumbs and layer coiled bucatini, sardine mixture, more pasta, and breadcrumbs. Make the bottom and the top thick layers of breadcrumbs if you wish for a significant crust.

 Sprinkle with extra virgin olive oil, cover with foil and bake in preheated 200°C for approximately 20- 30 minutes. Remove the foil and bake for another 10 minutes. When the dish is baked, the breadcrumbs form a crust.

 

The result? A fragrant, golden, fragrant dish and centuries of Sicilian history.

 

LINKS:
WILD FENNEL, link with photos

PASTA WITH ANCHOVIES , wild fennel and breadcrumbs recipe

EASTER IN SICILY

LA VIGILIA (Christmas Eve revisited)

A SEAFOOD CHRISTMAS Feast with Fran Kelly; RADIO NATIONAL BREAKFAST PROGRAMME