Now and again I feel nostalgic for the “old” food. From my childhood, I often hanker for Vitello Tonnato. It is eaten cold, can be easily prepared beforehand and is a perfect dish as a starter or as a main meal. Left overs make a perfect panino.
There is an earlier post with the recipe for Vitello Tonnato, but this time I will let the photos guide the cooking.
I used a grirello – the eye round steak. The vegetables are onion, celery, carrots, garlic and herbs. I have tied the herbs (bay, rosemary, thyme) with string so that they can be easily removed at the end of cooking. Usually I like to include sage, but I have none growing at the moment.
I insert slices of garlic into the meat.
Some recipes indicate that the vegetables and meat can be boiled. I do not always repeat what my mother did but like her I lightly brown the vegetables and meat and this does add to the taste. I used a fish kettle for the cooking.
There is a bottle of white wine and some chicken stock ready to add. I added about 1 cup of wine and 2 cups of stock.
The liquid will add flavour and keep the meat moist. I always evaporate the juices at the end to concentrate the flavours of the sauce. Add seasoning.
Cook the meat to your liking. My mother always cooked it till it was very well done – that is how the older generation cooked meat in those times. My meat is lightly pink, but could have been rarer – on this occasion I had guests who prefer their meat well done.
Cool the meat and slice thinly.
Now for the sauce: egg mayonnaise, drained tuna (packed in oil), capers, anchovies and some of the vegetables that were used in the cooking of the meat. If the reduced sauce has cooled and jellied, add a little of the sauce.
Blend the ingredients. before adding the mayonnaise.
Add the mayonnaise and this is the sauce.
Build the layers – slices of meat, topped with the sauce. I made it the day before I served it. The sauce penetrates and softens the meat.
I have had modern versions of this dish in a number of places, both in Australia and Italy and the preference seems to be to place the sauce on top of some slices without covering each layer of meat.
I like the meat to be smothered with the tuna sauce.
Decorate it as you wish. This time was not my best, I used the left over carrots, topped them with strips of anchovies, stuffed olives cut in half and pink peppercorns. My mother probably would not have approved.
As a child, I lived in Trieste with my parents, and Ragusa, Catania and Augusta were the towns in Sicily where my Sicilian relatives lived. Both Trieste (located at the head of the Gulf of Trieste in the region Friuli-Venezia Giulia) and Sicily are at the extreme ends of Italy, and as you would expect, the cuisines are very different.
I grew up with both cuisines and appreciate them both for very different reasons.
Capuzi garbi (or crauti/krauti) is sauerkraut in Triestino (the Triestine dialect) and it is a very popular ingredient in Triestine cuisine especially when mixed in Gulash (made with pork or beef), or with a lump of smoked pork, or luganighe (Triestine) – salsicce di maiale in Italian, and pork sausages for us mere mortals in the English speaking world.
When you look at a map of Italy, it is easy to see why this part of Italy has common roots with the cooking of Austria, Hungary, Slovenia, Croatia and Istria.
I have German and Polish friends and they too are fond of sauerkraut, and like my relatives and friends from Trieste, they tend to overcook it; my mother also did this when she cooked capuzi garbi.
But as we know, cuisine evolves and some of us have taken on new methods of cooking traditional foods.
In my kitchen, I cook sauerkraut for about a quarter of the time as the traditional method and at times, I also like to add a little fresh cabbage to lighten the taste and to add a different texture. A little flour browned in a little oil is added to the sauerkraut towards the end of cooking, but not me, and unlike my Triestine contemporaries I also add caraway seeds, bay leaves and a dash of white wine.
The ingredients are: pork sausages, sauerkraut, bay leaves and caraway seeds. Onion, extra virgin olive oil and pepper (the sauerkraut could be sufficiently salty). Fresh cabbage and a dash of white wine are optional.
Drain the sauerkraut and squeeze out the moisture. Soften some onion in a little oil (in Trieste lard is also common and added to the oil).
Adding a little white or savoy cabbage is optional.
And with the cabbage also add the sauerkraut and the rest. A dash of white wine will keep it moist while it cooks.
Cover and cook for about 15- 20 minutes on low heat until the sausages are nearly cooked and the flavours have had a chance to meld.
Remove the sauerkraut and slightly brown the sausages – only for appearance.
A duck ragù is nothing new, but it always seems to be special. Pappardelle is the pasta of choice for game and duck.
I bought a whole duck, dismembered it and trimmed away the obvious fat. I cooked the duck for the ragù over 2 days because ducks can be very fatty and I wanted to remove some of the fat.
I left the cooked duck overnight and the liquid jellied (in the meantime the flavours also intensified) and the fat rose to the top making it easier for me to remove most of I with a spoon. I used some of the duck fat to sauté the mushrooms.
for the soffritto: 1 onion, 1 carrot,1 stalk of celery
fresh rosemary, bay leaves
½ cup of diced tomatoes or 2 tablespoons of tomato paste
2 cups dry red wine
3 cups chicken stock
salt and black pepper
250g mushrooms…on this occasion I used brown mushrooms.
2 cloves of garlic, crushed
fresh thyme and parsley
Wipe the duck pieces to dry them as much as possible.
Heat a heavy based casserole and over medium heat add the duck skin-side down and fry until browned and fat renders (6-9 minutes).
Drain most of the fat. Turn and fry until browned (2-3 minutes), then set aside.
To the same saucepan add onion and soften slightly before adding the carrot and celery and sauté until vegetables are tender (5-8 minutes).
Return the duck pieces to the pan, add the wine, stock, tomatoes, seasoning, bay leaves and rosemary.
Cover and cook slowly for about 1¾-2¼ hours, until the meat looks as it will be easy to separate from the bones.
Leave to cool. The fat will rise to the top making it easier to remove.
Reheat the duck braise very briefly, just sufficiently to melt the jelly.
Remove the duck pieces and set aside. When they are cool enough to handle remove the the skin and strip the meat from the bones in chunks. Discard herbs and the bones.
Drain the solids from the liquid and add these to the duck. Place the liquid from the braise (i.e. that is yet to be reduced) in a separate container.
Wipe the pan and use some of the fat to sauté the mushrooms and garlic. Add parsley and thyme and some seasoning.
Deglaze the pan using about a cup of liquid and evaporate most of it. Repeat with the left over liquid until it has reduced.
Add the duck, a couple of twists of nutmeg and the ragù is ready.
Combine the cooked pasta with the duck ragù and serve.
Sometimes, it is easier to tell a story and describe a recipe by photos.
Goat or kid if you can get it has been available for a while this season (Autumn in Australia). The mint on my balcony is doing well, celeriac is in season, the last of the red tomatoes also and there is a glut of carrots in Victoria at the moment. And all of these ingredients, cooked on low heat and for a long time made a fabulous ragout (ragù in Italian). On this occasion I used the braise as a pasta sauce. Good quality Pecorino cheese is a must.
Goat cut into cubes – you can tell that it is not an old goat by the pale colour of the meat. It is trimmed of fat.
The usual onion , part of the soffritto in most Italian soups and braises.
Add a chopped carrot and instead of celery I used some celeriac and some of the inner leaves of the celeriac.
Remove the soffritto, add a little more extra virgin olive oil and brown the meat.
Add the herbs and spices. Recognise them? Salt and pepper too.
A couple of red tomatoes.
Top with liquid. I added a mixture of chicken stock (always in my freezer) and some Marsala, to keep it in the Sicilian way of things. On another occasion I may add white wine or dry vermouth.
Cover the pan and braise slowly.
It does not look as good as it tasted…the perfume was fabulous too.
Serve with fresh mint leaves and grated Pecorino.
N.B. Real Pecorino is made from pecora (sheep)..i.e. sheep’s milk. I used a Pecorino Romano. See how white it is in colour?
In the 90s I frequently used earthenware cooking pots of various sizes (also called clay and terracotta pots) mainly for baking. Some had lids and were perfect for braises. Some were glazed, partially glazed, or unglazed and most of them were Italian. Some were French.
There are various names in Italian for t earthenware pots depending on the shape and function – for example a tegame di terracotta only has one handle and is in the shape of a frypan, a legumieria is for cooking legumi (vegetables and pulses) and therefore has a lid and a wide middle, a teglia is shallow and for baking and comes in oval, round, square or rectangular shapes. The pignatta (or pignata) with a lid is for braises.
I used to use my French pottery for terrines, pâtés, French onion soup, gratin potatoes (or other vegetables), cassoulet, and the like and use my Italian earthenware pots for baked fennel, Italian braises like chicken or capretto (kid) and potatoes, veal shanks, hare.
There was no mixing of cultures in my kitchen – French recipes and Italian recipes were segregated to the correct pot.
But, cooking is also influenced by trends and fashion, and using earthenware became passé. I gave many of my earthenware pots away and over the years the ones I have kept are hidden in various cupboards in my apartment.
Many of them are out of reach and unfortunately, as often happens ‘out of sight, out of mind’.
Recently I found my Römertopf and I have begun using it again and some of the other pots too. Some of you (the more mature people) may remember the Römertopf casseroles. The original casseroles are a German brand first introduced in 1967 and still being made. They are made of natural clay and are a terracotta colour, have a lid, are rectangular and unglazed. I saw some in Paris cook shops not very long ago and are probably making a comeback.
This is my second Römertopf. I ruined my first one by cooking a very strong flavoured, spicy pork dish with lentils and could not get the flavour or smell out – everything I cooked tasted the same. Earthenware, especially the unglazed or partly glazed ones are porous and therefore the clay will absorb the flavours and fats of whatever you cook in them. it is a good idea to use one pot for similar flavored dishes or to have several pots as I indicated at the beginning of this post.
When it comes to washing earthenware I only use hot water and a brush – no soaking or detergents as they too can be absorbed. Clay retains water so I also allow the pots to dry completely before I store them to prevent mold from forming on the surface.
Earthenware will break with sudden changes in temperature; moving a hot pot from the stove or oven and placing it directly onto a cold surface is not a good idea. Nor is putting hot liquid or ingredients into a cold pot or cold into a hot pot.
They can be used in the oven or microwave and some can be used on the stove especially when a heat diffuser / simmer mat is used to help distribute the heat and cook on a slow simmer. My modern tajine is made of clay and obviously has been especially treated so that I can use this in the oven as well as the stove.
I now use my re- discovered Römertopf just for baking chicken. Earthenware helps to ensure that food is cooked evenly and maintains heat for a long time; the pot seals in moisture and the flavors of a dish and nutrients are preserved. My oven remains clean, nothing burns, nothing overflows.
The procedure for using the Römertopf is simple: the room temperature/ cold ingredients are placed into the cold Römertopf that has been soaked in water. It is then placed into a cold oven …no monitoring until the food is cooked.
Many ancient cultures including ancient Romans cooked in earthenware pots with lids by placing them in the glowing ashes of an open fire and the Römertopf is said to have been based on these Roman principles of cooking. Many cultures over the centuries have used this method of cooking in the ashes or over the ashes in fireplaces and chimneys.
There are many types of earthenware pots and each differ by the kind of clay that is used, the way it’s made, the shape, how it’s fired. The pots also come under different names, depending on and country of origin. For example the most common are the Moroccan tajines, the Provençal daubieres, Spanish cazuelas and the Colombian La Chamba pots.
I bought my first La Chamba pots from Oxfam in Adelaide about 30 years ago. They are a deep black colour and have a lustrous appearance. Recently I have seen many La Chamba pots in different shapes and sized in Australia.
Most Asian countries have different techniques of cooking food in clay and some of them require soaking (like the Römertopf) before cooking. I always soak (submerge) all of my earthenware pots in water (from cold water tap) for at least 20 minutes.
CHICKEN COOKED IN THE RÖMERTOPF
Whole chicken – free range, preferably organic. Remove any obvious fat. Sometimes I may place into the cavity one of the following: a whole onion or lemon, 2-3 whole garlic cloves or some herbs.
Herbs – any of the following but not too many as the flavours intensify and will be absorbed into the clay: rosemary, thyme, tarragon, bay, parsley or sage. Preferably, I place the herbs under the skin of the chicken.
Salt and pepper, rub inside and outside of chicken.
Vegetables – sometimes I may place vegetables under the chicken: whole mushrooms, potatoes, carrots, celery.
Do not preheat oven.
Soak whole Römertopf (top and bottom) in cold water for 15-20 minutes or follow soaking directions provided with the clay pot.
Pat dry chicken and sprinkle salt and pepper inside and outside the cavity. Place chicken breast side up and fill cavity of chicken any of the ingredients I have mentioned above. You will notice that I do not use strong flavours.
Place a few vegetables on the bottom of the chicken. There is no need to use vegetables unless you wish, but if you do you will taste the natural flavours of the vegetables – nice.
Cover the Römertopf and place in a cold oven.
Turn oven to 220C and bake 90 minutes. The chicken will be golden but if you wish to brown it further, remove the top during the last 10 minutes.
Remove from oven and place it on a towel or mat – nothing cold to avoid cracking. Food can be served from the pot.
This type of cooking will not taste bland, but I always find a reason to accompany it with a sauce…. the last sauce was one made with the remaining nettles growing on my balcony, and walnuts, but at other times there have been other sauces.
Walnuts and nettles sauce
Softened nettles or use spinach (2 tablespoons), parsley (1 tablespoon), walnuts (2 tablespoons), garlic (1 clove), salt, pepper to taste.
A dash of each of the following: extra virgin olive oil, lemon juice and sufficient chicken stock (the juices from the chicken) to make the sauce smooth and creamy.
Hare seem hard to come by and most of the time I have to make do with rabbit, however the way I cook rabbit is the same as when I cook hare.
I always marinade the rabbit before I cook it, perhaps for a shorter time, and the cooking time is reduced significantly especially for farmed rabbits.
I have recipes on the blog for cooking rabbit and hare and most of the recipes for cooking chicken can also be used to cook rabbit.
This time I took more photos while I was cooking the rabbit with cloves, cinnamon and red wine – you will recognize spices that are characteristic of some Sicilian cooking due to significant influences from the Arabs.
Pino Correnti in his book IL Libro D’oro della Cucina e dei vini do Sicilia calls this recipe CONIGLIO (rabbit) DA (from) LICODIA EUBEA
I have driven through Licodia Eubea on my way from Piazza Armerina to Calatagirone and then Ragusa but did not take any photos. I have photos from nearby Grammichele with its hexagonal shaped piazza in front of the main church. There is a large unusual sculpture in the middle that is one of the largest sundial in the world. Like in Licodia Eubea there seem to be very few people around and it appeared that we had the town to ourselves.
Particular dishes or ingredients come and go – for example remember the popularity and overuse of bocconcini or sun-dried tomatoes in so many dishes?
The novelty of certain produce or dishes wears off for a while and then they re-appear, sometimes creatively disguised and sometimes they become popular again.
Recently I enjoyed Steak Tartare in Paris, Venice, and Cividale del Friuli, Copenhagen and Malmo –– all prepared slightly differently, and some were better than others.
My father used to make his version of Beef Tartare –bistecca alla tartara. He used to pound slices of beef very thinly, add salt and pepper, a drizzle of good olive oil, a squeeze of lemon juice and leave it to marinate for a short time till it whitened – the meat changed colour, ‘cooked’ by the lemon juice.
The term Tartar is applied to nomadic Mongolic peoples. In the thirteenth century, the Tatars overran large parts of Russia and Europe (what is now Hungary, Germany and Bulgaria). The Tartars were reputed to be skilled horsemen, and this is where my father’s explanation of the origins of bistecca alla tartara comes from. The Tartars used to put slices of finely cut meat under their saddles and the sweat from the horse’s back would marinade and ‘cook’ the meat. When they camped for the night they had dinner ready.
Steak Tartare elsewhere is usually made with finely chopped beef and then it is either served with some condiments or the condiments are mixed with the meat before it is presented.
Popular condiments vary but the most common are finely chopped parsley and onion, capers, mustard, olive oil, lemon juice, salt and pepper and egg yolks. Sometimes there may be anchovies, cornichons, Worcestershire or Tabasco sauce. As you can see by some of the photos (I did not take photos of them all) garnishes and accompaniments vary.
I prefer my Steak Tartare simply dressed with extra virgin olive oil, lemon juice, salt and pepper and egg yolk. I like an additional egg yolk on top and a few condiments on the side.
Any good quality beef (tenderloin to sirloin or fillet) is suitable but it must be freshly cut – red in colour. Beef eye fillet is good as it is not fatty.
Using a very sharp knife, remove any fat and slice the steak into thin slices (cut with the grain), then cut across the slices to create strips of meat.
Cut across the meat again until you have the size of the mince you prefer. Place into the refrigerator while you prepare the condiments to dress the meat.
Whisk egg yolk, add the lemon juice, extra virgin olive oil, salt and freshly ground pepper to taste. Add the dressing to the meat and gently mix them together. Taste, and if necessary, add more of the above.
If you prefer your mixture highly seasoned add any of the following: Dijon mustard (Moutarde de Dijon), chopped anchovies, Worcestershire or Tabasco sauce, chopped onions, capers, cornichons, parsley.
Divide the meat on chilled dinner plates (form into disks) and press down firmly to pack tightly and remove any air holes.
Make a small dent in the centre of each disk and place a whole egg yolk on top of the meat.
I like to present the meat with a few garnishes on the side – a few capers, some chopped onion, a dollop of egg mayonnaise or mustard.
I serve it immediately as meat discolors quickly.
I enjoy scooping my meat with crisp, toasted slices of thin Rye bread (cold) or rye biscuits.
In one Paris restaurant, the Steak Tartare was presented with French fries, in Venice with bread croutons, in Cividale del Friuli it came with hot bread in a paper bag and curls of butter. Cividale del Friuli is close to Slovenia and the Steak Tartare was prepared alla Slovenia – it had chili in the mixture.
In Malmo it came with a little sour cream and in Copenhagen with thick slices of fresh rye bread – it was perfect for their version of this dish – strips of beef and an excellent egg mayonnaise to use as a dressing.
I enjoyed this version of Steak Tartare the most. I do not usually mention the names of eateries but I will on this occasion:
Manfreds focuses on everyday food, which is aided by modern techniques and raw materials of the highest quality.
The raw materials are biodynamic vegetables from Kiselgården and Birkemosgård, roots from Lammefjord, pig from Hindsholm, lamb from Havervadgaard, ox from Mineslund and herbs from the forest.
At Manfreds the wine is natural wine, which has made the restaurant Copenhagen’s first natural wine bar.
It is hot in Australia at this time of year and I am certainly not going to cook this popular and traditional Italian, New Year’s Eve dish – Cotechino e lenticchie – but some of you who are steeped into tradition may consider cooking this in hot or cold weather. If you do, make sure that as you dig into that sausage, you make a wish for the new year (it must be before midnight).
I cooked it last winter. Perfect for the cold weather. I first published this post on Dec 9th 2015 and it is time to publish it once more.
Cotechino is rather a large sausage which has a proportion of it made with some of the gelatinous meat from the pig trotter. Lenticchie are lentils- the ordinary green lentils. Cotechino e lenticchie is a dish that is more common in the north of Italy. I do not think that it is very common in Sicily, however as a result of media and recipe books and travel, food habits change, recipes evolve.
Just as we have adopted Panettone and Panforte at Christmas time in Australia, I gather that it is fairly hip to cook Christmas Pudding in Italy. So what do we think of that!
You will ned to visit an Italian delicatessen or butcher to buy a Cotechino sausage. If you live in Melbourne I go to Fairfield or Carlton. If you live in Adelaide Marino Food and Meat store at the Central Market. I know about and have visited Eataly in New York and they would definitely have it.
Cooking Cotechinoand Lentils is very simple, and delicious. The onion, carrot and celery are the Italian usual suspects when making broth or a soffritto (from soffriggere – to lightly fry – the soffritto refers to the sautéed vegetables that are the basis for most braises, pot roasts and soups.)
This is definitely one of those dishes where you can add 1 kilo of lentils if you wish – it depends what proportion of lentils to cotechino that you prefer. Have a look at my photo and decide.
1 cotechino sausage
700 g of lentils
1 stalk of celery
¼ cup olive oil
2-3 peeled tomatoes
2-3 bay leaves – I always prefer fresh, but i have a bay tree growing in a pot on my balcony – you may not be as lucky.
Soak the lentils in water for 30 minutes.
Sauté the chopped celery, carrot, onion in the hot oil till golden. Drain the lentils and add cold water to cover them well.
Add peeled tomatoes and bay leaves, cover and cook them and cook over low heat until cooked.
In a separate pan add the sausage to cold water- sufficient water to cover the cotechino, bring it to the boil and then simmer it until it is cooked but not split – say 50 minutes.
Skim some of the fat off the broth, cut the sausage into thick slices, add them to the lentils with as much of the broth as you wish and serve.
The flavours will intensify over the next few days so appreciate the leftovers – you could add more of the broth (from the cotechino) and eat it as soup. Great stuff, especially for those who are living in a cold climate!
I have mentioned Panforte ( sweet). For recipe see:
Time and time again I am asked what am I cooking for Christmas Day or Christmas Eve. The answer is that I do not know yet. I can say is that on Christmas eve I like to eat fish as is traditionally observed in Italy and on Christmas day I usually cook something that I do not normally cook or have not cooked for a while, for example for first course I may cook Spaghetti/ Pasta with sea urchin (ricci) or bottarga or squid with black ink or crayfish or crab.( SEE links to recipes at the bottom of this post.)
Traditionally my immediate family always ate brodo (broth) on Christmas day and lately I have been thinking about something that I have not made since 1984. I know it is this date because the recipe was in a book which was published in 1984 andI bought it the year it was published = Giuliano Bugialli, The Taste Of Italy.
And so the other night when I pulled out of my freezer some strong duck broth, I decided to experiment with making some home-made pasta cut into squares with parsley embedded in the centre. I had made it many years ago on several occasions . Only my daughter was coming for dinner, so if the results were not satisfacory, it did not matter so much. I am always in a hurry (I once had a friend who used to call me (Ms sempre in fretta – always in a hurry) and had no time to find the recipe. Besides I could not remember what the recipe was called or in in which Bugialli book would I find it, so I just went ahead and made it.
Because there were just the three of us eating the brodo I only wanted to make small amounts and use a rolling pin; there was no way I wanted to get out/ dirty/ and clean my pasta rolling machine….I was in a hurry.
And it was great. How could I go wrong? It is just homemade pasta with whole parsley leaves added to the dough. The parsley pasta is then cut into squares. The thinly rolled pasta with the whole parsley leaves are very attractive and resemble embroidery.
I had some asparagus (now in season) and I wanted to add a light summery feel to the brodo. Perfect for an Australian Christmas?
I found the recipe and not surprisingly Bugialli calls them Quadrucci – small squares. A quadro is Italian for square.
In Bugialli’s recipe, he suggests making the broth with Turkey- meat and bones. My duck stock was made with the carcase/carcass of a duck – I had removed the breast and legs for another dish.
WHAT I DID
good meat broth, fat skimmed off, solids passed through a fine mesh strainer,
sprigs of Italian parsley (I also tried some with basil leaves),
home-made pasta = *1 large egg per 100 grams of hard flour (like unbleached, bread making flour, high in protein) is sufficient for 3 persons. Double or triple accordingly.
Sift the flour and place it in a large bowl or on a bench (depending how you like to mix flour to make into a dough).
Make a well in the centre and add the egg and a little salt.
Begin to knead with your fingers; I begin by adding flour from the edges into the centre. Mix everything well. At this stage you may need to add a little bit more of flour if the mixture is too wet or a tiny bit of water if it is too dry. This is because of the differences in the size of the eggs and the absorbency of the flour. Work the dough till the pasta feels elastic.
Shape the dough into a ball, cover it (cloth or plastic wrap) and leave it for about one hour.
Using a rolling pin (or a pasta machine especially if making greater quantities) roll/ stretch the pasta quite thin.
Place whole parsley leaves on top of half the length of the layer of pasta. Fold the other half of the layer of pasta over the parsley, and press the layers together.
Roll it again until it is very thin and you will see the parsley through the top layer of the pasta – sandwiched in the centre and looking like embroidery. I also used basil leaves for some quadri (squares).
Cut the pasta into squares ( like ravioli). These do not need to be of regular size and shape. trim off irregular bits of pasta.
Bring the broth to a boil and add the pasta squares. Cook for 1-3 minutes- they will rise to the surface when cooked.
Once I added the pasta to the broth I added the asparagus. The ingredients were cooked in a very short time.
This is what my version looked like:
I did find Bugialli’s recipe and he adds grated Parmigiano and black pepper to his pasta dough. He also says that this is a representative dish from Puglia. Bugialli is from Florence.
Here is Bugialli’s recipe:
FOR THE BROTH:
900g/2lbs dark turkey meat, with bones
1 medium-sized red onion, peeled
1 stick celery
1 medium-sized carrot, scraped
1 medium-sized clove garlic, peeled but left whole
1 cherry tomato
4 sprigs Italian parsley
3 extra large egg whites
FOR THE PASTA:
40g (1 1/2 oz) (1/2 cup) freshly grated Parmesan
pinch of salt
6 twists black pepper
450g (1 lb) (3 1/2 cups) plain (all-purpose) flour
30 sprigs Italian flat-leaf parsley, leaves only
Prepare the broth: put the turkey, coarse-grained salt to taste, the whole onion, celery, carrot, garlic, tomato, and parsley sprigs in a large stockpot. Cover with cold water and put the pot over medium heat, uncovered. Simmer for 2 hours, skimming off foam from the top.
Remove the meat from the pot and reserve it for another dish. Pass the rest of the contents of the pot through a fine strainer into a large bowl, to remove the vegetables and impurities. Let the broth cool, then place the bowl in the refrigerator overnight to allow the fat to rise to the top and solidify.
Use a metal spatula to remove the solidified fat then clarify the broth. Pour 4 tablespoons of the broth into a small bowl and mix it with the egg whites. Pour the broth and egg white mixture into the rest of the cold broth and whisk very well. Transfer the broth to a pot and place it on the edge of a burner. Bring to the simmering stage, half covered, and simmer for 10 minutes, or until the egg whites rise to the top with the impurities, and the broth becomes transparent.
Meanwhile, place a clean, wet cotton tea towel in the freezer for 5 minutes. Then stretch the tea towel over a colander and strain the broth through it to clarify it completely. The broth should be absolutely clear.
Prepare the pasta with the ingredients listed, placing the grated Parmesan, salt, pepper, and eggs in the well in the flour. With much care and patience, gradually work the eggs into the flour until you have a slab of dough. Shape this into a ball and leave under a towel or in cling film (plastic wrap) to rest.
Stretch the pasta as thinly as possible by hand or with the pasta machine. Place the whole parsley leaves on top of half the length of the layer of pasta. Fold the other half of the layer of pasta over the parsley, and press the layers together. Continue to roll out the layer of pasta until it is very thin. Using a scalloped pastry cutter, cut the pasta into squares of about 5cm/2in.
Bring the broth to a boil and add the pasta. Cook for 1-3 minutes, depending on how dry the pasta is. Serve hot, without adding cheese, which would spoil its purity.
This is what Bugialli’s pasta looked like. With a little more effort and a pasta machine, mine will look like that too.
When a food is Agglassato (from a French word glacer) it is glazed. For example if it is a cake it could be glazed with glacé icing, glace cherries are glazed with sugar, the surface of a meat Pâté or any meat or fish to be eaten cold could be glazed with a jellied stock. And to me this implies that the glaze has a sheen.
In Sicily there is a traditional dish called Agglassato also Aggrassato ( to further complicate matters it can be spelled Agrassato and Aglassato) and it is braised meat (veal, lamb, kid, tongue) cooked with large amounts of onions.It is also referred to as Carne Agrassata -meat carne =meat and it is a feminine word, therefore the ‘a’ at the end.
Once cooked, the onions become very soft, the sauce is reduced and the onions became a thick puree Agglassato can also be eaten cold. This is when the onion sauce jellies, thickens and glazes the meat.
Although this particular dish may have been influenced by French cuisine, lard rather than butter is used – lard being more common in Sicilian cuisine.
Agglassato seems to be a method of cooking meat which is fairly wide spread across Sicily with a few variations. Some use less onions, others add potatoes and in some parts of Sicily, especially in the South-eastern region grated pecorino cheese is added at the end of cooking. Sometimes the meat is cooked in one piece and held together with string, at other times it is cubed as in a stew.
The sauce (without potatoes) can also be used to dress pasta – remove some of the onion sauce for the first course (pasta) then present the meat for the second course with contorni (side vegetable dishes).
The recipe is simple.
The ratio is:
1 kg meat to 1 kg onions
200 g lard or a mixture of lard and extra virgin olive oil
½ -1 glass of white wine
rosemary or sage or bay leaves
meat stock (optional)
In a pan suitable for making a stew heat the lard, add the sliced onions, and herbs. Soften the onions on low heat and then add the meat (cubed or in one piece).
Toss the meat around until it is white on the surface (unlike other stews do not brown).
Add the wine, cover and cook it over low heat for about 70 minutes per kilo of meat, less if the meat is in small pieces. Remove the lid about 15-20 minutes if the contents look too watery and allow the sauce to thicken.
If you are cooking kid or lamb (this is a common recipe for Easter especially in the south east of Sicily), the following ratio of ingredients is a useful guide.
2 kg kid, or lamb on the bone, cut into stew-size pieces
100g lard or a mixture of lard and extra virgin olive oil
4 cloves of garlic (whole)
1 glass of white wine
rosemary or sage or bay leaves
1 cup of parsley cut finely
meat stock (optional)
100 g grated pecorino cheese
In a pan suitable for making a stew heat the lard, add the sliced onions, garlic and herbs (but not the parsley).
Soften the onions and then add the meat.
Toss the meat around until it is white on the surface. Add the wine, cover and cook it over low heat for about 50-60 minutes. Check for moisture and add splashes of stock or water if the stew looks too dry. In Sicily kid and lamb are slaughtered as young animals and depending on the age and tenderness of your meat you may need to cook it for longer.
Peel and cut the potatoes into small chunks and add them to the stew. Add parsley and stock or water to almost cover the potatoes and cook until they are done (probably 30 minutes).
At the end of cooking sprinkle with grated pecorino.
In a previous post I have written about how my father used to cook tongue (lingua) in this way. Now and again he would also cook meat instead of tongue