Category Archives: Meat/Carne

The Ugly Ducklings in Italian Cuisine (Scarrafoni in cucina)

Late last year, I was contacted by Massimiliano Gugole from SBS Radio and asked if I would like to contribute to an SBS program on Season 2 of The Ugly Ducklings of Italian Cuisine.              

The idea of the program is to showcase nice tasting but nasty looking Italian dishes. Massimiliano wanted to interview me about a particular dish from South Eastern Sicily that starts out looking gruesome but ends up tasting glorious. I think he must have found me through a recipe I posted on my blog about this particular dish, which one of my aunts used to make when we visited Ragusa for our Sicilian summer holidays.

My recipe and the Ugly Duckling interviews in English and Italian are entitled Zuzzu, described on the SBS website as an ancient, pork terrine that uses everything of the pig, but the oink!

I mentioned to one of my friends in Canberra that I had been interviewed for this program and with his wicked sense of humour said: “Surely the ugly duckling reference has got nothing to do with you!”

Here’s what SBS had to say about Season 1 followed by Season 2:

About Season 1

SBS has today launched its first ever bilingual podcast series – The Ugly Ducklings of Italian Cuisine (Scarrafoni in cucina) in English and Italian – celebrating the most delicious, non-Instagrammable Italian dishes that might never have come across your plate.

Over the course of six episodes, the series will follow some of Australia and Italy’s most well-known chefs and food critics, including acclaimed restaurateur and food personality Guy Grossi, celebrity chef Poh Ling Yeow, and food blogger and author Emiko Davies, as they explore and celebrate Italy’s least appetizing specialties.

Podcast host Massimiliano Gugole, from SBS Italian, said: “Italy is a country of beauty, with its food celebrated all over the world, but this podcast will introduce listeners to some of our lesser-known culinary treasures, with a healthy dose of irony thrown in for good measure.

About Season 2

SBS’s first bilingual podcast is back for seconds! Season Two of The Ugly Ducklings of Italian Cuisine (Scarrafoni in Cucina) returns in Italian and English to introduce six new dishes for the adventurous eater such as sea urchin gonads, stew with chocolate and wild boar, and risotto with a stinging weed.

A line-up of new guests will share their expertise in the world of Italian food including award-winning Melbourne chef Alberto Fava, Sicilian food truck owner Pino D’Addelfio, TV chef, author and former Food Director of Australian Women’s Weekly, Lyndey Milan, and the inimitable queen of TV cooking, Nigella Lawson.

SBS Italian Producer Massimiliano Gugole said the podcast started from a love of weird and wacky food.

“During the first season I talked about a typical dish from Verona – pearà. Not even people from neighbouring cities knew about it. When they saw a picture, they thought it looked like vomit but I, like all Veronese, love it!” said Gugole.

Looking past the superficial, Season Two of The Ugly Ducklings of Italian Cuisine will delve deeper into how these unique, local dishes became a proudly acquired taste.

“These dishes are not the celebrities – the pizzas and pastas – but they have strong links to families, towns and history. My intention is to tell their stories,” Gugole said.

“On Instagram, all food is perfect: perfect framing, perfect garnishes, but my research shows that’s not what makes food delicious. Nigella Lawson even once said, ‘brown food tastes the best’.”

Episode three in English features TV cooking royalty Nigella Lawson, who talks about stinging nettle risotto and her special relationship with 98-year-old Italian-British food writer Anna Del Conte. Lawson cites Del Conte as her only culinary influence, apart from her mother. In the Italian version of this episode, we hear from the doyenne herself, Anna Del Conte.

Conte and Lawson join guests including blogger and Instagram sensation Emiko Davies, environmental scientist and sea urchin expert Dr Paul Carnell, Italian food writer Chiara Cajelli, and research scientist Dr Maurizio Rossetto from the Royal Botanic Garden Sydney, as well as restaurateurs from Italy and Australia, university professors, medieval food fanatics and more.

The podcasts in both season 1 and Season 2 are worth listening to and are very entertaining.

BS Italian Executive Producer, Magica Fossati, says differences between the Italian and English episodes on the same topic are an interesting by-product of having the same conversation with bilingual guests, but both versions are worth listening to as they complement each other.

“I heard some Italian language teachers recommended our first season to their students because it’s easier to understand and study Italian with English context,” she said.

Both English and Italian speakers can look forward to hearing a fresh perspective on the world of lesser-known Italian dishes in season two, available on the SBS Radio app and SBS Italian website. Episode one launches on February 1, recipes for the dishes featured in the series can also be found on SBS Food.

My recipe of Zuzzu and is in Italian and English.

I have listened to both podcasts about Zuzzu.
The Italian version is different to the English. One happened before anyone ate it, the other after people tasted it. The Italian version is probably more amusing and includes commentary from Lisa Ferraro, who used to live in Melbourne and one of the two who instigated Bar Idda, a Sicilian restaurant in Brunswick East, Melbourne. Lisa now lives in Rome and organises travel tours in Sicily.

Compliments to Massimiliano Gugole who did an excellent job interweaving other speakers in the interviews.

Listen or follow The Ugly Ducklings of Italian Cuisine in the SBS Radio app or your favourite podcast app, to hear all episodes in the series.

Find a collection of recipes featured in the first series on the

SBS Food website, including this recipe for my Sicilian pork terrine (Zuzzu)

Here are some photos about the preparation of Zuzzu:

The head

The head in the pan

The boiled meat drained

The different parts of meat, separated (2 photos above)

Dealing with the jelly (2 photos above)

Dealing with the terrine (2 photos above)

A tasty sauce to pour on top of the Zuzzu or to serve with it, can be made with a mixture of chopped parsley, extra virgin olive oil, some lemon juice, salt and either pepper or chili flakes. At times, I also like to add a few chopped leaves of fresh garlic or mint in mine, but this is optional. The dressing can be as thick or as thin as you wish to make it.

Links:

https://www.sbs.com.au/language/italian/en/podcast/the-ugly-ducklings-of-italian-cuisine

https://www.sbs.com.au/language/italian/en/podcast-episode/zuzzu-an-ancient-sicilian-pork-terrine-that-uses-everything-but-the-oink/okrixs5gn

https://www.sbs.com.au/food/social-tags/ugly-ducklings

My original posts about this dish:

GELATINA DI MAIALE. Pork Brawn

GELATINA DI MAIALE and HAPPY BIRTHDAY BAR IDDA (Buon Compleanno Bar Idda).

VITELLO TONNATO MADE WITH GIRELLO (cut of meat)

Vitello Tonnato was a festive dish in my childhood home and it has remained so in mine.

In my childhood home, it was presented as an entrée when we had guests.

Nowadays, of course, very few of us have definite first and second courses. Anything goes! I am smiling as I write this – doing away with some conventions isn’t a bad thing. But years back, I would never have ordered a risotto, soup or pasta as my main course! Never.

When my mother made Vitello Tonnato, she always pot roasted the veal. The veal was cooked slowly with the usual broth vegetables – an onion cut in half, a carrot and a stick of celery. There were also herbs – bay leaves, a bit of rosemary and mainly sage. Sage always with veal and pork, my mother said. The moisture was supplied by some white wine and stock, or a little water and a stock cube. The vegetables were blended into a little home-made ,egg mayonnaise, some of the very flavourful and naturally jellied gravy/sauce, 2-3 hard boiled eggs, capers and some anchovies. This was the Tonnato sauce; tonno is ‘tuna’ in Italian.  My mother did not use a Girello because she thought that cut of meat would be too dry. She preferred a boned leg of veal. This was yearling beef in Australia.

The finely sliced meat was placed in 4 to 5 layers, each topped with some of the sauce and placed into a serving dish with sides. On top there was a layer of the yellow egg mayonnaise with some sliced hard-boiled eggs and maybe some giardiniera a colourful decoration of Italian garden vegetables pickled in vinegar, that added texture and sourness. Sometimes there were anchovies or capers, or sliced carrot as was one of an earlier versions of Vitello Tonnato.

And it always tasted very good.

Vitello Tonnato originates from Piedmont, but it has become a widely eaten Italian dish.

If you have eaten Vitello Tonnato in an Australian restaurant, you may have had it in a single layer with the tonnato sauce on top. My taste buds and sense of smell are pretty sharp, but rarely have I tasted complex flavours in the Tonnato sauce. There have, however, been a few good ones.

There are many recipes both in the Italian language books/web and many available in English. In most recipes the meat is what I would call boiled or poached. The cut of meat suggested in recipes is mostly Girello, the long, round, nut or eye cut of silverside that is extremely lean that is perfect for slicing. It is found outside of the rear leg.

Even though you may poach the Girello in liquid it can be dry. My mother was sometimes right.

But there is a way to keep it moist, and that is to poach it on a gentle simmer rather than on medium or high heat. The other trick is not to cook it for long and then leave it in the poaching liquid to finish off cooking. If you follow this process, the meat will remain pink and firm. I leave the meat in the poaching liquid to keep it moist until I am ready to slice it.

These days I do use a Girello and I like to sear the meat lightly before I poach it to add colour and taste. Interestingly enough, I have not found many recipes that sear the meat first and perhaps it is why I like and identify with the recipes for Vitello Tonnato from Guy Grossi and Karen Martini. Even Ada Boni just poaches it.

Most recipes add anchovies to the poaching liquid, but I prefer to add them to the Tonnato sauce.

The Meat

1.5k – 1.8k veal/yearling Girello,

1 onion, 1 carrot, 2 celery stalks and some of the tender light green leaves, all thinly sliced,

6 fresh bay leaves, a few sage leaves and whole peppercorns and if you wish, add about 3 juniper berries, or cloves or a teaspoon of fennel seeds and a little salt,

600 ml dry white wine, 250 ml (1 cup) white wine vinegar, 250 ml (1 cup) of chicken stock: this quantity should just cover the meat when it is poaching. Add more of the liquid if necessary.

Extra virgin olive oil for searing the meat and the vegetables.

The Tonnato sauce

4 anchovy fillets, 4 hard boiled eggs, 2 tins (each 425g) of drained good quality, tinned tuna in oil, 2 tablespoons of capers (in this case I don’t mind using the pickled capers), 200 ml of extra virgin olive oil, the juice of one lemon.

Sear the meat on all sides in some oil, remove from the saucepan and sear the vegetables by tossing them around in the pan for about 5 minutes.

 Add the wine, vinegar and stock, herbs, pepper and spices and bring to the boil.

Add the meat, make sure there is enough liquid, and simmer over low heat. Cook it for about 15-20 minutes. Switch it off and leave the meat to keep on cooking and cool in the liquid.

Store the meat in the liquid until you are ready to slice it and assemble it but remove a cup of the poaching stock to reduce to about ¼ of a cup. This is added to the Tonnato sauce.

For the Tonnato sauce, blend the tuna, anchovies, drained capers, extra virgin olive oil, lemon juice, extra-virgin olive oil, the reduced liquid and hard-boiled eggs. I also like to add some of the drained celery leaves and sage. I nearly always have some home-made egg mayonnaise in the fridge and also add some of this if the sauce is too thick, otherwise use a little more of the poaching liquid. The sauce needs to be the consistency of mayonnaise.

Slice the veal thinly across the grain. I like to make little mounds of meat for each person, spreading each slice of meat with a little sauce and repeating the process. Depending on the width of the meat each mound will have 2-4 slices.

Top each mound with more sauce. Cover and refrigerate until you are ready to serve it. Bring the Vitello Tonnato to room temperature and arrange some sliced boiled eggs and capers on top. A little bit of greenery around it is also good.

YEARNING FOR VITELLO TONNATO

VITELLO TONNATO

 

BRAISED KID (capretto) in a simple marinade of red wine, extra virgin olive oil and herbs

Marinating is an effective way to add flavour, moisture and to tenderize meat before cooking. I do this with all the large pieces of meat that are going to be slow cooked. Even steak, pork fillets and some fish get a short session of marinade, even if it is just a splash or rubbing of extra virgin olive oil with seasoning, garlic and/or herbs. For most of my large pieces of meat,  I often use an acid , like, wine, citrus juice or vinegar. This component of the marinade helps to tenderise the meat.  The herbs and spices enhance the flavour. Good olive oil has a multi-purpose function.  It adds a distinct taste, melds the different flavours of the marinade together and, after the meat is drained from the marinade , some of the oil that has adhered  to the meat assists in the browning process.

For this braise, I bought 3 legs of kid (capretto) and deboned it. This amounted to roughly 1.5 kg. The same marinade can be used for goat, lamb or sheep and would also be good for beef.

There were four of us for dinner and there were some leftovers that I converted into a Sardinian-flavoured sauce for gnochetti by adding a few, common Sardinian ingredients.

1.5 kg of kid, cubed
Marinade: 750g (1bottle) of red wine,1/2 cup extra virgin olive oil, herbs – bay leaves, rosemary, sage, thyme, juniper berries
Leave meat in marinade for about 8 hours.

The meat is drained from the marinade before browning and braising.

For the soffritto: 1 onion, 2 carrots,1 stick of celery, all finely chopped.
Stock is added during cooking to ensure that the meat remains moist.

Pancetta or speck, about 50g bought as a whole piece and cut into small cubes, 
extra virgin olive oil to brown the meat,
salt to taste,
fresh herbs, peppercorns and juniper berries (as above) to replace the spent herbs and flavourings from the marinade.

Make the marinade, add the cubed pieces of meat and leave it to marinate for 8 hours.
When ready to cook, drain the meat, save the marinade and remove all of the herbs, peppercorns and juniper berries.

Use a heavy based saucepan for cooking.

Brown the meat, a little at a time. Do not overcrowd the meat. Remove the meat and set aside.

Sauté the pancetta or speck in extra virgin olive oil.

Add the onion first and  stir it around the hot pan to soften. Next, add the carrots and celery and slowly sauté the ingredients. This is the soffritto.

Add the browned meat.

Add the marinade, fresh herbs, seasoning and flavourings. Add some stock during the cooking process as the meat dries out. I added about 1 cup of stock. It is always easy to evaporate excess liquid at the end of cooking rather than cooking meat in too little liquid.

Cover the pan and braise slowly.

The meat I cooked must have been quite tender because it cooked in two hours.
Remove the meat and evaporate some of the liquid.

I presented the meat with braised Brussel sprouts, sautéd mushrooms and roasted, squashed potatoes. Baked polenta would have been good too.

What did I do with the leftovers?

Lamb and goat are often used in Sardinian dishes.

For the Sardinian style pasta, I sautéd a little onion in some olive oil, a added some saffron that had been soaking in stock, a little tomato paste and the meat with its leftover juices.

I used gnocchetti sardi – shaped pasta. I added shards of pecorino cheese when I presented the pasta and emulated Sardinian ingredients and flavours .

Other kid or goat recipes:

RAGU` DI CAPRETTO – Goat/ kid ragout as a dressing for pasta

RICETTE per capretto (e capra) – Recipes for slow cooked kid and goat

RIGATONI CON RAGU D’ANATRA (duck ragout)

Making a duck ragout/ragù with minced duck is not much different from making a good bolognese sauce.

It is the same cooking method, they are both slow cooked and have the same ingredients: the soffritto made by sautéing   in extra virgin olive oil minced / finely cut onion, carrot and celery.

I use the same herbs and add a grating of nutmeg.

Wine and good stock  are very much staples in my cooking, in this case I add white wine with the duck because it is a pale meat.

In this case the vegetables for the soffritto are not as finely cut as I would have liked, however my kitchen helper was in a hurry. I say this in a light tone, the sauce could have looked a little better, but it tasted good.

There are few little things that are different from making a bolognese and a ragù d’ anatra (duck ragout) to dress pasta:

The addition of a little milk or cream that is usual in the bolognese; this is because the duck is fatty. I watched the seller place  whole duck breasts into the mincer so the fat is to be expected.

Because of this abundance of fat I also skim some of the fat off the surface once the ragout is cooked.

I add is less tomato paste. When I make a ragout with duck or game, I make a brown sauce rather than red.

Sometimes, I also may add a few dried mushrooms to enhance the taste. The liquid also goes in.

And there you have it:

Rigatoni con ragù d’ anatra (duck ragout).

SEE:

PAPPARDELLE (Pasta with Hare or game ragù)

MAIALE AL LATTE (Pork cooked in milk)

A winter dish you could say!

Not so.  Even if it is pork, MAIALE al latte is a light, delicate and sweet tasting dish, a classic recipe from the Veneto region of Italy.

This is one of the easiest and most delicious recipes for cooking a lump of pork, either the loin or the neck. I prefer it not to be a fatty piece of meat and I trim most of the fat off.

Many like to prepare a pork dish for Christmas. Pork braised in milk could make a pleasant  change!

I always use full cream milk. The milk separates into flavourful and creamy curds that can be gently strained out and served on the side or under the succulent, cooked meat that has been sliced. The meat juices and whey are the fragrant sauce.

Fresh sage, garlic and lemon rind are the flavours. I  also like to use quite a bit of black pepper.

I used a boneless loin of pork. Ingredients for 1k.500g:

extra virgin olive oil and butter to seal the meat and brown
1 small head of  garlic,  cloves peeled and halved
salt and freshly ground black pepper
fresh sage,  about 10 large leaves
full cream  milk, a sufficient amount to cover up to three quarters of the meat.
lemon peel from one large lemon cut into thin, wide strips – use a potato peeler.

Trim the fat off the meat, rub salt and pepper all over the pork and leave for about 10 mins.
Use a heavy-bottomed pot that is large enough to hold pork and milk that will almost cover the pork.
Brown the pork on all sides in some oil and butter. Use medium-high heat. Add pork and cook until well browned on all sides.
Add garlic and sage and milk. Bring to a boil, add lemon zest, reduce heat to medium-low.
Cover and gently simmer the meat. Resist stirring. Turn over the meat a couple of times and cook for about 3 hours.  The milk will have reduced and golden curds would have formed. It will smell like caramel.

Transfer meat to a cutting board and let it rest while you lift off the curds gently and separate them from the liquid. The garlic will have dissolved into the sauce. Remove the lemon peel and the sage leaves. Skim off any fat (I did not need to do this as my meat was pretty lean).

Slice the meat.  Serve  on a bed of curds and the caramel meat juices poured on top.

Present with asparagus for a taste of summer.

‘NDUJA, was considered peasant food in Calabria

I am not Calabrese, and not being Calabrese means that I only discovered ’nduja late in life, as it was very much a regional and local food. I may have been late, but I did discover ’nduja much earlier than those living in Australia, who are now celebrating its use in a big way. Better late than never, because ’nduja is a fabulous salume (smallgood).

Featured photo is Tropea, Calabria.

So what is ’nduja?

We can thank Richard Cornish for his full-flavoured description of it in his Brain Food column in The Age on 10 November: A fermented sausage, originally from Calabria in Italy, that has a texture like sticky pate and a spicy kick on it like an angry mule. Pronounced en-doo-ya, it is a mixture of pork fat (up to 70 per cent), pork, salt, spices, culture and chilli peppers, which are ground together until smooth, wet, unctuous and deep red. It is stuffed into large-sized natural animal skins and slowly fermented and air-dried. The lactic acid bacteria in the culture ferments the sugars in the mix, making the ’nduja acidic enough to keep it safe from bad bugs. The name is Calabrian slang and is said to derive from the word for the smoked French sausage andouille.

Is it nduja or ’nduja? You will find that in certain references the spelling will be without an apostrophe.

The apostrophe before the nd (as in ’nduja), does not appear in the Italian language and I spent some time looking for the why it is spelt that way. It appears that in Calabrese, nd is proceeded by an apostrophe. Think of ‘Ndrangheta, as the mafia is referred to in Calabria, and ‘ndrina, the different families or clans, usually made up of blood relatives that are part of theNdrangheta.

Like most Calabresi, I usually spread ’nduja on fresh bread (like pâté) or I have used it as an ingredient in pasta sauces – it can fire up a tame ragù (a meat-based tomato sauce). I have also added ’nduja to sautéed cime di rape and Italian pork sausages, and to squid or octopus for a pasta sauce or on their own to be mopped up with bread.

I first encountered this spicy, spreadable sausage about forty years ago in the home of a Calabrese family who used to slaughter a pig and make smallgoods. They covered all of the smallgoods with chili. To their taste, food without chilli seemed flavourless, but also that the coating of chilli acts as a barrier, repelling flies (and bad bugs as Richard says) and is therefore a powerful and natural preservative. It’s the chili that gives this soft spreadable ’nduja salame its distinctive red colour.

Years later (about 23 years ago), I had some ‘nduja in the Sila mountains in Calabria, but I did not know then, that this peasant food product was to become the taste-sensation outside of Calabria that it is now.

My addition of ’nduja to seafood came much later in my cooking after I tasted a pasta dish of squid and fried breadcrumbs spiced with ’nduja, in a restaurant in Marin County, in California in the northwestern part of the San Francisco Bay Area of the U.S).  Years later, I had a similar dish in a London restaurant. Both blew me away.

Probably the first dish I tasted with ’nduja in a Melbourne restaurant (Baby octopus with ’nduja) was at Tipo 00 when it first opened and later at Osteria Ilaria.

Originally, ’nduja was considered peasant food. It was first made by contadini (farmers/ workers on the land) who raised and butchered pigs and being poor, would sell the prime cuts of pork to upper-class families who could afford them.  as is the way of the frugal, offal, excess fat, and off- cuts of meat were blended together, seasoned intensely with chilli, stuffed in a casing and transformed into a soft salame that tasted good and did not spoil easily.

These days ’nduja is probably made with better fats and cuts of meat and with its popularity, the price has also risen. ’Nduja originated in the Vibo Valentia province in Calabria, and much of it still comes from the town of Spilinga but it is now showing up as an ingredient all over Italy and in many restaurants in UK, US and in Australia – imparting a chilli kick on pizza, in pasta dishes, seafood dishes, burgers and even with Burrata; I would have thought that fresh cheeses are far too delicate to go with the strongly flavoured and spicy ’nduja. However each to their own. ’Nduja is no longer just found in specialist supermarkets and specialty butchers, but also in some fairly ordinary supermarkets. I have liked some varieties much more than others, so it is worth experimenting.

For those who like chillies, recipes that include ’nduja on my blog:

‘NDUJA, a spreadable and spicy pork salame from Calabria

PASTA with ‘NDUJA, CIME DI RAPA and PORK SAUSAGES

‘NDUJA with SQUID, very simple

‘NDUJA and CALAMARI as a pasta sauce

‘NDUJA, SQUID, VONGOLE AND PAN GRATTATO with Spaghetti

 

CASSOULET? Not quite

Did I use mutton? Pork rind? Pork hock?
Not even goose?
Breadcrumbs on top? Confit of duck?
No, not any of these.

Cassoulet? Not quite. Perhaps I can call my recipe Cassoulet inspired.

Melbourne is in lockdown and I cooked this just for the two of us, and with no guests to impress, I took an easy option. Many writers have written about Cassoulet and I enjoyed leafing through some of the numerous books on my bookshelves.

It takes a lockdown! I have not leafed through books for a very long time.

I found recipes for Cassoulet in books by: Claudia Roden, Paula Wolfert, Joyce Goldstein, Stephanie Alexander, Guy Grossi and Jan McGuiness, Alice Waters, Clifford A Wright, Julia Child, Raymond Oliver, Elizabeth David and Rick Stein. If I had kept looking I may have found more.

The most comprehensive recipes are in this book:

The best photo for ingredients are in this book:

There is very little fat in my version of this dish; this is yet another reason why it cannot be called a Cassoulet. I used chicken legs and thinly cut pancetta because they needed using up. Instead of the pancetta, that I had in my fridge, I would have preferred to have used cubed pieces of speck, fatty prosciutto or raw bacon.

Ingredients

I used duck pieces, chicken legs , good-quality garlicky pork sausages, pork steaks from the neck, some pancetta and chicken stock. 

1 onion, 3-4 cloves of garlic, cannellini beans (soaked over night and cooked), 1/2 can of peeled tomatoes, thyme, bayleaves, parsley, bit of celery with leaves, pepper and salt.

Processes

I used a Dutch oven (thick bottom pan, suitable for slow cooking). This allowed me to brown the meat on the stove and to transfer the pan to the oven. . 

The cannellini beans can be cooked beforehand and stored in the fridge: Soak over night (about 3 centimetres above the beans). Drain the beans , cover with fresh water, add some bay leaves and celery then simmer till nearly cooked/almost tender, but retain a slight bite, 30 – 40 minutes.

Brown the meat: Begin with the duck, and use the rendered fat from the duck to brown the other meat. Remove the duck, add the  pancetta, seal it and set aside. Add some extra virgin olive oil or duck fat or lard if you need more fat and continue to brown the chicken,  pork and sausages, turn occasionally until well-browned on both sides.  Remove each piece of meat when it has browned and set it aside with the duck. It is best not to overcrowd the meat whilst browning.

Add onions, stir and scrape up browned bits from the bottom of the pan.  Add beans with some of the broth from the beans, garlic,  thyme, parsley, bay leaves and tomatoes. Cover with stock.

Arrange the meats on top of the beans with the skin facing upwards.  Make sure  that the meat is almost completely submerged. with the stock.

Transfer to oven (155C) and cook, uncovered, until a thin crust forms on top (about 2 hours). The crust is a combination of the fat and collagen  from the meat and bones and the homemade chicken stock I used. The beans need to be covered with liquid and the meat mostly submerged. The liquid will evaporate so add more water or stock as it cooks – pour it carefully and gently down the side of the saucepan so as not to break the crust that forms on top as the ingredients cook. 

Continue cooking undisturbed until the crust is deep brown and thick (at least 3 hours). Usually a real cassoulet is cooked for longer, but the meat was very tasty,  soft and succulent.

Definitely not a Cassoulet, but I had fun dipping into some of my old books, cooking, eating and writing about it.

 

 

 

SALAME – all shapes and sizes

You will find salumerie (small goods  shop) decked with all types of salame  

This is a photo in Tropea, Calabria. See what I mean?

Many Australian-Italian families get together during winter for salami making . Once made, the salami are hung to ferment and age in cool dry spaces and  usually in insulated home garages.

In Australia, salame has become very well-liked. There are stalls of salame at almost every Farmers’ Market, courses for making salame, competitions and fairs. There are an ever- increasing number of various salami made by artisans, butchers and many made at home. And what may surprise some of us, is that just like passata makers, many salumi (smallgoods) makers are now from a non- Italian background.

Salame (and types of mettwurst) are also made in Southern, Eastern and Central Europe and I have eaten excellent salame in Hungary, France, Germany and in Spain.

In a Farmers’ Market in Lancefield a little while ago I bought a salame. Lancefield is a small town in the Victorian Shire of Macedon Ranges (about an hour’s drive from Melbourne).

What first caught my eye was the display board in front of the stall listing the types of salame for sale.

I burst out laughing and the young assistant behind the stall knew exactly why I laughed and why I bought the salame called Brucia Culo:

Brucia = burn, Culo = bum and you guessed it, it was hot.

She told me her father was the person who was the bespoke butcher of the range of salami on offer and he had named them all. Clever man!

The salame tasted terrific and we  could not wait to eat it so we took it with a loaf of bread, local extra virgin olive oil and some heritage tomatoes to Macedon National Park for a picnic, and practically ate all of the salame there and then.

You may have noticed that in Australia salame is now an essential ingredient on platters that offer salumi on menus.

Salame (and types of mettwurst) are also popular in other countries – Southern, Eastern and Central Europe and I have eaten some excellent salame in Hungary and in Spain.

All Italians love salame and I am not stereotyping when I say this. Each region of Italy has particular DOP favourites and at least 113 different types of salami have been identified.

I have many photos of salami and salumerie ( shops that specialize in smallgoods) taken all over Italy; I never take photos unless I make a purchase (an Italian thing!) so you can imagine how much salame I have eaten all over Italy! The photo above was taken in Trentino-Alto Adige/Südtirol.

The photo below was taken in Tuscany. The salame is likely to be all local.

Salame can be coarse-grained or have a fine texture, or cut by hand, seasoned for a few days or several months; have a firm or soft texture and some are even spreadable. They can be lean or high in fat, some have fat pieces that remain much thicker and evident when sliced. Some are flavoured with pepper, garlic, chilli or fennel seed, some are marinaded in wine while others are spiced with secret ingredients. Various parts of the animal is used and although pork is the most common ingredient, there are salami made with duck, deer, wild boar, goose.

The above photo was taken in Lombardy.

In Ferrara in Emilia-Romagna, I had Salama da sugo, a bulbous salame that is eaten cooked.

In Abbruzzo I have eaten salamini (small sausage sized) that were kept in jars and they were covered with olive oil to keep them moist. what made them even more special was that I bought them from a road-side stall.

In Calabria I went to the evocative Serre Mountains of Serra San Bruno in the Province of Vibo Valentia in Calabria, and ate one made with wild boar. It tasted marvellous. this was followed by lunch at the restaurant by the Carthusian Monastery where every course contained porcini in some form or another.

Living in Trieste as a child, the Veneto salame was one of the favoured ones. I now find that the Veneto can be particularly fatty and is not always one of my favourites.

In Piedmont and in Tyrol I had a cooked salame. These are usually made with pork and veal or young beef. The texture reminded me of cotechino.

In Loxton, in the Riverland of South Australia, I ate a very delicious home-made version that had chilli on the inside and flakes all around the outside – this was the mechanism used to keep the flies off.

The people who made this were Calabresi and this is not surprising as in Calabria they like a bit of chilli… think of ‘Nduja.

This spreadable salame  is fairly hot!

In 2020 I did not travel but in1919, I spent quite a bit of time in Tuscany especially in the Maremma and I really enjoyed the wild boar versions of salame. I also liked a particular salame called the Cinata Senese especially popular in the province of Siena and throughout the Tuscan territory. The Cinata Senese breed of pork was in danger of extinction but is making a comeback; it is especially favoured by the smaller artisan producers.

Perhaps the most unusual salame I have eaten was one made with asino (ass) in Sicily, a specialty of the region of Ragusa. I also was invited to a BBQ where I ate ass meat – light, delicate and succulent.

For photos of salame made with ass meat in Sicily see  post below:

CHIARAMONTE in South-Eastern and the best butcher in Sicily

NDUJA, a spreadable and spicy pork salame from Calabria

PASTA with ‘NDUJA, CIME DI RAPA and PORK SAUSAGES

NDUJA with SQUID, 

SPAGHETTI with NDUJA, SQUID, VONGOLE AND PAN GRATTATO

COTECHINO AND LENTILS 

RICETTE per capretto (e capra) – Recipes for slow cooked kid and goat

Quite a bit of cooking went on over the Christmas and the New Year period and there was no time to write about it. Most of the time I do not  even manage to take photos, however for this dish, I did.

This is a slow cooked goat with mushrooms. The Sicilian bit in this dish is that the goat pieces were marinated in Marsala Fine (semi dry) and cooked with Marsala too. Most recipes eventuating from the rest of Italy would use wine – red and perhaps white.

I used the goat ragout to dress egg  pappardelle.

I hope the photos tell the story.

I bought a leg and a shoulder of capretto… the italian word for kid and the etto at the end of the word makes it diminutive…however, judging by the size of it, it was a capra…a goat.

There were seven of us for lunch and I also bought a kilo of mushrooms.

Below is the photo of the marinade:

Marsala Fine,  extra virgin olive oil, herbs – bay,  cloves, rosemary –

these herbs are used in sicilian cooking but I also used nepitella and sage  –  herbs that are more common in the north and central Italy.

I cut most of the meat off the bone but kept the bones in with the meat to marinade overnight.

Drain the meat and bones and sauté  the meat in some extra virgin olive oil in small batches.

Place the sautéed meat aside and finish sautéeing all the meat and the bones.

Prepare the sofritto – white onion, carrot and celery, chopped pretty small.

Use the same pan.

Sauté the onion first in some extra virgin oil,  then add the carrots and celery and sauté some more.

Add the meat and bones.

Add the marinade, the herbs (and some new ones too).

Add salt and pepper and some good meat stock and more Marsala.

Cover  and cook on slow heat. Check level of moisture regularly and if needed add more stock. I cooked mine for just below four hours. Remove the bones….they should be clean.

Add sliced mushrooms, cover and cook for 20 – 30 minutes more.

Dress the cooked pasta with the ragout.

Present  the pappardelle with grated pecorino and fresh mint leaves.

See:

RAGU` DI CAPRETTO Goat/ kid ragout as a dressing for pasta

SPEZZATINO DI CAPRETTO (Italian Goat/ Kid stew)

SLOW COOKED LEG OF GOAT WITH HOT MINT SAUCE

KID/GOAT WITH ALMONDS (SPRING IN SICILY, CAPRETTO CON LE MANDORLE)

SICILIAN SEAFOOD COOKING, ITALIANICIOUS and READER’S FEAST Bookstore. Recipe for Slow cooked goat in Nero D’Avola

COOKING WITH GRAPPA, cosce di gallina (chicken upper thighs)

I use alcohol in my cooking very frequently. Cooking with alcohol enhances the taste and smell of many dishes.

In savoury foods I mostly add wine or wine-based beverages and spirits. Liqueurs are mostly for desserts, although I rather like the orange taste in Cointreau for pan fried duck breasts, duck or chicken livers and pork fillets. When I want a taste of fennel or anise, as for example in fish, Pernod is a favourite.

Using different herbs and spices are also very apparent in my cooking to impart different flavours and aromas.

One of the most common and simplest ways I use alcohol is to deglaze the pan after pan frying or sautéing meat, fish, vegetables or fruit. For example when cooking chicken or duck livers, once cooked, I remove the contents from the pan, pour in the alcohol and start scraping the sides and bottom of the pan – this dislodges all the tasty, caramelized bits ….I evaporate the liquid and the result is a very flavourful sauce.

Generally my most common types of alcohol for deglazing are wine, vermouth, brandy, Marsala Fine or Cointreau. Each of these beverages will add different flavours.

I need to say that my Sicilian relatives do not use much alcohol in cooking.

This brings me to my use of Grappa in cooking adding a subtle complexity to food. It is equally effective in savory and sweet dishes. Worth doing.

Grappa, the Italian spirit is produced from distilling the skins, seeds and stalks of grapes after making wine. It  is drunk and used widely in cooking in the northern regions of Italy.

In Trieste it was a favourite drink for many Triestines and it was a common ingredient when making pastries and sweets like frittole, crostoli and apple strudel.

When my family arrived in Australia there was no Grappa, but we soon met some people from Trieste and found that they were using hot water units with copper piping to distil Grappa in their homes. A very slow process, but how ingenious.

Illegal of course, but we were able to buy flagons of Grappa from these people.

Being interested in my roots  – Northern Italian and Sicilian –  I have recently reintroduced Grappa in some of my cooking.

Here is a simple recipe:

You can see  from the photo, the ingredients are what they call Lovely Legs (chicken), Italian pancetta, sage, rosemary,  Grappa, extra virgin olive oil and butter, and although Juniper berries go well with gin, I thought they would be good with Grappa as well.

The process is very simple.

Marinade the chicken legs (there were 5) in some oil, herbs, juniper berries and pancetta cut into smaller bits for about 2 hours or longer.

Add butter to a pan, place the marinated legs and contents in the pan and  gently brown the contents. Add a splash of  stock or water, cover and cook until the chicken is cooked.

Remove the contents, add a liqueur glass (about 2 tablespoons) of Grappa. Scarpe the solids from the sides and bottom of the pan and let it bubble for a minute or two to amalgamate the liquids.

Place the contents back in the pan to coat  them with the flavourful sauce, and there you are.