Category: Italian Regional

Celeriac and Kohlrabi: Italian recipes for Two Unusual Vegetables

As the season of spring arrives in Melbourne, I’m still enjoying celeriac and kohlrabi, two unusual vegetables that are still available in September and October at the Queen Victoria Market.

Celeriac and Kohlrabi: Strange-Looking but Delicious

Celeriac and kohlrabi could be described as particularly beautiful. Celeriac is knobbly, tangled and earthy; kohlrabi has a swollen round stem with leaf stalks projecting from it, but these rather inhospitable exteriors are two versatile and delicious vegetables.

Not the prettiest vegetables at the market, but celeriac and kohlrabi reward the cook who looks beyond appearances.

The specimens in my photographs are particularly rugged. A careful grower or more selective retailer might have rejected them before they have reached this  mature end of season stage.

Kohlrabi is best harvested young because large, mature plants can become tough and woody. Celeriac is more forgiving and can grow to a considerable size while remaining perfectly good to eat.

A younger looking kohlrabi as usually sold at the beginning of their season
When Are Celeriac and Kohlrabi in Season?

Celeriac is very much a vegetable of the cooler months and has a long growing season. In the Northern Hemisphere it is generally harvested from autumn through winter and into early spring; in UK, for example, the main season extends roughly from October to March.In Italy kohlrabi grows during two main seasonal cycles: a spring crop from May to June and an autumn-to-winter crop from October to November.

 In the southern part of Australia the seasons are reversed, making celeriac predominantly an autumn and winter vegetable, although local climate and growing conditions can extend its availability.

Kohlrabi is a member of the brassica family. It grows quickly and also prefers cool conditions. When harvested young, its swollen stem is crisp, juicy and mildly sweet, with flavours reminiscent of cabbage stem, broccoli and turnip. It can be eaten raw, steamed, sautéed, roasted, stuffed or added to soups and stews.

In Europe, successive crops can provide young kohlrabi from late spring through autumn and into early winter in milder regions. In temperate parts of the Southern Hemisphere, spring and autumn provide particularly favourable growing conditions but too much heat or dry weather can encourage older specimens to become tough and woody.

Green coloured Kohlrabi sold with substantial amounts of leaves that I bought in Vietnam!

The leaves of kohlrabi are edible too and can be cooked like other leafy brassicas.

A much younger me holding a bunch of leafy Kohlrabi (cavolo rapa) that my relatives in Ragusa use to make with pasta (Causunnedda )

My relatives in Ragusa use them in a delicious, rather soupy pasta dish. I was always intrigued by the kohlrabi they bought there: very leafy, with relatively small swollen stems, and invariably beautifully tender. The violet varieties of kohlrabi are prominent in Italy and eventually they will also be common in Australia.

Kohlrabi in the Market in Syracuse. Bought young has crisp, juicy flesh, but the leaves are valuable too—something Sicilian cooks have long understood.
Versatility of CELERIAC and Kohlrabi

Perhaps because of their uncompromising appearance, celeriac and kohlrabi are easily overlooked, but European cooks have long recognised their value. Both can move comfortably between raw and cooked dishes and take well to strong flavours as well as simple preparations.

They are also suited to preserving. In Central and Eastern European food traditions, firm vegetables have long been preserved in vinegar, brine or through fermentation, sometimes with herbs, mustard seeds and spices. Kohlrabi and celeriac lend themselves particularly well to pickling because of their firm texture and ability to retain some crunch.

I have written about both vegetables before, with recipes and examples of how they are prepared in different parts of Italy. Use the links to see those earlier posts.

Two northern Italian recipes that demonstrate Celeriac and Kohlrabi recipes

Two distinct recipes from Northern Italy are here: a hearty Veronese minestra with celeriac, borlotti beans, sausage, and tagliatelle, and a Trentino–Alto Adige preparation of kohlrabi slowly cooked with butter and cream until tender.

Recipe: Minestra di Sedano Rapa Tagliatelle –Veronese Celeriac, Borlotti Bean and Tagliatelle Soup

This substantial minestra from Verona is made with celeriac, borlotti beans, fresh pork sausage and egg tagliatelle. The celeriac softens during the long cooking and contributes the distinctive celery-like fragrance, while the beans give the soup body and the fresh sausage adds richness.

Grande Enciclopedia Illustrata della Gastronomia

I found this recipe in my 1990 edition of Grande Enciclopedia Illustrata della Gastronomia, where it is attributed to Giovanni Capnist’s La cucina veronese.

The accompanying text written in Italian makes an interesting distinction: although celeriac has essentially the same aroma as ordinary celery, it is not used simply as an aromatic but treated as a vegetable in its own right, both raw and cooked.

This minestra demonstrates that particularly well. Celeriac is not hiding in the background as we do with celery stalks,  it is one of the substantial ingredients around which the dish is built.

Serves 6–8

Ingredients
  • 400 g dried borlotti beans
  • 1 celeriac, about 500–600 g before trimming
  • 1 large onion
  • 1 carrot
  • 4 small fresh pork sausages
  • 1.5 litres beef broth
  • 200 g dried egg tagliatelle
  • Salt and freshly ground black pepper
  • Extra virgin olive oil, to serve — the original suggests olive oil from Lake Garda

METHOD

Soak the borlotti beans overnight, then drain.

Peel and trim the celeriac and cut it into small pieces. Roughly chop the onion and carrot and remove the sausage meat from its casings.

Place the beans, celeriac, onion, carrot and sausage meat in a large saucepan. Add the beef broth and bring gently to a simmer.

Cook over low heat for at least 2 hours, stirring occasionally so that the ingredients do not catch on the bottom of the pan. Season with salt and pepper.

About 20 minutes before the end of cooking, add the dried egg tagliatelle. Continue cooking, stirring occasionally, until the pasta is al dente.

Remove from the heat and allow the minestra to settle and cool slightly before serving. For a thicker consistency, mash some of the tender borlotti beans against the side of the pot and stir them back through the soup.

If desired, finish each serving with a drizzle of extra virgin olive oil*

 An Interesting point: *The original Italian recipe finishes with:

“Servire, condendo se piace con un filo di olio d’oliva del Garda.” – If desired, serve, with a drizzle of  olive oil from Grada.

That reference to Lake Garda olive oil is not an incidental detail. Verona lies just east of Lake Garda, where the moderating influence of the lake has allowed olives to be cultivated unusually far north. A final thread of local olive oil therefore gives the dish an unmistakable local,  geographical connection.

Recipe: Cavolo Rapa Soffocato – An Alto Adige Way with Kohlrabi

I have found versions of this traditional Alto Adige dish in two of my cookery books. In my 1990 Grande Enciclopedia Illustrata della Gastronomia it appears as Cavolo rapa stufato, while Osteria: 1,000 Generous and Simple Recipes from Italy’s Best Local Restaurants, published by Slow Food Editore, calls it Cavolo rapa soffocato – smothered kohlrabi.

Osteria: 1,000 Generous and Simple Recipes from Italy’s Best Local Restaurants,Slow Food Editore

The recipes are essentially the same, but I much prefer the straightforward, simple instructions in Osteria.

What makes the recipe particularly interesting is that it treats kohlrabi quite differently from the crisp vegetable we might expect in a salad or pickle. Here there is no attempt to preserve its crunch. The kohlrabi is deliberately cooked for an hour until very tender, with butter, a little sugar and flour, before being finished with cream. The sugar encourages browning and enhances the vegetable’s natural sweetness, while the flour and cream turn the cooking juices into a light sauce.

It is rich, comforting and distinctly Alpine in character and an excellent example of what northern Italian cooks can do with this rather austere-looking vegetable. The cream and butter are also characteristic of this very northern Italian Cuisine.

The recipe in Osteria is attributed to Klaus Mayr of Renon–Ritten, in Bolzano–Bozen, Trentino–Alto Adige.

I have not made this recipe yet, but although it is a side dish, I rather like the idea of presenting it as a hot dip with warm bread. I doubt very much it the Bolzano crew would be impressed!

Cavolo Rapa Soffocato — Smothered Kohlrabi

Serves 4

Ingredients
  • 6 tablespoons unsalted butter
  • 1 tablespoon sugar
  • 4 kohlrabi, diced
  • 1 tablespoon plain flour
  • Salt and freshly ground black pepper
  • ½ cup cream
Method

Melt the butter in a saucepan and add the sugar. Cook over medium heat, stirring, until the sugar begins to caramelise.

Add the diced kohlrabi, sprinkle with the flour and season with salt and pepper. Cook, stirring so that it does not stick, until the kohlrabi begins to brown.

Add ½ cup cold water, cover and cook over low heat for about 1 hour. Check occasionally and add a little more water if the pan becomes too dry.

Uncover, stir in the cream and cook for a few more minutes, stirring frequently, until the sauce has thickened. Serve warm.

A finishing comment: There is something very appealing about these two recipes sitting together. Celeriac and kohlrabi may be awkward-looking vegetables, but neither is treated timidly in these northern Italian dishes. In Verona, celeriac becomes part of a substantial minestra with beans, sausage and pasta; in Alto Adige, kohlrabi is slowly smothered with butter and cream. Both recipes make a convincing case for looking beyond appearances—and perhaps for giving these vegetables a little more space in our kitchens.

Other recipes on the blog:

UNVEILING KOHLRABI, a BRASSICA

KOHLRABI with pasta (Causunnedda )

KOHLRABI, as eaten in Sicily

Kohlrabi, Fennel, Celeriac and Daikon make a good salad (and other recipes)

A WET PASTA DISH WITH KOHLRABI

KOHLRABI and TENERUMI, shared between cultures of Sicily and Vietnam

SEDANO RAPA (Celeriac and how to eat it) 

I am surprised that there is only one post about celeriac as I use it quite a bit, however you will find a number of different ways to prepare it in the above link.

COSTATE DI MAIALE RIPIENE: STUFFED PORK CHOPS FROM RAGUSA, SICILY

 Costate di maiale ripiene, stuffed pork chops from the province of Ragusa in south-eastern Sicily, are an example of a unique regional cooking tradition built around  the local produce  –  pork, offal, cheese and in modern times, the skills of the butcher.

Thick, bone-in pork chops are opened a libro – like a book – generously filled, sewn closed and slowly cooked with red wine and broth.

It is a substantial dish that says something about the food culture of this distinctive part of Sicily.

Ragusa and the Monti Iblei

Ragusa in Sicily is both the name of the city and of the surrounding in southern Sicily, includes towns like Ragusa, Modica, Scicli, and Chiaramonte Gulfi. It’s located in the island’s southeast corner. Much of the province lies on the Hyblaean Plateau, a limestone landscape with rolling hills, valleys, and deep ravines known as the Monti Iblei.

The area is different in some respects from the more familiar image of Sicily. Its pastoral and agricultural economy has produced a cuisine with a particularly strong association with cattle, pork, lamb, cheeses, offal, filled breads and substantial festive meat dishes.

Cattle raising and dairy farming have long been important. The renowned Ragusano DOP is a firm, stretched-curd cow’s-milk cheese, traditionally formed into large rectangular blocks and aged. Ricotta, provola and other dairy products are also deeply embedded in the local cuisine.

Sicilian cuisine developed from a strong culture of farming, livestock raising and home preservation. Meat and dairy are comfortably paired with vegetables, pulses, olive oil and wheat.

Agriculture has changed, too. In Sicily, serre are greenhouses used for intensive cultivation, particularly common in the south-east around Ragusa, Vittoria and the coastal plain. Usually covered with plastic rather than glass, they provide protected growing conditions for tomatoes, peppers, aubergines and other vegetables that are grown all year round. These have become a distinctive feature of the modern agricultural landscape.

Pork and the Food of My Father’s Family

My father’s family lives in Ragusa, a city and surrounding countryside I have visited numerous times. The region has a particularly strong reputation for pork and traditional meat cookery:

The region is renowned for its pork and traditional meat cookery, particularly hearty dishes in which very little of the animal is wasted.

Cotenne, strips of pork rind, for example, may be added to pork, often still on the bone, to enrich the flavour and texture of a slow-cooked tomato sauce for pasta. Sausages also are popular in this area and added. Pork and rind are also used to make stock for particular minestre and brothy pasta dishes, including the local specialty made with kohlrabi.

Then there is gelatina di maiale, also known locally as zuzzu or liatina. This is a traditional jellied pork preparation made from the pig’s head, including the tongue, with additional meat and plenty of rind to provide the natural gelatine.

My elderly aunt, an exceptional cook who taught me so much about Sicilian food, once made gelatina for me. She died several years ago and, these days, the extended family is quite happy to buy it from one of the many butchers who still make it. The butchers of Chiaramonte Gulfi are renowned as some of the best in the region for making gelatina.

These are intensely local dishes and sometimes seem surprisingly different from the familiar “Sicilian” repertoire presented elsewhere on the island or in general Italian cookbooks.

Costate di Maiale Ripiene — Stuffed Pork Chops

The traditional local speciality is am discussing is costate di maiale ripiene — stuffed pork chops particularly associated with Chiaramonte Gulfi.

These are no ordinary pork chops. They are cut very thick, approximately alte due dita,  two fingers thick and opened like a book, while the bone is left attached.

The filling is generous: minced or finely chopped pork, pork liver, fresh caciocavallo, hard-boiled egg and slices of local salami. In effect, the dish brings together many of the characteristic flavours of the region within a single pork chop.

Once filled, the chops are closed and sewn so that the filling cannot escape during cooking.

Traditionally, they may be browned in strutto (lard), although oil is mush more commonly used today, then braised with onion, red wine and broth until tender.

The younger members of my father’s family purchase them from a trusted butcher. I have eaten costate ripiene cooked in the traditional braised way and also roasted over a rustic wood fire. Both were exceptionally good.

This is an integral part of the cooking tradition. The dish has not only been passed down as a homemade recipe but also represents the culture of the butcher shop. The butcher expertly cuts, fills and prepares the meat, while the customer brings it home to cook.

A Dish That Belongs to the region 

What appeals to me most about costate di maiale ripiene is that the dish makes complete sense when viewed within the food culture of Ragusa.

The pork and liver reflect the traditional use of the whole animal; the caciocavallo speaks of the region’s strong dairy culture; the salami belongs to its macelleria tradition; and even the sewing of the chop tells us something about an older style of cooking in which time, skill and economy were taken for granted.

It may seem an elaborate pork chop, but it is also a small expression of the agricultural and culinary landscape of the Monti Iblei.

 Stuffed Pork tradition in Italian Cooking

Thinking about costate ripiene reminded me of a Tasting Australia event I attended in Adelaide, led by renowned Western Australian butcher Vincenzo Garreffa, founder of famous butchery called Mondo di Carne (now called Mondo).

During the event, Vincenzo demonstrated the preparation of various smallgoods and also made porchetta.

Porchetta varies considerably across central Italy. Garlic, rosemary, fennel and other herbs appear in different combinations according to place and tradition; sage is also found in some versions. Pork liver and other offal may be included, adding richness and a more robust flavour.

He boned a piglet and filled it with pork fillets, blanched almonds, pork liver, garlic, rosemary, fennel seeds, salt and pepper before rolling and securing it for roasting.

After the initial shock of seeing a whole little pig boned, filled, trussed and squeezed between racks into the oven, we all agreed  at the end that the aroma, and eventually the taste was wonderful.

An Italian Tradition of Stuffing Meat

Stuffing meat seems to be one of those lasting Italian approaches to cookery:

open it → season or fill it → close, tie, sew or roll it → cook it.

At one extreme is the whole pig used for porchetta. At the other are smaller preparations such as costate ripiene.

Other examples include arrosti ripieni (stuffed roasts), lonza farcita (stuffed pork loin), braciole (stuffed meat rolls), involtini (small meat rolls), falsomagro (Sicilian stuffed rolled beef) and numerous intensely local variations.

Despite regional differences, the underlying principle remains remarkably consistent: meat is wrapped around, folded over or opened to contain a seasoned filling, turning modest ingredients into something more substantial, flavourful and celebratory.

Anna Pomar’s RECIPE FOR Costate di Maiale Ripiene

I have several cookbooks on Sicilian cuisine, many of which are written in Italian and purchased in Sicily. However, it has been difficult to locate a recipe. The reason that it is absent is probably because it is a unique local dish distinct from the more familiar Sicilian recipes, and is therefore absent from general Sicilian or Italian cookbooks.

The recipe I found is from Anna Pomar’s La Cucina Tradizionale Siciliana., a book given to me by my cousin Rosetta who lives in Ragusa.

The cover describes the book as a collection of recipes representing lost flavours and often-forgotten traditions.

Pomar identifies costate di maiale ripiene as a famous speciality of Chiaramonte Gulfi, which, because of this speciality, had become “una delle mete predilette dei buongustai siciliani” — one of the favourite destinations of Sicilian gourmets.

That alone tells us something about the reputation these awe-inspiring stuffed pork chops.

It is only fair that I present the recipe, with the Italian version first followed by the English.

THE RECIPES in Italian and English

Italian – Costate di Maiale Ripiene 

Questa ricetta è tratta da La Cucina Tradizionale Siciliana di Anna Pomar. L’autrice presenta le costate di maiale ripienecome una famosa specialità di Chiaramonte Gulfi, “divenuto per la sua specialità una delle mete predilette dei buongustai siciliani”.

Ingredienti

6 costate di maiale
200 g di carne di maiale tritata
200 g di fegato di maiale
50 g di salame
100 g di caciocavallo fresco
2 uova sode
1 cipolla nuova
1 bicchiere di vino rosso
olio
brodo, quanto basta
sale e pepe

Preparazione

Le costate di maiale dovranno essere piuttosto doppie e aperte a libro. Non si dovrà però togliere loro l’osso.

Preparate un impasto con la carne tritata, il fegato sminuzzato, sale, molto pepe e un sorso di vino rosso. Ponetene un cucchiaio fra le due fette di ogni costata, insieme al formaggio fresco, alle uova sode e al salame affettati.

Richiudete le costate e cucitele in modo che il ripieno non fuoriesca.

Soffriggete in un tegame la cipolla grattugiata con l’olio, aggiungete le costate, sfumate con il vino e coprite con il brodo. Lasciate cuocere, coperte, per circa un’ora.

Servite con un contorno di riso condito con il sugo della carne e pezzetti di fegato.

English – Stuffed Pork Chops- Costate di Maiale Ripiene

Ingredients

6 thick bone-in pork chops
200 g minced pork
200 g pork liver
50 g salami
100 g fresh caciocavallo
2 hard-boiled eggs
1 fresh young onion
1 glass red wine
Olive oil
Broth, as required
Salt and plenty of black pepper

Preparation

The pork chops should be quite thick and cut open like a book, without removing the bone.

Prepare a mixture with the minced pork, finely chopped liver, salt, plenty of pepper and a splash of red wine. Place a spoonful between the two sides of each chop, together with slices of fresh cheese, hard-boiled egg and salami.

Close the chops and sew them securely so that the filling does not escape.

Gently fry the grated onion in oil in a saucepan. Add the stuffed chops, then pour in some wine and allow it to evaporate. Add enough broth to cover and cook, covered, for about an hour.

Serve with rice dressed with the meat juices and pieces of liver.

Gelatina/ Zuzzu/Liatina

GELATINA DI MAIALE. Pork Brawn

The Ugly Ducklings in Italian Cuisine (Scarrafoni in cucina)  

Kohlrabi

KOHLRABI, as eaten in Sicily

KOHLRABI with pasta (Causunnedda)

A WET PASTA DISH WITH KOHLRABI

GNUCCHITEDDI (Making small gnocchi shapes using my great grandmother’s device)

Porchetta

PORK, SALUMI (Smallgoods). Tasting Australia

MAIALINO ARROSTO (Roast, suckling pig)

PORK IN RAGUSA (I Ragusani mangiano molto maiale)

Mondo di Carne butchery in Western Australia, now called MONDO

Home

SQUID WITH BLACK INK SAUCE (Calamari al Nero)

Squid with Black Ink Sauce is one of those dishes that never fails to impress. With its glossy black sauce it looks dramatic, tastes intensely  flavourful and of the sea. But, despite its striking appearance, is surprisingly straightforward to prepare.

I recently prepared this dish for a friend’s first gathering. I sought a memorable, yet simple, dish that would feel generous and celebratory. It was the ideal choice.

Because I have included many photos and discussed the ingredients,  the process may look complicated. But it isn’t.

Calamari and Cuttle Fish, the differences

Calamari (squid) have long, streamlined bodies, ten tentacles (eight arms and two longer feeding tentacles) and tender, mildly sweet flesh. They cook quickly and are popular grilled, fried, stuffed or slowly braised.

Cuttlefish (seppie) are close relatives of squid but have broader, flatter bodies and firmer, sweeter flesh. They contain larger ink sacs than squid, making them the preferred choice for classic dishes such as seppie al nero, where the ink creates a rich, glossy black sauce.

Cuttle fish is more difficult to purchase, and in fact mostly impossible in the Queen Victoria market so I have used Calamari in this Recipe.

Introduction and background to squid or cuttlefish cooked in black ink

Over the years I have cooked calamari al nero many times, changing the recipe to suit the occasion. Because I know this dish well from both Trieste and Sicily, my version sits comfortably between the two traditions. It combines the rich black sauce of the northern Adriatic with the brighter flavours of southern Italy.

Calamari al nero, glossy and black and delicious!

Being winter in Melbourne, I served it with crisp baked polenta rather than pasta—a combination that always draws admiration before it is tasted. And of course polenta is northern Italian food.

A Dish Shared Across Italy

Squid or cuttlefish cooked in its own ink (calamari al nero or seppie al nero) is one of Italy’s most distinctive seafood dishes. It appears all along the Italian coastline, but each region prepares and serves it differently.

Veneto and Venice

Around Venice, seppie al nero is a classic. Cuttlefish are preferred because they have larger ink sacs. The cuttlefish is slowly braised with onion, garlic, white wine and just a little tomato until the ink produces a glossy, intensely flavoured sauce.

It is traditionally served with soft white polenta. . I used golden polenta and the contrast between the jet-black sauce and the golden polenta is as beautiful as it is delicious and perfectly balances the richness of the ink.

Trieste and Friuli Venezia Giulia

Across the northern Adriatic in Trieste and Friuli Venezia Giulia, the dish remains very much part of everyday cooking. In Italian it is called seppie in umido; in the Triestino dialect it becomes sepe in umido. It still appears regularly on the menus of traditional trattorie, especially in Trieste Vecchia, the city’s historic quarter.

Although Trieste has absorbed influences from Slovenia and the former Austro-Hungarian Empire, this dish remains unmistakably Adriatic.

Sicily

In Sicily the same dish takes on a different character. Squid is used more frequently than cuttlefish, and the sauce generally contains more tomato, fresh parsley, garlic or onion and white wine. The result is lighter, fresher and more aromatic, while the ink still provides its unmistakable depth of flavour.

Rather than polenta, Sicilians usually toss the sauce through spaghetti, sometimes serving the squid separately as a second course.

These regional differences reflect Italy’s extraordinary culinary diversity, but both result in a silky sauce with extraordinary depth and complexity.

Finding Squid Ink

Not everyone can buy squid or cuttlefish with the ink sacs intact. Most seafood is cleaned before sale and the ink is discarded.

Fortunately, nero di seppia (cuttlefish ink) is widely available from Italian delicatessens and specialist food stores. It is sold in small sachets, jars or tubes and is the same product used by many Italian cooks when fresh ink is unavailable, especially these days when the fish is mostly sold clean and cut. The ink has a long shelf life and delivers the same deep black colour and rich flavour.

If your fishmonger prepares whole squid or cuttlefish, ask whether they can save the ink sacs for you. They freeze well for several months. Simply thaw them, pierce the sac and stir the ink into the sauce towards the end of cooking.

Fresh ink has a slightly more delicate flavour, but good-quality packaged nero di seppia is an excellent substitute.

How to Clean Squid
  • Pull the head and tentacles from the body.
  • Remove the internal bone.
  • Peel away the skin and remove the fins.
  • Slit the body open.
  • Remove the innards, reserving the ink sac if present.
  • Remove the eyes and beak from the tentacles.
  • Rinse thoroughly and pat dry before slicing.
Cleaning and cutting the squid
For the polenta

Prepare your preferred polenta ahead of time so it can be baked just before serving. Information, instructions further down in this post.

Baked polenta with the compulsory crust

THE RECIPE

Squid with Black Ink Sauce (Calamari al Nero)

Ingredients

Serves 6–8

For the BRAISED squid
  • 2.5-3 kg small squid, cleaned and sliced
  • ½ cup extra virgin olive oil
  • 3 garlic cloves, finely chopped
  • 400 g tin of chopped or puréed tomatoes
  • 1-2 tablespoon tomato paste
  • 1 cup finely chopped parsley
  • 1 cup dry white wine
  • 4–6 sachets squid ink (4 g each), or about 3 tablespoons nero di seppia paste
  • 1 cup fish stock or water
  • Pinch chilli flakes (optional, especially if cooked in Southern Italy)
  • Fresh chilli, finely sliced, to finish
  • You can add peas – I used frozen, 2 cups. adds taste, nutrition and visual appeal.
Final addition – the fresh chilli

I also deseeded a couple of long red chillies, cut them into thin strips and put them on top of the black glossy contents.

Method

  • Heat the olive oil in a large heavy pan and gently soften the garlic.
  • Add the squid in batches so it sautés rather than steams. Cook for about 15 minutes.

  • Pour in the wine, add the tomatoes.
Adding a can of tomato puree to the squid
  • Add parsley (and cilli flakes if using). Cover and simmer gently for about 40 minutes, stirring occasionally.
Adding the parsley to the squid
  • Stir in the squid ink and cook for another 20 minutes or until the squid is tender.
Draining the squid from the main saucepan into another and evaporating the sauce
  • Remove the squid  from the main saucepan with a slotted spoon. Reduce the sauce until thick, glossy, black and intensely flavoured.
  • Stir in the tomato paste if further thickening is needed.
Adding a little tomato paste to thicken the sauce
  • Return the squid to the pan.
Returning the squid to the reduced sauce
  • Add the frozen peas and cook gently for a final 10 minutes.
  • Once cooked, add the strips of fresh chilli. on top.
The squid with the peas and thin strips of red chillies

ABOUT POLENTA and Baked Polenta

Types of Polenta:

Instant polenta is usually made from yellow cornmeal that has been pre-cooked and dried, so it cooks in 2–10 minutes instead of the traditional 30- 35 minutes. It produces a smooth, creamy consistency but generally lacks the depth of flavour and texture of traditionally cooked polenta. It is ideal for quick weeknight meals and can be served soft or left to set before grilling or frying.

Yellow polenta is the most common type in Italy and is made from yellow maize. When cooked slowly, it develops a rich corn flavour and can range from soft and creamy to firm enough to slice once cooled. It pairs well with hearty meat ragùs, sausages, mushrooms, game, braised dishes and robust cheeses. This is the type of polenta I stock at home.

White polenta is made from white corn and has a milder, more delicate flavour and a finer texture than yellow polenta. Traditionally associated with the Veneto and parts of Friuli Venezia Giulia, it is often served with seafood, salt cod (baccalà), cuttlefish in ink, or more delicate meat dishes. It is cooked in the same way as traditional yellow polenta but has a softer, silkier finish.

Cook the polenta according to the packet directions (traditional polenta generally takes about 30 minutes).

Pour into a well-oiled baking dish or heavy ovenproof pan. Smooth the surface, drizzle generously with extra virgin olive oil and bake in a moderate oven for about 30 minutes until lightly crisp on top.

Serve generous slices topped with the squid and plenty of black ink sauce.

Leftover polenta is excellent fried the following day in olive oil until it develops a crisp crosta—a golden crust that Italians treasure.

The polenta waiting to be baked. It can be cooked and poured into a baking tin well before you bake it

Golden baked polenta provides the perfect contrast to the silky black ink sauce.

The polenta and squid in black ink sauce on the table, ready to be served

Finished dish with peas and strips of fresh red chillies

Serving the squid dish on each plate with the polenta
Calamari al Nero served on crisp baked polenta—a meeting of Sicilian and northern Adriatic traditions.
The squid with black ink sauce and polenta was immensely enjoyed by all

SEPPIE IN UMIDO CON POLENTA (Cuttlefish or Squid With Black Ink And Polenta from Trieste)

MONTALBANO’S PASTA WITH BLACK INK SAUCE

Polenta and its magic

NDUJA with SQUID, very simple

CALAMARETTI IN TEGAME; in Sicilian it is CALAMARICCHI ’N’TIANU (Small calamari braised with tomatoes and potatoes)

MONTALBANO’S FAVOURITE DISHES

RICOTTA RAVIOLI and STONE GROUND FLOUR

SBS Italian Radio Recipes | Italian Food Podcasts with Marisa Raniolo Wilkins

SBS Italian Radio Recipes: Italian Food Interviews and Podcasts with Marisa Raniolo Wilkins

SBS Italian Radio has invited me on many occasions to share some of my favourite Italian recipes, regional food traditions and culinary stories with broadcaster Massimiliano Gugole who it the Audio and Language Content Producer at Special Broadcasting Service (SBS) Australia,

This page brings together those interviews so they are easy to find in one place.

If you speak Italian, you can listen to these conversations on the SBS Audio App  or if you click on the links provided below. Each episode generally runs for 10–14 minutes and explores not only recipes but also some of the history, traditions and regional food culture behind them.

One exception is Zuzzu: An Ancient Sicilian Pork Terrine That Uses Everything but the Oink, runs for approximately 30 minutes. This podcast forms part of The Ugly Ducklings of Italian Cuisine, a popular series on SBS with a number of interesting and noteworthy participants. Some of the presenters are not Italian speakers and the podcasts are in English.

These are the podcasts. Use the link to listen on SBS Italian Radio

L’Italia in cucina: puntarelle con pomodorini, aglio e acciughe

Italy in the Kitchen: Puntarelle with Cherry Tomatoes, Garlic and Anchovies
24 June 2026
Bunches of Puntarelle, a type of Cicoria/ Chicory. Also called Catalogna.

Best of 2025: la ricetta dei carciofi ripieni di Marisa Raniolo Wilkins

Best (recipe) of 2025: Marisa Raniolo Wilkins’ Stuffed Artichoke Recipe
20 January 2026

(rebroadcast from 2025)

Inverno, cosa comprano e cosa mangiano italiani e italiane d’Australia?

Winter: What Do Italians in Australia Buy and Eat?
22 July 2025
Purple cauliflower, Market in Syracuse

La dispensa estiva: i consigli di Valentina Vigni, Dan Pasquali e Marisa Raniolo Wilkins

The Summer Pantry: Advice from Valentina Vigni, Dan Pasquali and Marisa Raniolo Wilkins

11 December 2025

Smmer baby tomatoes

Sicilian Cassata, as Recipe by Marisa Raniolo Wilkins | SBS Italian – SBS in Italian

Sicilian Cassata: Marisa Raniolo Wilkins’ Recipe
24 December 2025
Cassata, covered with Marzipan and glace fruit  

Zuzzu: an ancient Sicilian pork terrine that uses everything but the oink

Zuzzu: An Ancient Sicilian Pork Terrine That Uses Everything but the Oink
(already published in English).
This podcast was the most popular in the series.
13 February 2024

This episode forms part of the SBS Italian Radio series The Ugly Ducklings of Italian Cuisine, celebrating traditional regional dishes that are less well known outside Italy.

SBS, the Ugly Ducklings of Italian Cuisine, a series of podcasts

Ricette di Natale 2024: la caponata catanese

Christmas Recipes 2024: Catania-Style Caponata
24 December 2024

 

La jota triestina, una ricetta perfetta per l’inverno

Triestine Jota: A Perfect Recipe for Winter
18 July 2023
Jota/ Iota a hearty thick soup from Trieste made with smoked pork, borlotti beans and sauerkraut
Read the Recipes in English

Many of these recipes have also been published in English here on All Things Sicilian and More, often with additional historical background, photographs and cooking notes.

Simply use the blog’s search function and search for SBS Italian Radio or search by recipe name or ingredient, for example:

  • Puntarelle
  • Stuffed Artichokes
  • Sicilian Cassata
  • The Ugly Ducklings of Italian Cuisine  (Zuzzu)
  • Jota

You’ll find several detailed recipes about the same ingredient, together with the stories, traditions and regional food culture that inspired each dish.

It is worth seeing the full range of photos of the process of making Zuzzu – Sicilian Pork Terrine:

Zuzzu:The Ugly Ducklings in Italian Cuisine (Scarrafoni in cucina)

 

 

Puntarelle alla Romana and Cicoria Ripassata

Puntarelle alla Romana and Cicoria Ripassata are two classic Roman dishes that celebrate Italy’s fondness for bitter greens. Both are types of chicory.

Puntarelle

Puntarelle are a distinctive type of Italian chicory (cicoria catalogna), especially associated with Rome and the Lazio region, where they appear in markets during the cooler months.

Punterrelle, a type of chicory

I have always loved Italy’s bitter greens — cicoria, radicchio, indivia, cime did rape, dandelion  — flavours that many people initially find challenging, but which Italians value for their slight bitterness. Puntarelle belong firmly within this tradition.

The plant has long serrated leaves, but the prized part is the pale green central shoots that are tender, crunchy and slightly bitter.

The shoots of the Puntarelle

Their texture and flavour make them especially refreshing when eaten raw.

Puntarelle – vegetable with some of the outer leaves removed

Puntarelle, even more so than chicory, are not a common vegetable. I have only purchased Puntarelle twice in Australia, once from Carmel and Gus’s stall at the Queen Victoria Market and now I was delighted to find it at Daniel’s stall in the B Shed Shop 23-26. The stall is called Sophia’s.

The classic Roman preparation is Puntarelle alla Romana. The shoots are sliced finely into thin strips and soaked in iced water until they curl and become wonderfully crisp – a bit like curling celery.

Curled puntarelle after being soaked in iced water

They are then dressed simply with olive oil, garlic, anchovy and vinegar or lemon juice. The flavour is sharp, savoury and refreshing at the same time. Sometimes hard boiled eggs are added to the dressed salad and this makes this dish extra suitable as a starter.

The ingredients for the dressing

Like many Italian vegetables, very little is wasted. The outer leaves are often boiled or sautéed with olive oil, garlic and chilli in the style of cicoria ripassata, much like other bitter greens prepared throughout Italy.  I have added this recipe because I have mentioned that the course outer leaves are cooked and not wasted.

A mixture of  leafy greens can be added with the outer leaves of the Punterelle as there are likely insufficient greens to cook in this manner.

I particularly appreciate puntarelle because they reflect something essential about Italian cooking: the ability to transform a simple seasonal vegetable into something elegant through restraint and balance rather than complexity.

For those who enjoy vegetables such as dandelion greens, chicory or radicchio, puntarelle offer a similar bitterness but with a particularly crisp texture and elegant appearance. They pair beautifully with anchovies, citrus, capers, olives and robust olive oil — flavours that appear frequently in Roman and southern Italian cooking.

ROME’S BITTER GREENS

Puntarelle alla Romana

This is one of Rome’s most characteristic salads — crisp, bitter and refreshing, with the salty sharpness of anchovy balancing the chicory beautifully.

Ingredients
  • 1 bunch puntarelle (mine was one plant)
  • 4 -8 anchovy fillets
  • 1-2 garlic clove
  • 2–3 tablespoons extra virgin olive oil
  • 1-2  tablespoon white wine vinegar or lemon juice
  • Freshly ground black pepper
Preparing the Puntarelle

Separate the pale inner shoots from the outer leaves. Save the small leaves to add to the salad.

Slice the shoots finely into thin strips. Traditionally they are cut very thinly so they curl easily.

Place the strips into a bowl of iced water for about 30 minutes. This helps them curl and become crisp.

Preparing the Dressing

Traditionally, anchovies and garlic are crushed together to form a paste. Add olive oil and vinegar or lemon juice and mix well.

Alternatively, the garlic can be crushed and placed in a jar with the oil and lemon juice. The anchovies are then cut into small pieces and mixed together just before dressing the salad. I prefer to do this as it allows for a more visual presentation. 

The dressing: Chopped anchovies and a mixture of extra virgin olive oil, squeezed garlic, and lemon juice
Assembling the Salad

Drain the puntarelle thoroughly and dress just before serving.

Taste and adjust seasoning carefully — the anchovies are already salty.

Punterelle alla Romana – salad

The salad is excellent with grilled fish, roasted meats or simply with bread especially when there are boiled eggs in the salad.

 We had it as an accompaniment to a seafood Paella.

Cicoria Ripassata

This is one of the simplest and most satisfying ways Italians cook bitter greens. The word ripassata refers to the greens being “passed again” through the pan after boiling.

Cicoria – Chicory
Ingredients
  • 1 large bunch cicoria or other bitter greens including the outer leaves of the Puntarelle
  • 2–3 garlic cloves, sliced
  • Chilli flakes or fresh chilli to taste
  • Extra virgin olive oil
  • Salt
Cooking the Greens
  1. Wash the greens thoroughly and trim any tough stems.
  2. Boil in salted water until tender — usually about 10–15 minutes depending on the maturity of the greens.
  3. Drain well and gently squeeze out excess water. Chop roughly if the leaves are large.
  4. Heat generous olive oil in a frying pan.
  5. Add the garlic and chilli and cook briefly until fragrant, but do not allow the garlic to burn.
  6. Add the greens and sauté for several minutes so they absorb the flavours of the oil.
  7. Taste for salt and serve warm or at room temperature.

In Rome this dish is often served alongside grilled sausages or roasted meats, especially pork – the bitterness counteracts the fatty nature of the meat.

CICORIA and Puntarelle (Chicory)

CICORETTA CON SALSICCIA (Chicory with fresh pork sausage)

ITALIAN BITTER LEAF SALAD

WANT NOT WASTE NOT- Chicken livers and chicory, twice

CASSATA SICILIANA: SBS ITALIAN EASTER RECIPE

When I was asked to share an Easter recipe for SBS Italian Radio, I immediately chose cassata Siciliana — a dessert that truly represents Sicily, its history, flavours, and identity.

For the occasion, I prepared the recipe along with some notes in Italian to accompany the radio discussion, aiming to convey not just the steps, but also the cultural meaning behind this traditional dessert.

In this post, I have also included some photos of the cassata being made. These are not on the SBS website, but they help to show the process more clearly.

The remainder of the post is in Italian and I was interviewed by Massimiliano Gugole from SBS Radio Italian.

IN ITALIAN

Quando mi è stato chiesto di condividere una ricetta di Pasqua per SBS Italian Radio, ho scelto subito la cassata siciliana — un dolce che rappresenta bene la Sicilia sapori — la sua storia, i suoi sapori e la sua identità.

Per l’occasione ho preparato la ricetta e alcune note in italiano per accompagnare la conversazione in radio, cercando di trasmettere non solo i passaggi, ma anche il significato culturale di questo dolce tradizionale

In questo post ho aggiunto anche alcune foto della preparazione della cassata. Non sono presenti sul sito di SBS, ma aiutano a vedere meglio i passaggi.

****If you would like to listen to the interview and discussion in Italian on SBS Radio, here is the link:
90.avif

La cassata siciliana, nella ricetta di Marisa Raniolo Wilkins

https://www.sbs.com.au/language/italian/it/podcast-episode/la-cassata-siciliana-nella-ricetta-di-marisa-raniolo-wilkins/szz86479i 

Notes – Per parlare sulla radio

Cassata Siciliana — Tradizione e Gusto
  • La cassata siciliana è uno dei dolci più rappresentativi della Sicilia, soprattutto nel periodo di Pasqua. È un dolce ricco, scenografico, che racchiude storia, cultura e tradizione.
  • La cassata è un’opera culinaria che testimonia secoli di storia.  Dalle influenze fenicie, che introdussero le mandorle, all’apporto arabo, che portò zucchero, frutta secca, marzapane e agrumi, e al contributo spagnolo, che portò il pan di Spagna. I monsù, cuochi francesi al servizio delle famiglie aristocratiche siciliane, ne perfezionarono la presentazione, mentre le suore nei conventi custodirono e tramandarono le ricette tradizionali.
  • Alla base troviamo il pan di Spagna, soffice e leggermente inumidito con un liquore.
  • Il cuore della cassata è la ricotta, preferibilmente di pecora, lavorata con zucchero fino a diventare una crema liscia e delicata.’è un gesto semplice, ma molto significativo, che appartiene alla tradizione della cassata: la ricotta non si mescola soltanto — si passa al setaccio.
  • Alla ricotta si aggiungono piccoli pezzi di cioccolato fondente, pistacchi e scorze di agrumi canditi.
  • Il dolce viene poi assemblato in uno stampo: il pan di Spagna riveste base e lati, si riempie con la crema di ricotta, si chiude e si lascia riposare in frigorifero per una notte.
  • Il giorno dopo si sforma e si ricopre con la pasta reale/il marzapane, spesso di colore verde chiaro, e si decora con frutta candita.
  • La cassata, in tutte le sue varianti, `e un emblema di celebrazione. Le pasticcerie siciliane sono rinomate per la loro maestria nella preparazione e decorazione delle cassate. 
Cassata Siciliana — Ricetta Tradizionale
Consigli:

La cassata si prepara al meglio in due giorni. Si assembla il dolce il giorno prima e si lascia riposare in frigorifero per tutta la notte affinché si compatti. Anche il pan di Spagna beneficia di essere preparato in anticipo.

Note sugli Ingredienti

Ricotta

Usare ricotta soda e ben scolata, preferibilmente di pecora, naturalmente più dolce e saporita.

Spesso viene venduta in forme intere e tagliata al momento — questa è la migliore.

Evitare la ricotta confezionata in vaschetta, generalmente troppo acquosa e poco saporita. Se non avete alternative, è consigliabile scolarla per tutta la notte.

Per un ripieno più ricco, si può aggiungere un po’ di panna densa durante la lavorazione.

Frutta Candita

La frutta candita è conservata in uno sciroppo zuccherino che ne mantiene la morbidezza e ne intensifica il sapore. (Si chiama anche glacé)

Se possibile, utilizzare scorze di agrumi canditi di buona qualità oppure fette intere di arancia candita, invece della comune frutta candita mista.

Il cedro ha un ruolo importante nella pasticceria siciliana. Coltivato in Sicilia e in Calabria, si riconosce per la buccia spessa, dal verde al giallo.

Liquore

Usare secondo il proprio gusto. Alcune opzioni:

  • Liquori all’arancia: Cointreau, Grand Marnier
  • Liquore al mandarino: Mandarine Napoléon
  • Altri: Marsala dolce, Amaretto, Strega, Maraschino
Le foto: Come preparare la cassata

Ci sono tre parti da preparare:

  • Il pan di Spagna
  • Il marzapane
  • Il ripeno

 

Il pan di Spagna
Il ripieno – ricotta,  zucchero, cioccolato , pistacchi, scorze d’agrumi candite
Il pan di Spagna tagliato in quattro strati. Il marzapane steso tra due pellicole
Il marzapane, di due colori – naturale e verde. La confettura per attaccare il pan di Spagna

PREPARAZIONE DELLO STAMPO

Lo stampo foderato, il pan di Spagna -uno stato di sotto, e due strati per rivestire i lati. L’ultimo strato di sopra per coprire il ripieno.
L’ultimo strato di pan di Spagna per coprire il ripieno
Con un peso di sopra
La cassata sformata è ricoperta da una glassa di marzapane. La confettura viene utilizzata per facilitare l’adesione del marzapane al pan di Spagna
Quadretti del marzapane verde per l’applicazione sui lati
Quasi!
Eccola!

**Sul blog All Things Sicilian And More ci sono parecchi post della Cassata con altre foto, ma scritte in Inglese.

EASTER IN SICILY: Faith, Spring, History and Cassata

CASSATA ( Post no. 2) Calls for a celebration!!!

SICILIAN CASSATA and MARZIPAN AT EASTER (Food and Culture in Sicily, La Trobe University)

SICILIAN CASSATA and some Background (perfect for an Australian Christmas)

RICETTA PER LA CASSATA SICILIANA ( SBS )

Ingredienti

Come la maggior parte delle ricette italiane, le quantità degli ingredienti non contano davvero. I cuochi si affidano al gusto, all’occhio e al tatto.

Ripieno di Ricotta

  • 700 g – 800g ricotta fresca (preferibilmente di pecora)
  • 120 g zucchero semolato
  • 60–100 g cioccolato fondente, tritato
  • 100 g pistacchi, tritati
  • 60–100 g scorze di agrumi canditi (arancia, limone, cedro)
  • ¼ cucchiaino vaniglia (o pasta di vaniglia)
  • ¼ cucchiaino cannella

Per Assemblare

  • Circa 450 g pan di Spagna, fatto in casa (questo il peso quando acquistato nei negozi commerciali
  • Pasta reale (marzapane) per copertura
  • Frutta candita per decorare
  • ½ tazza (o più) di confettura di albicocche
  • ½–¾ tazza di liquore (o più, a piacere)

Pan di Spagna

Preparare 1–3 giorni prima.

Ingredienti

  • 5 uova
  • 120 g zucchero
  • 100 g farina setacciata
  • Scorza di limone e/o vaniglia
  • Burro per lo stampo

Procedimento

  1. Montare i tuorli con lo zucchero fino a ottenere un composto chiaro e cremoso.
  2. Montare gli albumi a neve ferma.
  3. Incorporare delicatamente gli albumi al composto di tuorli.
  4. Unire la farina setacciata e gli aromi.
  5. Versare in uno stampo imburrato e cuocere a forno moderato per circa 40 minuti, fino a doratura.
  6. Lasciare raffreddare completamente prima di tagliare.

Ripieno di Ricotta

  1. Lavorare la ricotta con lo zucchero fino a ottenere una crema liscia. (In alternativa, sciogliere lo zucchero in poca acqua per ottenere uno sciroppo, lasciarlo raffreddare e poi unirlo alla ricotta
  2. Aggiungere:
    • vaniglia
    • cannella
    • un goccio di liquore (facoltativo)
  3. Incorporare:
    • cioccolato
    • pistacchi
    • frutta candita

Mescolare delicatamente.

Pasta Reale (Marzapane)

Ingredienti

  • 500 g mandorle pelate e macinate finemente
  • 300 g zucchero a velo
  • 1 albume
  • Vaniglia q.b.
  • Un pizzico di sale
  • Qualche goccia di colorante verde

Procedimento

  1. Montare leggermente l’albume con il sale fino a renderlo spumoso.
  2. Aggiungere la vaniglia.
  3. Incorporare gradualmente mandorle e zucchero, impastando fino a ottenere un composto liscio ed elastico.
  4. Regolare la consistenza:
    • aggiungere mandorle o zucchero se troppo morbido
    • aggiungere poca acqua se troppo duro
  5. Avvolgere nella pellicola e conservare in frigorifero.

Quando sarete pronti per coprire la cassata:

Facoltativo:

Dividere in due parti e colorarne una di verde, oppure è decorato a larghe strisce verdi e del colore naturale del marzapane.

Stendere il marzapane tra due fogli di carta da forno.

Preparazione dello Stampo

  • Foderare uno stampo rotondo (da 25–30 cm) con pellicola o alluminio.
  • Tagliare il pan di Spagna in 4 strati.
  • Rivestire anche i lati dello stampo con le fette di pan di Spagna, utilizzando confettura se necessario per fissarle.

Assemblaggio della Cassata

  1. Disporre uno strato sul fondo e spennellare leggermente con confettura di albicocche.
  2. Inumidire con un po’ di liquore.
  3. Riempire lo stampo con il composto di ricotta e livellare.
  4. Coprire con l’ultimo strato di pan di Spagna.
  5. Inumidire leggermente con liquore.
  6. Coprire e porre un leggero peso sopra.

Mettere in frigorifero per tutta la notte.

Copertura e Decorazione

(Da fare il giorno del servizio)

  1. Sformare la cassata.
  2. Spalmare uno strato sottile di confettura di albicocche.
  3. Coprire con la pasta reale stesa.
  4. Decorare con frutta candita.

Mantenere in frigorifero fino al momento dell’uso.

CAPERS: BUDS, FLOWER, FRUIT, SALTING AND CUISINE

The logic of the caper plant — buds, flower, fruit — reveals itself slowly, and finally  there are predominately salted capers that are so much part of Italian cooking.

Watching a caper bush through its full cycle allows a deeper understanding: tight unopened buds, extravagant white flowers with violet stamens, pollinated berries that swell on long curved stalks.

Caper Bushes and the Life Cycle of Capers

Caper bushes are Capparis spinosa.

I have seen many caper bushes growing in Sicily where little else survives — in crevices, along dry-stone walls, through black volcanic soil and sun-baked earth. I lived in Trieste as a child and caper bushes grew on the walls surrounding the Church of San Giusto!

Now I  am able to observe one bush thriving in a garden in Adelaide, equally at ease in heat, stone and poor soil. It receives little water, yet produces an abundance of flowers. Its restraint in growth contrasts with the dramatic display of its blooms.

Tight unopened buds, top bud ready to bloom.

A tight green bud unfurls into delicate white petals and a burst of long violet stamens. The flower lasts barely a day. In Adelaide’s heat, by mid-morning the flower softens and collapses. What follows depends entirely on pollination. And after some rain I even spotted some bees circling around the flowers.

In the photographs, the stages of the buds to capers, and caperberries are clear.

Some flowers have fallen, leaving only a slender stem.

Stamen with caper berry forming.

Others show the ovary beginning to swell — the promise of a caper berry.

A few have formed smooth, olive-shaped fruit poised on curved stalks. And these are the caper berries.

Caper berries.

Pollination is decisive. Without it, the flower falls and no berry forms. When we harvest capers — the unopened buds — we deliberately interrupt the plant’s reproductive cycle.

Buds are the capers, in various sizes.
Culinary Uses

Capers are used in a wide variety of culinary applications and are a key ingredient in many Italian dishes. Some common examples include:

  • Sicilian pasta con le sarde
  • Vitello tonnato
  •  Caper sauces with anchovy and lemon, very suitable for fish dishes
  • Tomato, potato and a wide range of uncooked and cooked vegetable salads
  • Salsa verde
  • Pasta Puttanesca

Caper berries, larger and milder, suit antipasto platters, smoked fish garnishes and even cocktails in place of olives. Recently I used one instead of a green olive in a Martini!

Salting Capers: Preservation

Capers require preservation. Fresh caper buds are intensely bitter and must be cured.

Caper bushes can be found all over Sicily. The traditional Sicilian method — is dry salting rather than pickling.

The salt draws out moisture through osmosis, it reduces bitterness by leaching harsh compounds and preserves by inhibiting microbial growth.

Unlike vinegar pickling, salting concentrates and refines flavour rather than masking it.

Salt-Packed

Vinegar-Preserved

More complex flavour

Sharper, more acidic

Cleaner aroma

Vinegar can dominate

Traditional in Sicily

Common commercially

Requires rinsing

Ready to use

Before using salt-packed capers, rinse well and soak briefly (10–15 minutes or longer if needed and larger capers may require more soaking ), then gently squeeze dry.

Salted Sicilian capers – 2 sizes. the small ones are more expensive.
Three Sicilian Islands where capers Thrive and are processed for export

Across Sicily’s southern islands, Capparis spinosa demonstrates remarkable adaptability.

I found many containers of salted capers in the market in Syracuse.

Pantelleria — with its volcanic soil and fierce sun — produces intensely aromatic buds protected as Cappero di Pantelleria IGP. Dry-salting and size grading are meticulous. The smallest buds are prized for concentration and finesse. This small island lies in the Strait of Sicily, about 100 km southwest of Sicily and roughly 60 km east of Tunisia.

Lampedusa, shaped by limestone and water scarcity, preserves capers pragmatically in dry salt — no brine, no excess moisture. Here, capers reflect adaptation and subsistence Italy’s southernmost island, Lampedusa lies between Malta and Tunisia.

Salina and the Aeolian Islands balance cultivation with daily use. Dry-salting remains a common method, though brining is becoming commercially significant. Capers flavour fish, vegetables and salads — integrated into routine cooking. They also are added to sauces and I also add them to pan fried meat dishes.  Salina is one of the Aeolian Islands north of Sicily, Southern Italy and is the second largest island in the archipelago.

Dry salt curing required no fresh water, used abundant sea salt, preserved buds without refrigeration and intensified flavour rather than masking it.

Capers Preserved in Vinegar

Vinegar-preserved capers are widely available, especially outside Sicily and used very much in northern Italy. After salting, they are packed in wine or distilled vinegar.

Advantages:

  • Convenient and ready to use
  • Long shelf life
  • Bright acidity
  • Consistent flavour

The trade-off is that vinegar can dominate and obscure the caper’s more delicate floral and herbal notes. Salted capers are preferred when subtlety matters; vinegar-preserved capers suit dishes that benefit from extra sharpness.

Capers in Brine are very easy to use. These are ingredients for a quick sauce.
When Capers Dominate: Caponata

Capers are used extensively in Sicilian cooking. Caponata is an iconic Sicilian favourite that many who live outside Sicily would be familiar with .

A traditional Sicilian caponata balances fried eggplant, celery, olives and agrodolce. There are many types of caponate (plural) made with various vegetables. Two most common varieties are the Palermitana (as described above) and the Catanese, which also includes peppers. While caponata contains both green olives and capers, it is the salted capers that provide the structure. Their saline intensity cuts through oil and sweetness, anchoring the dish to coastal Sicily. In Western Sicily, cooks  increase the proportion of capers, shifting the dish from a gently sweet to a greater savoury profile. When I now make a caponata, I am using a greater amount of capers and am aware of the difference. With high-quality salted capers the flavour is unmistakably Sicilian.

Pesto di Capperi alla Siciliana

This pesto is simple to prepare and retains its flavour when kept in the refrigerator.

In this recipe, capers are not a background seasoning, but the defining flavour. Their salty, floral and slightly wild profile replaces basil. There are usually no set quantities in Sicilian recipes and everything is made by using eyes, taste and feel. Taste the pesto as you go and adjust to what you like.

Across western Sicily, capers are crushed with almonds, herbs and olive oil to create a textured paste with a distinctive flavour. This pesto celebrates salinity and aroma.

Spoon over grilled fish, toss through pasta, spread on bread or stir into boiled potatoes and beans.

Ingredients: adjust according to taste

  • 4–6 tbsp salted capers, rinsed and dried
  • 80 g blanched almonds
  • 2 small garlic clove
  • A handful of flat-leaf parsley
  • Some mint leaves (optional)
  • Zest of 1/2- 1 lemon
  • 8–12 tbsp extra virgin olive oil
  • Freshly ground black pepper
Method

Pesto in Sicily is traditionally made with a mortar  and pestle. I use a small food processor to make this. I carry it with me when I travel and it is with me in Adelaide at the moment.

  1. Rinse, soak and dry capers. Soak sufficiently as you do not want the pesto to be over salty.
  2. Crush garlic and almonds. Blend/pulse.
  3. Add capers and pound (grind) to a coarse paste.
  4. Work in herbs.
  5. Add olive oil gradually to achieve a rustic texture.
  6. Finish with pepper and some lemon zest.

Store in a glass jar. Cover with a thin layer of extra virgin olive oil to help preserve the contents.

as mentioned above experiment and add more capers in Caponata:
CAPONATA FROM PALERMO (made with eggplants)

CAPONATA Catanese (from Catania) made easy with photos

CAPONATA of Potatoes (Recipe for Caponata di patate)

CAPPERI (Capers and caper bushes)

THE MANY VERSIONS OF CAPONATE and grilled food

 

PASTA CON LE SARDE (SARDINES)

VITELLO TONNATO MADE WITH GIRELLO (cut of meat)

YEARNING FOR VITELLO TONNATO

TUNNU `A STIMPIRATA; TONNO ALLA STEMPERATA (Tuna with onions, vinegar, capers and green olives)

SARSA DI CHIAPPAREDDI (King George Whiting presented with a sauce made with capers and anchovies)

Staples in my fridge; olives, capers, anchovies and nuts

EVERYTHING YOU SEE I OWE TO SPAGHETTI (A tribute to Sofia Loren, pasta alla puttanesca and pasta alla ciociara)

 

THE SUBTLE POWER OF VINEGAR: HOW ITALIANS BALANCE FLAVOUR

The subtle power of vinegar and how Italians balance flavour is something I appreciate in my own kitchen. Beyond acidity and preservation, vinegar brings balance, gives structure to a dish, and harmony in everyday cooking.Italian cuisine has always been attentive to relationships on the palate: fat is balanced with acidity, sweetness is moderated by bitterness and warm dishes are often refreshed with a sharp element. I often deglaze pans with vinegar. A small splash in a warm pan releases an aroma and sharpness that immediately awakens the senses. And it smells fantastic!

Lemon brightens flavours and highlights bitterness, but vinegar behaves differently. It softens and steadies strong tastes, preventing them from becoming overpowering. Consequently, selecting the appropriate vinegar is a deliberate decision that is part of the cooking process.

In my pantry you will find several types of vinegar —  commercial red wine vinegar, white wine vinegar, champagne vinegar, sherry vinegar and often homemade red wine vinegar. Over time I have learned to select each based on the dish’s requirements rather than habit. Understanding these differences is one of those small shifts that moves cooking from a mechanical to a thoughtful. process.

CHOOSING THE RIGHT VINEGAR

Red wine vinegar

Red wine vinegar is my preferred choice. Its consistent sharpness makes it a reliable ingredient for vinaigrettes, cooked vegetables, legume salads and the sweet-and-sour notes of agrodolce.

Its bold flavour is precisely its strength, allowing it to stand alongside robust ingredients without overpowering them.

White Wine Vinegar

White wine vinegar is lighter and less tannic than red wine vinegar, offering acidity without weight or colour. The acidity is expressed subtly.

I use it when working with tender leaves, fresh herbs, cucumber or zucchini and occasionally for deglazing fish or seafood when I prefer not to use wine. It is also suitable for some ceviche-style preparations, particularly for stronger-tasting fish, making it more suitable for lemon.

It also blends well into emulsified sauces such as mayonnaise or aioli, where lemon might otherwise dominate.

Sherry Vinegar

Sherry vinegar adds complexity rather than sharpness. A few drops are often sufficient.

I frequently drizzle it over simply roasted vegetables such as mushrooms, pumpkin, eggplant and beetroot, allowing their natural sweetness to complement its savoury depth. It is equally suitable for pan sauces for more strongly flavoured poultry such as duck or quail.

Sherry vinegar is the one I use when I want warmth rather than brightness.

Champagne Vinegar 

Champagne vinegar possesses a restrained acidity. It is a subtle taste that supports rather than dominates.

I use it for soft tasting ingredients like lettuces, dishes with delicate herbs such as tarragon or chervil and salads that include fruit, like oranges, peaches and pears, where excessive sharpness would disrupt the balance. Champagne vinegar preserves elegance rather than overwhelming it.

Understanding Balsamic Vinegar

 I am very careful with Balsamic vinegar and use it very sparingly because most varieties that are available are overly sweet and synthetic. Having tasted different batches of Balsamic Vinegar in Modena some years ago I  know what I should be tasting!

Proper Balsamic Vinegar is aged. As with much of Italian cooking, its depth is shaped more by time than by intervention. No additives.

The most revered style is traditional balsamic, produced in Modena or Reggio Emilia from slowly cooked grape must and aged in a succession of wooden barrels for at least twelve years, often far longer. As the seasons pass and the liquid gently concentrates, it becomes darker, denser, and quietly complex. Only a few drops are needed — on Parmigiano Reggiano, ripe strawberries, or a finished risotto — where it deepens rather than dominates. And it is very expensive so one is frugal.

Most bottles encountered today are Aceto Balsamico di Modena IGP, is made from a blend of wine vinegar and grape must and matured for a shorter time. When well made, it is excellent to use in everyday cooking — vinaigrettes, used in agrodolce, or stirred through pan juices.

At the lower end, the type that is sold in supermarkets and labelled as Balsamic … and made in Italy…maturity is sometimes suggested rather than earned. Caramel for colour, thickeners for viscosity, and added sweetness offers quick roundness. Do the ingredients  listed mention grape must? Not likely. And how many additives are listed, and is the information correct?

For this reason, many Italian cooks keep two bottles — one for daily cooking, the other patiently aged, reserved for the final moment when a dish calls for depth and quiet resonance. And they are willing to pay for it .

Homemade Red Wine Vinegar 

Making homemade vinegar is a lesson in patience.

Its production is always slightly unpredictable, influenced by time, temperature and the vitality of its mother. When I am successful, in making it, the vinegar is softer and more layered than most commercial versions.

I treat it with the same respect as a high-quality extra virgin olive oil, often saving it for special salads or using it as a finishing touch, particularly with bitter leaves such as radicchio, chicory and endive.

When I have excess red wine left over, I begin another batch. Fermentation has its own schedule, and some jars take longer than anticipated. The waiting period becomes an integral part of the process.

For those who prefer not to make their own vinegar, a reputable delicatessen will often stock beautifully aged vinegars that are well worth purchasing.

RECIPE: A Traditional Method for Homemade Red Wine Vinegar

Rustic, reliable, and close to how vinegar is still produced in many homes across Italy and France.

Ingredients

  • 750 ml–1 litre red wine (avoid heavily sulphated wines)
  • 250–500 ml unpasteurised vinegar containing a live mother
  • 1 small piece of rustic bread

Equipment

  • Wide-mouth glass jar or crock
  • Breathable cloth or cheesecloth
  • Rubber band or string
  • Wooden spoon

Method

  1. Prepare the wine: Aim for an alcohol level of roughly 6–10%.
  1. Add the starter culture: Pour the wine into the container, add the live vinegar, and drop in the bread — traditionally used to provide nutrients and encourage microbial activity.
  1. Aerate and cover: Stir gently. Cover with cloth — oxygen is essential. Never seal airtight. When I have  used a crockpot I have also used a smaller lid to keep the mother down and then covered it with gauze. I have never had problems with vinegar flies, but maybe I am just lucky!

  1. Ferment: Store somewhere warm (18–27°C), dark, and undisturbed. Within 1–3 weeks, a gelatinous film — the mother — should form, and the aroma will shift from wine to tangy vinegar.
  1. Taste and monitor: Begin tasting after four weeks. Most batches take 4–8 weeks, sometimes longer.
  1. Finish: Remove the bread and bottle, or age further for deeper flavour. Always reserve some mother to start the next batch.

Practical Tips

  • Avoid metal lids touching the liquid.
  • Do not disturb the mother once formed.
  • Top up gradually with wine to create a continuous culture.
  • Discard if fuzzy mould appears; a smooth, jelly-like mother is normal.

Bitterness, Balance, and the Italian Table

Italian cuisine embraces bitterness — radicchio, chicory, scarola, and Belgian endive (witlof) are favourites in my kitchen.

Whether served raw or braised, vinegar is the quiet mediator that softens bitterness and creates equilibrium.

The following recipes reflect northern Italian traditions, where radicchio is celebrated.

A head of Firm Radicchio.

Here are a couple of recipes for radicchio.

Radicchio Agrodolce (Sweet–Sour Radicchio)

A classic example of bitterness balanced with acid and sweetness, widely associated with the Veneto region.

Firm Radicchio cut into wedges.

Ingredients

  • 2 heads radicchio, quartered
  • 2 tbsp olive oil
  • 1 small red or white sliced onion or spring onion
  • 2 tbsp red wine vinegar
  • 1 tsp sugar or honey (I often use 1 tbsp balsamic and 1 tbsp red wine vinegar instead)
  • Salt and black pepper

Optional: toasted or candied walnuts, pine nuts, raisins, or currants.

Method

  1. Heat olive oil in a wide pan.
  2. Sauté onion until soft and lightly sweet. If using spring onion sauté less (I overcooked mine)
  3. Add radicchio cut-side down and cook until lightly charred.
  4. Add vinegar and sweetener; toss gently.
  5. Cook for 2–3 minutes until slightly wilted but still structured.
  6. Season and serve warm.
Alternative Charred Version of Radicchio Agrodolce 

For a deeper flavour:

  1. Sear the wedges vigorously without moving them.
  2. Turn once.

  1. Deglaze with vinegar or a vinegar-balsamic mixture.
  2. Add a touch of honey and butter, basting the radicchio  on both sides in the pan until glossy or removing it before making the glaze.
Glaze for Cooked Radicchio.

Plating Tip: Serve wedges whole, slightly overlapped, with glaze spooned toward the core for visual structure.

Candied Walnuts (Perfect for Salads with bitter leaves)

Crisp, lightly glossy, and balanced — never overly sweet.

Ingredients

  • 1 cup walnut halves
  • 1 tbsp sugar
  • 1 tbsp butter or olive oil
  • Pinch of salt
  • About a small teaspoon of wine vinegar

Method

  1. Toast walnuts lightly in a dry pan until fragrant.
  2. Add fat, sugar, and salt. Once the begin to melt add the vinegar.
  3. Stir continuously until caramelised.
  4. Spread on baking paper and cool completely.
Radicchio Salad with Balsamic and Parmigiano

Another northern Italian classic — simple, structured, and refined.

Ingredients

  • Radicchio leaves, torn
  • Parmigiano Reggiano shavings
  • Toasted walnuts (optional)
  • Extra virgin olive oil
  • Good-quality red wine vinegar, balsamic, or both
  • Salt and black pepper

Method

  1. Toss radicchio with olive oil, salt, and pepper.
  2. Add vinegar gradually, tasting until the balance feels right — acidity should support, not dominate.

Plating Suggestions

  • Use a large plate and leave some negative space.
  • Build height rather than spreading the salad flat.
  • Add contrasting textures such as shaved fennel, citrus segments, firm pears sliced, nuts and fried capers. I also use firm peaches or vanilla persimmons, although these are not traditional ingredients. However, cuisine evolves and even traditional cuisine changes.
  • Finish with a final gloss of olive oil and intentionally placed shaved Parmigiano.

These small decisions/ finishing touches elevate salads from rustic home cooking to quietly sophisticated.

Other Radicchio recipes:

LASAGNA /LASAGNE. RECIPE FOR LASAGNA AL RADICCHIO

RISOTTO made with Radicchio

RISOTTO AL RADICCHIO ROSSO

COOKED RADICCHIO

Pan fried radicchio with pickled pears, walnuts, beetroot and gorgonzola

BIGOLI NOBILI (Bigoli pasta with red radicchio, borlotti and pork sausages)

Agro Dolce:

TONNO AL AGRO DOLCE; Sweet and sour tuna, Sicilian; ALBACORE TUNA

PEPERONATA(SICILIAN SWEET AND SOUR PEPPERS)

Sweet and Sour Peppers.

THE MANY VERSIONS OF CAPONATE and grilled food

Eggplant caponata.
Sweet and Sour Pumpkin.

Sicilian Pumpkin with vinegar, mint, sugar and cinnamon

ACETO DI VINO FATTO IN CASA (Home Made Wine Vinegar)

PALERMO, SICILY AND PEELING BACK THE LAYERS

Palermo is often described as chaotic, beautiful and a contradictory city — but to understand it properly, you have to peel back the layers, layer by layer because Sicily’s capital is not a city that reveals itself at first glance.

Like the island itself, Palermo rewards return visits, slow observation and curiosity. This process for discovering Palermo is a concept I explored many years ago in a travel competition article, Palermo and Sicily… Peeling back the onion. 

Palermo’s strength lies in its depth. Each visit reveals a new layer—political, architectural, culinary or personal.

Palermo’s impressive Cathedral.

This post summarises some of Palermo’s cultural and historic attractions and aims to inspire travel to this impressive city.

Hand painted Sicilian horse cart.

I was particularly impressed by the grand historic buildings and luxurious Liberty-style villas and apartments, especially on the outskirts of Palermo. I was also struck by the contrast of accommodation often from street to street. However, do not be deceived by the exterior of some buildings. For instance, I once stayed in an apartment in the centre of Palermo that was unremarkable on the outside but had been tastefully renovated on the inside with modern conveniences, fresco-painted ceilings and antique furniture. The couple who owned it lived in a separate part of the large apartment.

Some residential housing.

Reading the post on Palermo and Sicily has prompted me to revisit the city. Reviewing my photographs has reinforced this desire.

Palermo – Teatro Massimo

Palermo as a capital, not a curiosity

For centuries, Palermo was not a provincial outpost but a Mediterranean capital. Under Roger II of Sicily, it became the seat of power of the Norman Kingdom of Sicily — governed from the Palazzo dei Normanni.

Palermo- Palazzo dei Normanni.

This was a court where Arab administrators, Greek scholars and Latin clergy worked side by side, leaving behind an architectural and cultural legacy unlike anywhere else in Europe

Where cultures overlap

The layered nature of Palermo is visible everywhere. Byzantine mosaics glow above Islamic wooden ceilings in the Cappella Palatina. Norman churches wear Arab domes. Baroque façades frame medieval streets.

Nothing here is erased. Everything is added.

This is why Palermo feels so different from cities that present history in neat, separated chapters.

Palermo – The Church of San Cataldo, an example of the wonderful Arabian-Norman architecture with its characteristic red domes is situated next to Santa Maria dell’Ammiraglio (also called La Martorana) is from the mid 12th century.
Markets as living archaeology

To understand Palermo at street level, you go to the markets.

In Ballarò Market and La Vucciria, the city’s Arab past survives not in monuments but in sound, rhythm and ritual.

Traders shout in Sicilian dialect. Fish is displayed under red awnings. Scents of fried street food and roasted peppers are in the air.

It is much more than nostalgia — it’s continuity.

Food as a record of history

Palermo’s food tells the same layered story.

The “traditional dishes” are edible evidence of Arab, Norman and Mediterranean exchanges. Sweet meets savoury. Fish replaces meat. Breadcrumbs stand in for cheese.

Antica Focacceria San Francesco is a historic eatery located in the heart of the city, opposite the church of St Francis of Assisi. It offers some of Sicily’s most iconic, authentic Palermo street food  in a historic setting.

Even today, contemporary chefs reinterpret these dishes rather than abandon them, another example of Palermo adding layers rather than stripping them away. This trend is also evident among younger Sicilians who, like the rest of us, have greater access to media and modern and international cuisine.

Escaping the centre, without leaving the city

Peeling back another layer means leaving the historic quarters without leaving Palermo.

Liberty-style villas, gardens like Villa Giulia, or a bus ride to Mondello or Monreale reveal a softer, lighter side of the city — still unmistakably Sicilian, still deeply connected to food, leisure and the sea.

Close to Palermo is Mondello.

**For a deeper exploration of Palermo and Sicily through memory, history and return visits, you can read my longer composition:

Palermo and Sicily … peeling the onion

Related:

PANELLE, PALERMO STREET FOOD-Chick pea fritters and the Antica Focacceria San Francesco

PALERMO -18 Secrets of Sicily Revealed by Top Travel Bloggers

THE CHARLESTON Restaurant in Mondello (near Palermo)

SICILIAN MARKETS; use of every part of the animal

SFINCIONE DI PALERMO (A pizza/focaccia type pie)

CECI (CHICKPEAS) IN SICILIA: Cucina Povera

Chickpeas — ceci, or cìciri in Sicilian — have been part of Sicily’s cucina povera’s cooking for centuries. Quiet, sustaining, and deeply rooted in the land, they belong to a cuisine of continuity rather than elaborate dishes.

Ancient Roots

Archaeological and botanical evidence places chickpeas among the earliest cultivated legumes of the eastern Mediterranean. When the Greeks settled Sicily from the 8th century BCE, they embedded ceci into an agricultural pattern based on cereals, legumes, olive oil, and wild greens — a pattern still visible in Sicily’s most subtle dishes.

During the Arab period (9th–11th centuries), chickpeas became even more central. Improved irrigation, crop rotation, and dry-farming techniques made legumes reliable in Sicily’s arid interior. Just as important was a shared culinary philosophy: slow cooking, few aromatics, and respect for the ingredient’s natural flavour and nourishment.

By the Middle Ages, ceci were firmly rooted in inland rural diets, where wheat and legumes formed the backbone of daily sustenance.

In later medieval history, ceci (chickpeas) took on an unexpectedly political role in Sicily. On Easter Monday, 30 March 1282, as crowds gathered in Palermo for Vespers, long-standing resentment against the rule of Charles I of Anjou erupted into open rebellion. According to tradition, the French were identified by their inability to pronounce the Sicilian word for chickpeas without a lisp. What began as a small incident became the spark for the Sicilian Vespers uprising, turning a humble legume into a linguistic marker of resistance and identity.

A Food of Continuity, Not A SHOWPIECE

Sicilian chickpea dishes are understated by design. They reflect cucina povera — not deprivation, but shaped by climate, season, and scarcity. Chickpeas often replaced meat, providing sustenance for households for several days.

On 13 December, the feast of Santa Lucia, chickpeas take on special meaning in Sicily, particularly in Palermo. According to tradition, during a medieval famine a ship carrying grain and chickpeas arrived in the port after prayers to the saint. Too hungry to wait for flour to be milled, people boiled the grains and legumes and ate them whole.

In gratitude, Palermitans vowed to avoid flour on Santa Lucia’s day. Chickpeas — eaten simply or included in cuccìa (dish traditionally made with boiled wheat berries, often mixed with chickpeas). It remain a tradition, a symbol of survival, humility, and collective memory rather than celebration.

Santa Christina Cathedral Palermo.

Growing and Harvesting

In Sicily, chickpeas are usually sown in late winter or spring and harvested in summer. The plants are left until the pods dry on the stalk, ensuring a dependable winter staple.

Before drying, some chickpeas were eaten fresh — a fleeting seasonal pleasure.

A Note on Fresh (Green) Chickpeas — Ceci Freschi

Before drying, chickpeas were sometimes eaten fresh. Harvested in late spring or early summer, they are pale green, faintly sweet, and closer to fresh peas in texture. Their shelf life is short — less than a week — and they are best cooked simply, as for ceci in umido (recipe below), or eaten straight from the pod while harvesting in the fields.

A fresh chickpea( ceci) plant with pods containing green chickpeas.

Their brief season reflects an agricultural rhythm that shaped Sicilian cooking for centuries: some foods were enjoyed only when the land allowed it.

How Chickpeas Are Traditionally Eaten in Sicily

1. Ceci con Erbe Spontanee (Chickpeas with Wild Greens)

A classic countryside pairing. Chickpeas cook gently while seasonal greens are added toward the end: Wild fennel, Wild Chicory, Dandelion, Borage.

Wild fennel sold in bunches.

Finished simply with olive oil — sometimes a squeeze of lemon.

2. Minestra di Ceci (Chickpea Soup)

Common in mountainous areas, monasteries, and farming households. These soups were cooked in large quantities and eaten over several days — practical, sustaining, and deeply comforting. Chickpeas simmer in their broth and are often poured over bread placed directly in the bowl. Sometimes broken spaghetti is added. Always finished with olive oil and rather than chilli, black ground black pepper.

3. Panelle

Palermo’s iconic street food: chickpea flour cooked with water and salt, spread into thin sheets, cut into small rectangles or squares, and fried until crisp. Simple, addictive, and unmistakably Sicilian.

4. Ceci in Umido (Stewed Chickpeas)

A dish shaped by restraint. Tomato — a later arrival — is used sparingly or omitted altogether inland. Onion softens slowly in olive oil, garlic perfumes briefly, and chickpeas do most of the work.

RECIPES

I research traditional Sicilian sources, and the most reliable versions of recipes I have found in my books is from Pino Correnti’s Il Libro d’Oro della Cucina e dei Vini di Sicilia. As with many Italian recipes, they are simple and written without measurements.

These dishes belong to an older culinary world, predating tomatoes. They are the kind of sustaining soups that fed farmers, monks, and households through winter.

I include two traditional recipes detailed, more modern Sicilian recipes for chickpeas that are more suited to contemporary cooks:

* Ceci in Umido (Sicilian Stewed Chickpeas)

* Minestra di Ceci (Sicilian Chickpea Soup)

 

Ciciri ca Pasta a Catanisa
Chickpeas with Pasta, Catania Style

An eastern Sicilian variation, even simpler, is pasta with chickpeas alla catanese. The chickpeas are cooked together with onion and, in the same cooking water, broken spaghetti is added and boiled. The dish is dressed simply with raw olive oil and freshly ground black pepper or chilli.

Ciciri ca Pasta Saccense
Chickpeas with Pasta from Sciacca

The version from the area between Sciacca and Agrigento is simpler. It uses cooked chickpeas mixed with about half a kilo of wild fennel, two cloves of garlic, and tagghiarini made fresh — small lasagne-style strips of dough rolled out by hand on the board just before cooking.

Facade of a building in Sciacca.

*Ceci in Umido (Sicilian Stewed Chickpeas)

A humble but deeply satisfying dish, served as a light main or contorno.

Ingredients (serves 4)

  • 300 g dried chickpeas
  • 1 small onion, finely chopped
  • 1–2 cloves garlic, lightly crushed
  • 3–4 tbsp extra-virgin olive oil (plus more to finish)
  • 2 tbsp tomato passata or 1 tbsp tomato paste diluted with water
  • 1 bay leaf or a small sprig of oregano
  • Salt and black pepper
  • Water or light vegetable broth or stock

Method

Soak chickpeas overnight. Drain and rinse.

Cover the chickpeas in fresh water and simmer until tender (40–50minutes). Reserve liquid.

Cook onion slowly in olive oil until soft, never coloured.

Add garlic briefly, then tomato and aromatics. Cook gently.

Add chickpeas with enough liquid to cover. Simmer until the sauce thickens naturally.

Finish with black pepper and a drizzle of extra virgin, fragrant olive oil.

Regional notes

  • In central Sicily (Enna, Caltanissetta), tomato is often omitted altogether.
  • It is eaten with bread — bread here is the accompaniment.
  • This is a dish that reflects Arab influence not through spice, but through method: slow cooking, minimal intervention, and respect for the legume itself.
*Minestra di Ceci (Sicilian Chickpea Soup)

Cucina povera at its purest — chickpeas, aromatics, olive oil, and patience.

Ingredients (serves 4)

  • 300 g dried chickpeas
  • 1 small onion, finely chopped
  • 1 carrot, finely diced
  • 1 celery stalk, finely diced
  • 2 cloves garlic
  • 3–4 tbsp extra-virgin olive oil (plus more to finish)
  • 1 bay leaf or wild fennel stems
  • Salt and black pepper

Optional: potato cubes or greens. In Melbourne, I am unable to purchase wild greens but can buy seasonal vegetables such as chicory, beets/chard and spinach.

Method

Soak chickpeas overnight. Drain and rinse.

Cover the chickpeas in fresh water and simmer until tender (40–50minutes).

Reserve liquid.

Gently cook onion, carrot, and celery in olive oil until soft. Add garlic briefly, then chickpeas and liquid.

Simmer uncovered 15-20 mins, crushing a few chickpeas to thicken.

Add potatoes or greens if using.

Rest, season, and finish with raw olive oil.

Present the soup with: With crusty bread or garlic-rubbed toast or topped with wild fennel fronds

The soup is better the next day — flavours deepen with time.

Chickpeas (ceci),I almost always have jars in my freezer.

OTHER RECIPES

CHICKPEAS and simple food

MUSSELS WITH CHICKPEAS

PANELLE, PALERMO STREET FOOD-Chick pea fritters and the Antica Focacceria San Francesco

CHICKPEAS SOUP WITH WILD FENNEL (Minestra di ceci con finocchio, erba selvatica)

VESPERS and a celebration of chickpeas in BACCALÀ CON CECI alla fiorentina (Salt Cod with Chickpeas as cooked in Florence)

PASTA con cavolofiore, salsicce di maiale e ceci (pasta with cauliflower, pork sausages and chickpeas)