Tag Archives: Sicilian food

RICCI, the ‘curly’ ones (SEA URCHINS)

Ricci, they all called and in Italian and this means the ‘curly’ ones. Spiny, perhaps, rather than curly.

At first sight, before they are sliced in half to be displayed or eaten, sea urchins or ricci (in Italian) look most like small explosive mines, covered as they are in dark glossy spikes.

Sea Urchins- Spaghetti chi Ricci – Sicilian

Whatever they are called in either English or Italian, the name of these forbidding looking delicacies is a puzzle.

A riccio di mare is an urchin (Ricci di mare is the plural).

riccio in Italian is also a porcupine. Both of these creatures have spikes and neither are curly so I have yet to fathom why the name ‘riccio’ is applicable to both of these creatures.

 As to why they are called “urchins” in English – who knows?

Richard Cornish in his regular Brain Food column for the Good Food section in the The Age. (February 14 / 2023) has written about Sea Urchins.

His articles always stir up memories and give me an opportunity to use the produce in the recipes he mentions, or refer to recipes I have already written. This time I shall provide links to posts about sea urchins I have written about in the past. His article also alerts me to the fact that sea urchins are available to purchase now and I must buy some again soon.

When ricci are mentioned I always conjure up an image of me as a child walking with my father,  early in the morning on a beach  somewhere in Sicily. My mother and father and I went to Sicily every summer. One of my dad’s brothers who lived in Sicily had driven the three of us there to collect ricci.  On this deserted beach, my father lifted rocks. He wore gloves.  My task was to lift small rocks and alert my dad if I found  a sea urchin.  My uncle had his own bag and he was collecting ricci on another part of the beach. We took them home, sliced them open, and like Joseph Vargetto (as mentioned in Richard‘s article), removed the black bits and we ate them raw like oysters with lemon.  On another occasion more members of the family came to the beach and we ate them at the beach with lemon.  I do not remember ever having ricci in Trieste, where we lived; ricci are popular in some other parts of southern Italy, but not in the north.

The other memories are eating them as an adult in Sicilian restaurants, always with spaghettini with some slight variations in the ingredients.

When I have bought ricci and used them I have found them to be incredible variable in the size and number of tongues of roe.  There are supposed to be five delicate tongues of gonads – the gonads are the roe, these are the edible parts (gonads function as both the reproductive organs and as nutrient storage).

The roe tongues can vary in colour from off-white to a deep orange, but the colour is not necessarily an indication to the taste.

How do I describe the taste? I can’t, it is not a pungent taste like say, anchovies, but it is definitely a marine taste, creamy but tasty.  Pasta is a great recipient for a quickly prepared sauce to dress the pasta. The roe is added raw, the heat of the pasta does the cooking. The pasta is traditionally spaghettini, (the thinner the better, more opportunities for the sauce to coat the greater surface), but hey! Not conventional, but I have also used egg pasta with great success, and I shall definitely experiment with using roe as a topping for steak tartare.

This is Richard’s article:

Everything you need to know about Sea urchins

The spiny armour of these simple sea creatures hides a rich and luscious interior. They’re a delicacy in Europe and Asia. In Australia, chefs are making the most of native species, using umami-rich urchins in pasta sauce and to top steak tartare.

What is it?

Ancient denizens of the sea, sea urchins are endemic to most of the globe’s waters. They live on the sea floor and dine mostly on algae. Inside these prickly, globe-shaped creatures is a simple alimentary canal and five large lobes of roe. The edible roe has a slippery yet creamy, buttery texture and a fresh, salty seafood flavour with a clean finish . Australia has many urchin species but one of particular interest is the long spine sea urchin, which has moved with warmer currents from its home off the NSW coast to Victoria and Tasmania. There, it devastates the kelp (brown algae) forests. These pests are targeted as a food species, alongside indigenous species, and hand-harvested by divers.

Why do we love it?

‘‘ Sea urchin is rich and buttery, a decadent and naughty food,’’ says Pip Pratt, executive chef at The Rover in Surry Hills, Sydney. ‘‘ Most rich food fills you up, but urchin is light. I love it because you
can spread it, eat the roe whole as is or use it in a sauce as a fresh, sea-like flavour enhancer.’’ At The Rover, lobes of roe are draped over a mound of finely chopped steak tartare, the creaminess working with the minerality of the raw beef. Melbourne chef Joseph Vargetto used to dive
for urchins off the beach at Brighton, treating them like oysters and eating the flesh raw with lemon, washed down with a crisp white wine. At his Kew restaurant, Mister Bianco, he serves fine hand-cut fresh spaghettini with a creamy sauce of cultured butter, pureed sea urchin roe and vermouth, garnished with fresh urchin roe.

How do you use it?

If using live urchins, wear a sturdy glove. Find the mouth opening at the base and use sturdy kitchen scissors to make two equal and opposite cuts halfway down the urchin. It will now split apart easily. Remove the five lobes of roe. Wash in salted water and remove darker membrane. The roe is now ready to use. Lay fresh lobes over nigiri rice to make the classic Japanese uni sushi. Serve roe as a side to Spanish cold almond soup. Add to seafood risotto with cold butter for extra creaminess and umami. Whisk raw urchin through eggs and a little cream to make silky smooth, just-set scrambled eggs topped with salmon caviar.

Where do you get it?

Buy live sea urchin from fish markets and fishmongers . Look for fresh processed roe from local processors. Keep live urchins in the fridge for two days if you are going to eat them raw, or five days if you are going to cook them.

The spiny armour of these simple sea creatures hides a rich and luscious interior. They’re a delicacy in Europe and Asia. In Australia, chefs are making the most of native species, using umami-rich urchins in pasta sauce and to top steak tartare.

What is it?

Ancient denizens of the sea, sea urchins are endemic to most of the globe’s waters. They live on the sea floor and dine mostly on algae. Inside these prickly, globe-shaped creatures is a simple alimentary canal and five large lobes of roe. The edible roe has a slippery yet creamy, buttery texture and a fresh, salty seafood flavour with a clean finish . Australia has many urchin species but one of particular interest is the long spine sea urchin, which has moved with warmer currents from its home off the NSW coast to Victoria and Tasmania. There, it devastates the kelp (brown algae) forests. These pests are targeted as a food species, alongside indigenous species, and hand-harvested by divers.

Why do we love it?

‘‘ Sea urchin is rich and buttery, a decadent and naughty food,’’ says Pip Pratt, executive chef at The Rover in Surry Hills, Sydney. ‘‘ Most rich food fills you up, but urchin is light. I love it because you

can spread it, eat the roe whole as is or use it in a sauce as a fresh, sea-like flavour enhancer.’’ At The Rover, lobes of roe are draped over a mound of finely chopped steak tartare, the creaminess working with the minerality of the raw beef. Melbourne chef Joseph Vargetto used to dive

for urchins off the beach at Brighton, treating them like oysters and eating the flesh raw with lemon, washed down with a crisp white wine. At his Kew restaurant, Mister Bianco, he serves fine hand-cut fresh spaghettini with a creamy sauce of cultured butter, pureed sea urchin roe and vermouth, garnished with fresh urchin roe.

How do you use it?

If using live urchins, wear a sturdy glove. Find the mouth opening at the base and use sturdy kitchen scissors to make two equal and opposite cuts halfway down the urchin. It will now split apart easily. Remove the five lobes of roe. Wash in salted water and remove darker membrane. The roe is now ready to use. Lay fresh lobes over nigiri rice to make the classic Japanese uni sushi. Serve roe as a side to Spanish cold almond soup. Add to seafood risotto with cold butter for extra creaminess and umami. Whisk raw urchin through eggs and a little cream to make silky smooth, just-set scrambled eggs topped with salmon caviar.

Where do you get it?

Buy live sea urchin from fish markets and fishmongers . Look for fresh processed roe from local processors. Keep live urchins in the fridge for two days if you are going to eat them raw, or five days if you are going to cook them.

Recipes and information on my blog about Sea Urchins:

SEA URCHINS ; how to clean and eat them (RICCI DI MARE)

RICCI DI MARE ; Sea Urchins

SPAGHETTI CHI RICCI – SPAGHETTI CON RICCI DI MARE (Spaghetti with sea urchins)

I found sea urchins in Footscray Melbourne. The roe is from Tasmania:

PESCE SALATO in SIcilia (Salted Fish in Sicily)and BOTTARGA revisited

I always look forward to Richard Cornish’s Brain Food column on Tuesdays in The Age. For his first article this year he has kicked off with Bottarga (January 25 issue).

What a great start!

He says that we love bottarga because it has the power to enrich and enhance dishes, much the same way as Parmesan cheese  improves pasta and jamon makes everything more delicious.  I always think of anchovies and how widely they are used not just in Sicilian cooking but in Italian cooking  generally an dhow much they enrich the taste of many dishes.

The bottarga that Richard is writing about is Bottarga di Muggine:  ‘the salted, processed and sun-dried mullet roe that is pale orange to yellow in colour.”

Having roots in Sicily, I am more accustomed with Bottarga di Tonno, made from tuna. In comparison to the mullet roe,  bottarga  from tuna can be darker in colour and more pungent in taste.

I bought this  lump of bottarga (in the photo below) from Enoteca Sileno in Melbourne. Mullet bottarga is easier to find.

In Sicily bottarga has been used for millennia and is only one of many parts of the tuna that are salted.

Many years ago, when bottarga would have been next to impossible to purchase in Australia, I purchased many packets of plastic wrapped bottarga  and various salted parts or the tuna from a vendor in the Market in Syracuse who specialised in salted and dried fish. I brought them back to Australia in my suitcase. I declared them, but because they were sealed securely  I was cleared through customs.

In my book Sicilian Seafood Cooking, I begin the section of the book PESCE SALATO (Salted Fish) by saying:

Salted fish has been greatly valued and an important industry in Sicily. During medieval times the standard Lenten diet was based on pulses and dried salted fish. Still popular in Sicily, salted fish were popular with the ancient Romans. Anchovies, which still flavour many dishes, probably replaced the gurum used widely by ancient Romans.

Gurum was made by crushing and fermenting fish innards. It was very popular during Roman times, an import from the Greeks. It was a seasoning preferred to salt and added to other ingredients like vinegar, wine, oil and pepper to make a condiment used for meat, fish and vegetables – much like the fish sauce used in some Asian cuisines.

Two early cookery books, The Art of Cooking: The First Modern Cookery Book by Martino of Como and On Right Pleasure and Good Health by Platina, praise the taste and quality of salted tuna (particularly the middle section of tuna called tarantellum or terantello). Salted tuna (sometimes called mosciam in Sicily) was introduced by the Arabs (who called it muscamma) in about the 10th century. It has firm, deep red-brown flesh that needs only paper-thin slicing and is mainly eaten softened in oil with a sprinkling of lemon juice.

Salted tuna is also produced in southern Spain; they refer to it as air-dried tuna or sun-dried tuna and Mojama tuna.

Bottarga (called buttarica or buttarga in Sicilian) are the eggs in the ovary sacs of female tuna. These are pressed into a solid mass, salted and processed. The name bottarga is thought to have evolved from the Arabic buarikh or butarah – raw fish eggs, once made made by dipping the sac in beeswax and leaving it to dry. Making bottarga is a much more complicated process now and is only produced in Favignana. It is grated to flavour dishes, or sliced finely and eaten as an antipasto.

I have eaten bottarga mainly grated over pasta dishes and eggplant caponata, but in Syracuse I enjoyed baked eggplant stuffed with seafood and topped with grated bottarga.

Richard Cornish says :

‘Grated bottarga is sensational over buttered pasta. You need nothing other than a glass of wine to complete the dish. Try it grated over spaghetti with tomatoes and a little chilli, or on hot flatbread drizzled with oil as an aperitivo. Make a delicious salad of finely sliced fennel and radicchio topped with bottarga. Grate bottarga into aioli to make a dressing for a Caesar salad. Make softly scrambled eggs, grate over 50g of bottarga and enjoy on hot buttered sourdough’.

Sounds good and I am looking forward to trying some of these.

I have a post on my blog  for  the recipe:

PASTA CON BOTTARGA ( Pasta with Grated Bottarga)

PASTA ALLA NORMA and a variation (Pasta with tomato salsa and fried eggplants; and currants, anchovies and bottarga) …photo, as eaten on the coast near Agrigento.

PASTA RIMESTATA COI CAVOFIORI – Pasta with cauliflower, sultanas, pine nuts and anchovies

The recipe for this pasta dish is from my book, Sicilian Seafood Cooking (now out of print).

In the Sicilian  language the recipe is called : Pasta chi brocculi arriminata. In Italian = Pasta rimestata coi cavolfiori.

Rimestata, seems like a fancy word, but it just means stirred

In English, I have described this as Pasta with cauliflower, sultanas, pine nuts and anchovies. 

In Italian the word for cauliflower is cavolfiore. Just to be different, the Sicilian name for cauliflower is brocculi.  

In Sicily coloured cauliflowers are the most common (unfortunately most of the colour fades when they are cooked). As well as the familiar white or cheddar (pale yellow) varieties, there are beautiful purple ones (cavolfiore viola in Italian) that range in colour from pink through violet to dark purple. A friend  in Australia is growing a variety called purple cape cauliflower and one that is light green and pink called cavolfiore romanesco precoce

There are also the bright, pale green ones and a sculpted, pointy pale green variety called Roman cauliflower; I have seen these in Rome and throughout Tuscany.

Every time I cook this pasta dish, there is great applause from guests.

Over time recipes evolve and each time I make it I  may vary it slightly, mainly by increasing the amounts of some of the ingredients, for example: I tend to use more bayleaves (or rosemary), pine nuts, anchovies (for people who like them and remove them for those who do not).

I also like to add some fresh fennel (at the same time as I place the cauliflower into the pan) and a little stock and white wine.

I present the pasta with both pecorino cheese and breadcrumbs. Sometimes I add cubes of feta or ricotta whipped with a little pepper. Feta is Greek, but I like it as it adds creaminess to the dish.

The ingredients and the method of cooking the pasta with cauliflower below is how the recipe appears in the book. The recommended  amount of pasta is 100g per person. In our household this is far too much and 500g of pasta is OK as first course for 6-8 people. As with all recipes I hope that you  vary it to suit your tastes. 

500g dry, short pasta

2 tablespoons sultanas or currants 

1 medium cauliflower

1 large onion, chopped

1/2 cup extra virgin olive oil

4–5 anchovies, finely chopped

2 bay leaves

1 tablespoon fennel seeds

2 tablespoons pine nuts

1 small teaspoon saffron soaked in a little warm water

grated pecorino or toasted breadcrumbs

salt and crushed dried chillies to taste

Soak the sultanas or currants in a cup of warm water. To prepare the cauliflower, remove the outer green leaves and break the cauliflower into small florets.

In a frying pan large enough to accommodate all the ingredients, saute the chopped onion in the olive oil. Add the anchovies and let them melt in the oil, stirring with a wooden spoon. Then add the cauliflower florets, bay leaves and the fennel seeds. Stir gently over the heat to colour and coat the vegetable with oil.

Add the pine nuts, the saffron (and water) and the sultanas or currants with the soaking water, salt and crushed chillies.

At this stage I add a splash of white wine and a little stock). Cover, and allow to cook gently for about 20 minutes, until the florets are soft.

Cook the pasta. Drain and toss with the cauliflower sauce. Coat the pasta evenly and allow to absorb the flavours for about 5 minutes. Serve with toasted breadcrumbs or grated pecorino cheese.

The breadcrumbs add texture and flavour.  Over time, instead of tossing coarse breadcrumbs, (100 grams made with day old, quality bread  – sourdough/pasta dura) lightly fried in some oil, I also add grated lemon peel, a little cinnamon and sugar to the breadcrumbs while they are being toasted.

Below: Saffron

Formaggio all’Argentiera (pan fried, fresh cheese, Sicilian)

I had forgotten how much I particularly like Formaggio Fresco, pan fried with a sliver or two of garlic in a smidgen of extra virgin olive oil, sprinkled with a little dry oregano and de-glazed with a little red vinegar and a pinch of sugar (optional). This is how Sicilians like it.

Formaggio Fresco = Cheese Fresh….Fresh Cheese.

This  Sicilian recipe is called Formaggio all’Argentiera.

Why All’ Argentiera?

An argentiere in Italian is a silversmith.

All’argentiera means “in the style of…as an argentiere would cook it”.

Why this name?

An argentiere can afford the price of meat, a poor person cannot, however, the poor can afford to buy and cook cheese and pretend that he is eating meat. The lovely smells dissipating from the windows of the poor will give passers-by the impression  that just like a silversmith he can afford to eat meat. It is all to do with the making a bella figura syndrome.

The recipe is quick and easy, the difficulty could be finding what is called Formaggio Fresco. What is ‘fresh cheese?’

Some producers call Formaggio Fresco,  Fresh Pecorino,  but they are  both young cheese (aged typically 15- 45 days depending on the manufacturer). It is a white, semi soft, smooth and milky cheese,  good for slicing and for partially melting.

Pecorino is made from the milk of a pecora, (sheep), however, most Pecorino Fresco or Formaggio Fresco, especially in Australia  is made from cows’ pasteurized milk, salt and culture (usually rennet).

Aged Pecorino, whether Romano (Roman), Sardo (Sardinian), Toscano, or Siciliano is the firm, salty and sharp cheese we are familiar with and used for grating – you can eat it too.  In Italy they are DOP cheeses and made in the place of origin.

Stores that have Italian Produce are likely to have Formaggio Fresco  but I have also seen some in a few good supermarkets.

In Melbourne I can buy Formaggio Fresco made by these manufacturers: That’s Amore cheese, they call it cacciotta  and Pantalica make Bacio and Pecorino Fresco.

In Adelaide the manufacturers are: La Casa Del Formaggio and La Vera. I have seen La Vera sold in other Australian cities as well.

 

Formaggio all’Argentiera

A little extra virgin olive oil to fry the cheese.

Also: 1 large clove of garlic (cut into slivers), pinches of dried oregano,  1-2 tablespoons of red wine vinegar and a pinch of sugar.

I prefer to use a non-stick fry pan.

Heat the oil; use medium heat.

Add the garlic, the slices of cheese and lower the heat. Sprinkle the cheese with some of the dry oregano.

Cook that side of cheese until golden in colour, turn the cheese over and repeat with the dry oregano….cook for as long again.

Add the vinegar and sugar ( I sometime do) and deglaze the pan.

See also:

SICILIAN CHEESE MAKING. A VISIT TO A MASSARO (farmer-cheese maker) IN RAGUSA. Formaggio all’argentiera

Sicilian Cheese and more cheese

CAPONATA FROM PALERMO (made with eggplants)

No exact quantities,  just like an Italian.  You can tell from the photos how easy it is to make Caponata Palermitana. Unlike Caponata Catanese there are no peppers (capsicums) in this caponata but the rest of the ingredients and processes for making  any caponata are the same.

I used 2 egglants. Cooked each separately as I did not want the frying to be overcrowded. I use salt when I am cooking and not after the dish is cooked. I always use extra virgin olive oil.

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A good heavy saucepan is good to use.

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After the eggplants, sauté the onions and the celery. I used 1 large onion, 2 sticks of celery and some of the tender leavesof the celery. Add some salt.

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When the onions and celery have softened to your liking, add green olives and capers.

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I made a space in the centre of the saucepan, added a couple of teaspoons of sugar. Melted that and added about a quarter of a cup of red vinegar and evaporated it.

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I made another space in the centre and added about 1/3 cup of passata.

CFB15A9B-AE28-48E3-A9E7-E05752A95BF3Cooked it – you can see that there is very little liquid left.

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Time to add the eggplants and combine all the ingredients.

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This time I will decorate the caponata with fried breadcrumbs (day old bread mollica) toasted in a frypan with a little olive oil.

I could decorate the caponata with toasted pine nuts or almonds but I think the bread will add crunch but not too much taste so as not to compete with the eggplants. At this time of year, egglants are of excellent quality.

Mint rather than basil appealed to me more on this occasion.

There are numerous recipes for caponate (I can spell, it is the plural of caponata). Use the search button.

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CAPONATA Catanese (from Catania) made easy with photos

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I am writing this post for a friend to demonstrate that making caponata is not difficult and I have therefore included many photos.

In my first book, Sicilian Seafood Cooking I have written a whole chapter about making various caponate (plural). This one is Catanese, as made in Catania, and the main ingredients are eggplants and peppers, but there are other caponate where the main ingredients are either eggplants or pumpkin or potato or celery (called Christmas caponata). I have also made a fennel caponata.

All caponate need to be made at least one day before to let the flavours develop. Caponate are eaten at room temperature.

Caponata Catanese is made with eggplants, peppers, celery, onions, chopped green olives and capers.  A little sugar, vinegar and a splash of passata are used to make the agro- dolce sauce. Toasted pine nuts (or almonds) and fresh basil make good decoration and add extra taste. Caponata Palermitana, from Palermo, does not include peppers. I used roughly 1 kilo of eggplants and 1 kilo of peppers, 3 sticks of celery (pale green from near  the centre), 1 onion. I used about 125g of capers and about the same amounts of chopped green olives. A true Sicilian making caponata would never weigh ingredients and may at times use more eggplants than peppers; these are rough amounts as a guide to illustrate ratios of ingredients. Always use extra virgin olive oil and as much as needed to prevent the ingredients sticking; access oil can always be drained off but bread makes a fine accompaniment to all caponate and the oil is particularly flavourful.

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Each vegetable is fried separately but I usually combine the celery and the onion at the same time. the vegetables have different rates of cooking and you want to preserve the individual flavours as much as possible.

A frypan with a heavy base is good to use. I am making large quantities this time to take to a gathering so I am using my heavy wok (Le Creuset).

Fry the eggplants in some extra olive oil and add a little salt. Drain the eggplant in a colander with a container underneath to collect any oil. In the same pan add some new oil and the oil that you have drained from the eggplants. Fy the peppers and add a little salt. Drain them as you did the eggplants, collect the oil and add this to some new oil in the same pan.

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Fry the celery and the onion.

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When they have softened but the celery still has some crunch add the  green olives and capers. Salt may not be necessary for this component of the dish.

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Make a small depression in the centre of the vegetables and add about a flat tablespoon of sugar – this varies, some add more, some add less. Melt the sugar (caramelise it) and then add about 3 tablespoons of wine vinegar. Evaporate on high heat.

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Add a splash of passata. Mix through the ingredients in the pan and cook it for a few minutes.

Incorporate all of the ingredients .

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The caponata is now cooked. It needs to be placed in the fridge in a sealed container till you are ready to eat it and it will not suffer if it is made 3-4 days beforehand.

Decorate it with toasted pine nuts and fresh basil leaves when you are ready to present it.

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There are other recipes on my blog for caponate made with different vegetables.

PUMPKIN – Zucca (gialla) – and two Sicilian ways to cook it

CAPONATA DI NATALE (Christmas, winter caponata made with celery, almonds and sultanas)

SICILIAN CAPONATA DI MELANZANE as made in Palermo (Eggplant caponata and Eggplant caponata with chocolate)

A MOUNTAIN OF CAPONATA – two days before Christmas

FENNEL CAPONATA (Sicilian sweet and sour method for preparing certain vegetables).

CAPONATA SICILIANA (CATANESE – Caponata as made in Catania)

GREAT ITALIAN CHEFS’ RECIPES, 10 best Sicilian dishes

This site, Great Italian Chefs, is worth looking at. It is part of the Great British Chefs website and on this site you will find information about  some of the different regions of Italy and regional recipes.

The recipes are ‘great’ and are by professional chefs.

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I too have posted many of these recipes on my blog and a passatempo – pass-the-time, a diversion, you could compare their recipes with mine.

10 best Sicilian Dishes:

https://www.greatitalianchefs.com/features/10-best-sicilian-dishes

I have written about them before:

GREAT BRITISH CHEFS, GREAT ITALIAN CHEFS, Feature articles by Marisa Raniolo Wilkins

PESCE CRUDO, raw fish dishes in Sicily

ALSO10 MUST-TRY DISHES WHEN YOU ARE IN SICILY

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One way to cook Rabbit like a Sicilian

Hare seem hard to come by and most of the time I have to make do with rabbit, however the way I cook rabbit is the same as when I cook hare.

I always marinade the rabbit before I cook it, perhaps for a shorter time, and the cooking time is reduced significantly especially for farmed rabbits.

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I have recipes on the blog for cooking rabbit and hare and most of the recipes for cooking chicken can also be used to cook rabbit.

This time I took more photos while I was cooking the rabbit with cloves, cinnamon and red wine – you will recognize spices that are characteristic of some Sicilian cooking due to significant influences from the Arabs.

Pino Correnti in his book IL Libro D’oro della Cucina e dei vini do Sicilia calls this recipe CONIGLIO (rabbit) DA (from) LICODIA EUBEA

I have driven through Licodia Eubea on my way from Piazza Armerina to Calatagirone and then Ragusa but did not take any photos. I have photos from nearby Grammichele with its hexagonal shaped piazza in front of the main church.  There is a large unusual sculpture in the middle that is one of the largest sundial in the world. Like in Licodia Eubea there seem to be very few people around and it appeared that we had the town to ourselves.

Recipe: RABBIT with cloves, cinnamon and red wine (CONIGLIO DA LICODIA EUBEA)

Other Sicilian Recipes for cooking rabbit:

CONIGLIO A PARTUISA (Braised rabbit as cooked in Ragusa)

RABBIT COOKED IN CHOCOLATE (Lepre o Coniglio al Cioccolato -‘Nciculattatu is the Sicilian term for in chocolate )

 

Palermo and Sicily … peeling the onion

“Sicily is the pearl of this century for its qualities and its beauty, for the uniqueness of its towns and its people […] because it brings together the best aspects of every other country.”

This was written almost a thousand years ago by an Arabian geographer, Muhammed Al-Idrisi, in his book of “pleasant journeys into faraway lands” for the Norman King of Sicily, Roger II.

Palermo Slave Gate_go

As Al-Idrisi discovered, Sicily may be small, but it has the best of everything and although I may visit some places again and again, I always manage to discover something new. And this is what brings me back to Sicily again and again. I grew up in the far north of Italy in Trieste but each summer as a child, I would travel to Sicily for our summer holidays – both of my parents have relatives in Sicily. For me Sicily was an exotic place of sunshine, colour and warmth, the outdoors and the sea. Wherever I go in Europe, I always visit Sicily as well.

On my latest trip I concentrated on Southeastern Sicily and went to little towns and villages that I had not been to before as well as familiar places where I’m always interested to see what’s changed and what has stayed the same.

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Next time I visit I plan to spend more time in the city that is the essence of Sicily – Palermo.  While Al-Adrisi called Sicily a “pearl” Roberto Alajmo, a journalist and blogger born and raised in Palermo compared his home town to an onion, una cipolla – its multiple layers have to be peeled to be appreciated.

Once you start peeling back the layers of Palermo what you find is a city where history meets infamy and splendor encounters squalor, antiquities stand beside modernity. All of it evidence of a fantastic overlay of cultures from Carthaginians, Greeks, Romans, Arabs, Normans, French and Spanish. This cultural fusion shows up in the food and drink, the art and architecture, the palaces, the temples and churches and the entire Sicilian way of life.

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Last time I visited Palermo was three years ago, but each time I go I’m always happy to revisit the historic quarter with its Arabo-Norman monuments.

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Among my favourites are the Palazzo dei Normanni and its Cappella Palatina with their dazzling Byzantine mosaics and frescoes. There’s also King Roger II’s La Martorana, where the spectacular mosaic of Christ the Pantocrator overlooks Olivio Sozzi’s baroque Glory of the Virgin Mary, painted six centuries later. I enjoy admiring the simple, geometric shapes of the Norman palaces, La Cuba and La Zisa, built entirely by Arabic craftsmen and the distinctive Arabo-Norman red domes on San Cataldo and San Giovanni degli Ermiti.

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On my not-to-miss list is the Cattedrale which is another masterpiece of overlaid period styles, begun by the Normans in the 12th Century, with 15th Century Catalan Gothic porch, capped off with a neo-classical 18th Century neo-classical dome. The timeline continues inside with tombs of Norman and Swabian kings and queens: Roger II and his daughter, Costanza d’Altavilla and their son Frederick II and his wife of Costanza of Aragon. You can admire her imperial gold crown in the cathedral’s treasury.

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Palermo also has a fountain to rival the best of Rome. La Fontana Pretoria was once prudishly called the “fountain of shame” because of the multiple nude statues. Judge for yourself!

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The baroque also makes a grand stand in the four elegant palazzo facades of the Quattro Canti, framing the intersection of Palermo’s two main boulevards.

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I know I’m at the heart of the onion that is Palermo when I enter the labyrinth of laneways in the city’s sprawling markets – especially La Vucciria and Ballarò – with their clustered stalls that remind me of an Arabic souk. I like to listen to the clamour of the traders’ shouted Sicilian dialect. Sheltered from the sun under red canvas awnings you find the fish stalls. In his book, Midnight in Sicily Peter Robb described how the diffused red light of the market “enhanced the translucent red of the big fishes’ flesh and the silver glitter of the smaller ones’ skins”.

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Wandering the old quarters of Palermo, you’ll pick up the aroma of traditional street-food fried in large vats such as panelle (chickpea flour fritters), cazzilli (potato croquettes) or meusa (spleen) which are typical dishes of the friggerie. You will smell char-grilled peppers. And if I want to eat these treats in doors I go to classic restaurants like L’Antica Foccaceria San Francesco which has been cooking the same thing for decades.

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I find it interesting to see how traditional cuisine has developed and one of my favourite things to do in Palermo (or anywhere I go in Sicily) is to find restaurants that re-invent traditional dishes and present them with contemporary twists.  And if I want to contrast the old-style dishes with contemporary versions there are still typical trattorie like La Casa del Brodo that have classic Palermo dishes like sarde a beccafico, caponata, pasta con la sarde.

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I’m also seriously interested in discovering the ever increasing new hip bars that serve glasses of Sicilian wine varieties like grillo and nero d’avola and boutique beers matched with interesting snacks that reflect modern Sicilian cuisine.

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When the time comes to escape the close-quarter hustle of the city, I can catch a bus to the north-west side of Palermo to admire the Liberty-style residences of the capital’s once-wealthy merchants. I can travel to the picturesque seaside town of Mondello, where I can dine out on the waterfront, drink in the view, scoop up a granita or gelato, eat a cannolo or a slice of cassata. It is definitely a place to eat fish and enjoy a drink or two.

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Back in town I can always book a ticket to the opera or ballet at the Teatro Massimo and eat a delicious cold treat on my way back to where I am staying.

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Palermo’s gardens are another escape. I love to wander in the greenery of the Villa Giulia or the Piazza Marina with its massive fig trees, which are spectacular. The modern art galleries are another diversion. There’s the GAM (La Galleria d’Arte Moderna), Francesco Pantaleone Arte Contemporanea, Nuvole Incontri d’Arte and Palazzo Riso which I was told about on my last visit to Palermo, when I saw an exhibition of works by Francesco Simeti.

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Palazzo Riso is a baroque neo-classical edifice built in the 1780s. It was Mussolini’s temporary headquarters in World War II and bombed by the Americans in a failed attempt to kill the Italian dictator (who had left town only days before the air-raid). For years the Palazzo stood in ruins and when it was finally restored during the late-1990s, the restorers preserved some of the damage as evidence of its history.

Although I have seen Guttoso’s painting of the Vucciria Market hanging in the Palazzo Chiaramonte Steri, I have yet to see the basement where thousands of prisoners accused of heresy through the Holy Inquisition were imprisoned. These prison walls are covered in prisoners’ simple etchings, which were plastered over in the 19th Century.

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I take great pleasure in returning to a place as rich and varied as Sicily and why revisiting a city as layered as Palermo is top of my European travel wish list. It may not have the reputation of Rome (the eternal city) or Florence (la serenissima) but it has depth and diversity.

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Sicily Culture and Conquest at The British Musem

I am in London and I will be in Sicily next week.

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I have been to see  the exhibition Sicily Culture and Conquest at The British Musem.

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The exhibition was excellent.

The  British Museum also offered a Sicilian Inspired menu to experience the flavours of the island.

 

Here is some of the food.

Stuffed squid: Calamari Ripieni ( was the antipasto). Bread crumbs are usually  used for stuffing but this was stuffed with Freekeh,  a modern  touch as this ingredient does not feature in Sicilian cooking.  

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In my recipe ** Calamari Ripieni the squid is stuffed with fresh cheese ( Formaggio Fresco).

Stuffed squid capers & arugula

Rigatoni **alla Norma: (** link to my blog)

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Grilled fish and **Caponata and **Salmoriglio: (**links to my blog)
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