Category: Desserts/Dolci, Sweets and Baking

EASTER IN SICILY: Faith, Spring, History and Cassata

Easter in Sicily is more than a religious celebration, it’s a mix of faith, spring, history and cassata.

It is a time when the sacred rituals and the everyday come together. It reminds people of the past, celebrates the present, and looks forward to the future with hope.

EASTER HOLY WEEK CELEBRATIONS IN SICILY

Religion, especially Catholicism, is at the heart of life in Sicily, and this is most visible during Holy Week and the Easter Celebrations. From Palm Sunday to Easter Sunday, towns and cities across the island are filled with devotion and tradition.

Sicilian religious cart used for Religious processions.

On Good Friday, processions move slowly through the old streets. During the week churches are filled with music, the smell of incense, and quiet prayers; these rituals passed down through generations.

Catania, Santa Agata.

Easter Sunday marks the resurrection of Christ and brings a sense of festivity after the solemn days leading up to it. But Easter also connects with something older and more natural: the arrival of spring. As winter fades, nature comes back to life—trees bud, flowers bloom, and the days grow longer. It’s a time of new beginnings and hope.

Easter procession in Enna,confraternities.

EASTER CEREMONIES IN ENNA

Some Easter traditions in Sicily have roots that go back even further than Christianity. In Enna, for example, a priest blesses the fields, praying for good crops and weather. This ceremony likely comes from ancient agricultural customs.

Enna, Easter Holy Week confraternities.

One of the most striking events is the procession of fifteen local confraternities, each with its own unique clothing and customs. This tradition dates back to the 15th to 17th centuries and shows the influence of Spanish rule on Sicilian religious life. I was in Enna during easter time a while back.

Enna,confraternities.

EASTER CELEBRATORY FOOD – CASSATA

With any festivity in Sicily, food plays an essential role—and Easter is no exception.

Alongside the religious rituals and springtime renewal, special dishes take centre stage.

Classic Cassata

One of the most iconic Easter desserts is the elaborate Sicilian cassata

While there are several versions of cassata – including a frozen ricotta and sponge cake version known as cassata gelata, and a baked pastry version filled with sweetened ricotta, known as cassata in forno, the most famous is the highly decorated traditional classic cassata.

Cassata al forno

Traditional classic cassata

This eye-catching, baroque-style cake is usually topped with colourful glacé fruits and candied citrus peel. It’s a dessert that isn’t typically made at home but is crafted by skilled pasticceri (pastry makers) in Sicily’s many historic pastry shops (pasticcerie).  Some that have been in operation for generations.

In this is the case with most Italians, they leave the pastry making to the experts.

Classic Cassata

The classic Sicilian cassata is made of three main parts. First, there’s a soft sponge cake, often moistened with a splash of liqueur and used to line the mould. Inside is a rich, sweetened ricotta filling, made with sheep’s milk (sweeter than cow’s milk) and mixed with small pieces of candied citrus and dark chocolate. Finally, the entire cake is covered with a layer of green marzipan or a smooth glaze of sugar icing, then decorated with intricate patterns and colourful candied fruits.

Classic Cassata

HISTORICAL NOTES

But cassata is more than just a dessert – it’s a layered representation of Sicily’s complex cultural and historical past and its origins are believed to reflect the many cultures that have shaped the island. The name cassata may come from the Arabic qas’ah, meaning “bowl,” referring to the traditional mould used to shape the cake. The Arabs introduced sugar to Sicily, along with candied fruits, which are key ingredients in the cake. The sponge cake, called Pan di Spagna in Italian, likely came from the Spanish, while the elaborate icing and presentation were influenced by the Monsù – French-trained chefs who worked in aristocratic Sicilian households in the 18th and 19th centuries.

Some of these chefs were French, while others came from Piedmont, a region in northern Italy that was under French control during that time. These Monsù added a touch of French elegance and flair to traditional Sicilian cooking, turning simple ingredients into refined and artistic dishes. Cassata, with its rich mix of flavours, textures, and cultural layers, is a perfect example.

While the traditional cassata is a showstopper, not everyone has the time, or the team of expert pasticceri to make such an elaborate creation.

MY HOMEMADE CASSATA

Homemade Cassata with green marzipan.

I have made many cassate (plural) at home, the last one was probably approximately three years ago.

Homemade Cassata with almond marzipan and green pistachio marzipan.

DECONSTRUCTED CASSATA RECIPE

Tastes change, people’s diets do as well and I now have a more enjoyable method of utilising the same delectable flavours in a simpler manner. By employing the classic ingredients, I have crafted various versions of a deconstructed cassata-inspired dessert, such as the deconstructed cassata below where I added strawberries. I have made a few of these and they have always been a success.

Deconstructed Cassata.

the next time, I intend to serve the deconstructed cassata in a large wine glass. This presentation will be both easy to prepare and visually appealing. Furthermore, my previous deconstructed cassata retains the essence of the original, while eliminating the complexities associated with traditional preparation.

Deconstructed Cassata in a Glass

Ingredients (4 – 6 people)

* 500 g fresh ricotta, combined with a splash of thick cream (adjust the quantity to achieve a creamy consistency)

* 100 g caster sugar (or honey or Monk Fruit, as a sugar substitute)

* A few drops of vanilla concentrate

* Orange and citron (cedro) peel, soaked in Cointreau for at least a couple of hours. I use this French Liqueur because it is very orange flavoured.

* Small pieces of exceptionally dark chocolate

* Savoiardi (sponge fingers or Pan di Spagna/sponge cake) for use as a base or topping. Please refer to the “To Serve” section below for an estimate of the required quantities.

Marzipan leaves

* 100 g blanched almond meal

* 100 g icing sugar

* 1 egg white

* 1/4 teaspoon vanilla extract

* 1 drop of green food dye

Method:

Combine the marzipan ingredients in a bowl and knead until smooth. If the mixture is excessively wet, add more almond meal or sugar. I frequently a greater ratio to sugar.  Roll the marzipan thinly between two sheets of baking paper and cut into leaf shapes. These marzipan leaves serve as a delightful garnish and a playful tribute to the traditional decoration.

To Serve:

Experiment with the composition of the dessert. Here are a couple of suggestions:

* Place 1-2 Savoiardi (sponge fingers) or some sponge cake on the bottom of the glass and lightly brush it with the reserved Cointreau.

* Spread the creamy ricotta mixture over the sponge layer.

* Top the ricotta layer with another layer of sponge or savoiardi moistened with the reserved Cointreau. Top with some Marzipan leaves.

Alternatively, you can create a layered dessert by alternating between the ricotta mixture and the sponge layer, with each layer lightly brushed with Cointreau.

I prefer this one:

*Spoon generous layers of the ricotta mixture into large wine glasses.

*Garnish with marzipan leaves and 1-2 dry Savoiardi biscuits (not soaked in Cointreau) nestled into the glass, allowing you to scoop up the ricotta with the biscuits. Top with Marzipan leaves. Drink Cointreau on the side.

These are versions of reimagined cassata – less formal, enjoyable and may be more sympathetic of people’s tastes and diet, but still embodying Sicilian character. Ideal for when you desire to serve something visually appealing and steeped in tradition, without dedicating hours to the kitchen.

CASSATA DECONSTRUCTED; a postmodernist take on Sicilian Cassata

EASTER (Pasqua) in Sicily

CASSATA Explained with photos

CASSATA ( Post no. 2) Calls for a celebration!!!

EASTER SICILIAN SPECIALTIES …. Cuddura cù ova, Pecorelle Pasquali

SCACCE and PIZZA and SICILIAN EASTER

EASTER IN SICILY – A SICILIAN FEAST IN RAGUSA – Recipes and Giuggiulena

EASTER (Pasqua) in Sicily

 

MANNA IN SICILY(ORTIGIA)

This is how I found Manna in Sicily: In 2009, I stumbled upon something unexpected while wandering through the bustling market of Ortigia in Syracuse.

Concealed behind the stalls of local produce, including fruits, vegetables, meats, and fish, I discovered a diverse array of unfamiliar and curious ingredients. within a diminutive and captivating shop.

The shop was filled with sacks, boxes, unusual jars, and tins, each containing a treasure trove of smells and visual delights.

Among them was the most intriguing substance – Manna – the Manna I had only encountered mentioned in the Bible.

How entrancing to find that Manna is a crystalline resin, extracted from the bark of ash trees and it doesn’t rain down from heaven.

The shop, aptly named Il Mago Delle Spezie (The Wizard of Spices), was owned by Antonio Drago, a master of culinary alchemy (especially Sicilian) who was more than willing to chat about his aromatic collection. Drago’s offerings showcased an array of local, ancient produce and exotic spices, many originating from distant lands.

My encounter with Antonio Drago left a lasting impression; he was full of stories about the origins of local food and ancient methods.

So, after all this time why am I writing about manna?

A friend recently shared an article from the BBC discussing the revival of manna harvesting in Sicily, and suddenly, memories of that magical shop in Ortigia came flooding back. I remembered discovering this ancient “superfood” and the curious wizard who introduced me to it. As I read about how Manna is now being harvested again in the Madonie mountains, I reflected on my first encounter with this biblical ingredient in that small, mysterious shop that sparked a deeper curiosity about its place in Sicily’s rich, culinary heritage.

There are a number of recipes on the web written in Italian that utilise this ingredient in the place of sugar in cakes, biscuits, beverages, creams and ice cream. it is also a product that is beneficial for the skin.

I looked up Antonio Drago and found a reference on the net, written in Italian about his business and how with the help of his two sons it evolved into bigger premises. Here is what I found:

Antonio Drago’s Journey: From Spice Shop to Culinary Haven

This is a summary and translation of the text. In some places, I have purposely retained some of the illustrative, fanciful language.

In the heart of Syracuse, nestled near the historic market of Ortigia, you’ll find “Drogheria Drago con cucina” at Via Benedictis 20. This charming establishment has evolved since its founding in October 1972, under the rising moon and the alignment of Mercury, Mars, and Jupiter. It was born under the protection of Mercury, the patron of merchants, and the success driven by the combative spirit of Mars.

Originally, the small shop was focused on selling “colonial” goods – ancient, traditional local home-made produce as well as imported spices, herbs, and aromas. Over time, the store expanded to include a variety of local agricultural and fishing products: sun-dried Pachino tomato paste, Trapani salt-cured capers, Avola almonds, Etna pistachios, tuna and swordfish bottarga, and red tuna and mackerel fillets preserved in oil or salted.

Antonio’s two sons – Luciano and Francesco – grew up and eagerly joined the venture. They decided to renovate the space and add a kitchen for preparing and serving local dishes. Thus, “Drogheria Drago con cucina” where customers can enjoy traditional dishes alongside a wide selection of spices, local products, and specialties from the region.

Manna: A Biblical Superfood Revived in Sicily. A summary of the BBC article

Manna is mentioned 17 times in the Bible. It turns out to be an ancient resin harvested from ash trees, traditionally found in the Mediterranean. Once a key part of the local economy, manna harvesting almost vanished with urbanisation and industrialisation over the past 80 years. But today, a revival is underway.

Manna is collected from the bark of Fraxinus ornus trees, where thick lines of the white, mineral-rich resin ooze. It has a honey-like sweetness with almond undertones, and it was once used as a natural sweetener, medicinal aid, and even a form of currency. Despite its decline, Sicilian farmer Giulio Gelardi has been at the forefront of its revival, dedicating himself to bringing this ancient “superfood” back to tables around the world.

In the Madonie mountains, Gelardi has spent decades perfecting the art of manna harvesting, a process that involves precise observation and intuition. Manna is not only a sweet treat but also a powerful medicinal substance, used for a variety of ailments like constipation and sore throats, and it has become an important ingredient in modern Sicilian cuisine.

Today, manna is gaining recognition globally, used by chefs in innovative dishes and even in high-end skincare products. Thanks to the efforts of people like Gelardi, this once-forgotten food is now a prized ingredient, celebrated for its taste, health benefits, and cultural significance.

https://www.bbc.com/travel/article/20250328-the-return-of-sicilys-ancient-white-gold

PRICKLY PEARS Fichi d’India and a paste called Mostarda

A SIMPLE RECIPE

Here is a simple recipe to make a Ricotta Ice Cream using Manna as the sweetener. Obviously,  I have not found Manna to make this.

Beat 5 egg yolks till creamy. Add 300 g of ricotta sifted with a fork, a dash of brandy or rum and half a glass of milk in which you will have dissolved about 60g of manna. Finally pour the mixture into the ice cream maker.

Rather than brandy or rum, I would probably add an orange based liqueur (or one of your choice). This would add flavour, but also sugar and make it sweeter.

 

 

 

ZUPPA INGLESE revisited

I’ve made the classic famous Zuppa Inglese countless times, and it’s one of those desserts that’s surprisingly easy to prepare while still managing to impress. When I’m pressed for time or in need of a transportable dessert that guarantees satisfaction and admiration, Zuppa Inglese never lets me down.

I first shared this recipe back on October 10, 2010, and it feels just as relevant today —maybe even more so. It is the Italian alternative to the English trifle.With its rich layers of sponge fingers, egg custard, and the perfect hint of the ancient Florentine liqueur called Alchermes, it’s the ideal dessert for any celebration. Zuppa Inglese never goes out of style!

You may need to use the internet to source Alchermes, but it is worth making it with the traditional liquer that is used for cakes. The savoiardi sponge fingers are moistened with Alchermes and it is  usually diluted with a little water. I don’t usually do this. Maybe this is why everyone likes it so much!

ZUPPA INGLESE, Italian dessert and Alchermes

ALCHERMES/ALKERMES (The liqueur used to make Zuppa Inglese)

*The above link also contains a homemede version of this liquer. I use Vodka and a multitude of spices .

Make Zuppa Inglese in different shapes and as large as you like and in different shapes:

 

Zuppa inglese

Make individual ones:

GELO DI MELONE, a simple summer, Sicilian dessert

Gelo Di Melone  is pureed watermelon thickened with a little corn flour or rice flour with the addition of  some rose water, vanilla and a little sugar.  Once made and poured into the mould to set,  I add little jewels  of colour and flavours on top –  chopped dark chocolate, candied citron and roasted pistachio nuts. This is the basic, traditional recipe. Arab influenced?  Except for the chocolate, I think so.

But chocolate is also made in Sicily and those who have been to Modica  may be familiar with the Antica Dolceria Bonajuto where chocolate is made using the original methods in the style of the Aztecs and brought by the Spaniards in the 16th century – the Spaniards ruled Sicily at various times and foods from the “New World” (including cocoa beans) were introduced.

Gelo Di Melone is very simple to make, but it takes time to get the flavours right. Why?

The answer is simple. It all depends on the flavour of the melone (watermelon).

The puree is thickened with a little flour and stirred on heat like a custard. This time I used rice flour and I stirred it through a little melon puree to make sure it was not lumpy.

Add a little rosewater, vanilla essence and a little sugar, but then you have to taste it. Is it sweet enough? Does it need more rosewater? Shall I add a little lemon juice to lift the flavour?

Once you have decided that you like the taste, you could then experiment with the recipe.  For example I like to add roasted almonds through the thickened mix, a little cinnamon can also be good and if I have run out of citron peel, good quality orange peel does the trick.

On occasions instead of rosewater I have used  rose liqueur or violet liqueur. This is strictly not the traditional recipe, but if I am not making it for Sicilians I feel comfortable to experiment. And I have fun doing it.

I prefer to present the Gelo di Melone in little glass bowls, however, it doesn’t look bad in a large bowl and it takes up less room in the fridge.

The black bowl below is made of glass.

Once decorated they taste and look even more stunning.

RECIPES:

GELO DI MELONE (Jellied watermelon)

GELO DI LIMONE (Sicilian Jellied Lemon)

MODICA and HONEY and Sicilian biscuits called nucatuli

ARABS IN SICILY, some sweets, petrafennula

PETRAFENNULA also called PETRAMENNULA, a Sicilian sweet with possible Arabic origins

ZELTEN from the Trentino, Alto Adige region of Italy

This year, the only traditional Christmas dish I’ll be eating is Zelten, a typical sweet, fruit and nut bread/cake of the Trentino-Alto Adige region of Italy.

I have never made traditional dishes for Christmas obligatory and my menu choices depend on the people I am sharing Christmas with. Last year it was fresh seafood – oysters, prawns and crayfish – simply served and delicious.

This year main course is likely to be duck with cherries marinated in grappa. What comes before and after is to be yet decided.

When my parents were alive, our family Christmas meal was likely to be a combination of offerings from Sicily and Trieste, either a caponata or an insalata russa for the finger food, a good brodo with tortellini for firsts, while the second course varied from year to year, and perhaps there was a cassata or a zuppa inglese for dessert.

Fish on Christmas eve was obligatory, but there was never a set Christmas menu, as there tends to be in many Australian or Italian households.

You won’t find me cooking turkey because it is too much like chicken, for me. As for dessert – I am not a fan of Christmas pudding and the only parts of pavlova I like are the berries and cream. I have made too many cassate (plural of cassata) and panforte on too many occasions to repeat making these or to appreciate them as I once did at Christmas. Panforte now made with so many different ingredients in Australia has become far too common and so removed from the Italian regional recipes, steeped in cultural traditions.

This year, Zelten will be my only traditional sweet.

I’ve looked at numerous recipes and background information about Zelten and found that there are many variations in the recipes. Zelten began from humble beginnings, a bread dough enriched with the typical local dry fruit and spices, the quantity and quality of fruit being poor in some areas (as in Trentino) and extravagant in others (as in Balzano).

The numerous recipes I read varied greatly. For example, walnuts are the principal nut used in all the recipes, but some variations contain almonds and/or hazelnuts/ pine nuts. Apart from figs and dried grapes, there are recipes with dates and/or unspecified dried fruit. To me using dates and mixed fruit do not sound typical of Tyrol.

All recipes include flour, either wheat or rye (some use very little flour, other recipe have large amounts of dough, some use bread dough). There are varying amounts of eggs, butter, sugar, yeast, milk or none of these. The fruit can be steeped in rum, but some recipes specify grappa, so as you can see the recipes vary greatly and some are much more modern.

I can understand the many variations of Zelten in Tyrol and why the recipes differ from family to family and location. Tyrol (German: Tirol) is historically a multi-national region located in the heart of the Alps of Austria and Italy. It is segmented by the compass into North, East and South Tyrol. North and East Tyrol lie in Austria and South Tyrol is in Italy, it is also known as Südtirol or Alto Adige). Bolzano, is the capital.

I was in this stunningly beaiutiful and fascinating region of Italy two years ago and enjoyed its many special features: the remarkable scenery especially in the Italian Alps and the Dolomites with their extraordinary mountainous and rocky peaks, the distinct architecture of cities and ancient villages where people speak German or Austro-Bavarian-German and Italian, and obviously, the culinary delights that reflect these cultures.

Zelten comes from the German selten and it means sometimes/on occasions, and as the name indicates it was only prepared on special occasions like Christmas, in winter with only dried fruit and nuts available.

I finally settled on making a version of a Zelten from South Tyrol and Bolzano, characterized by of large amounts of fruit – mainly figs and a selection of other dried fruit, pine nuts and almonds. I conducted some research into the fruit that is grown in the region and omitted apricots, peaches or plums because these stone fruits are more recent additions to the orchards. I used dried apples, pears, sultanas, strawberries (there are wild strawberries in the woods), a few dried plums and only a little orange peel as I did not imagine citrus to be very common in the area but would add to the flavour.

I chose grappa rather than rum, and plenty of it to soak the fruit and to moisten the cake once it was made.

I used no butter, eggs, milk or yeast and I used rye flour because wheat does not grow well in wet and cold climates. I used honey and not sugar.

I divided the mixture and baked two round cakes.

Eventually, I combined a couple of recipes and came up with:

750g dried fruit – 400g were figs, the rest as described above
350g nuts – 120g walnuts, the remainder almonds and pine nuts
200g honey
grappa – about ½ litre to soak the fruit and another ½ litre to soak into the baked cake
ground cinnamon, cloves, grated lemon peel
rye flour

I combined coarsely cut fruit and chopped nuts in a large container with a cover, added the grappa and left it for four days, stirring it occasionally.
I added the honey and spices and gradually mixed in as much rye flour as it would absorb. The principal recipe suggested to use 5% of the total weight of the ingredients, I calculated this to be about 230g. I mixed a teaspoon of baking powder to the flour as the only leavening, there was no leavening mentioned in the recipes that I sighted that used rye flour.
I lined two round baking tins with brown paper and baking paper. The recipe did not specify heat or time, but I baked them at 200 degrees for 60 minutes. Although my cakes are round, my understanding is that in different parts of Tyrol oval or heart shapes are also common.

I wrapped the cakes in calico (pudding cloth) and I have been dousing it  with more grappa daily.

I took a cake to friends last night and we cut it. It is heavy, not sweet and steeped in grappa. It does taste good.

Back goes the calico wrapping. With all that alcohol and fortress – like wrapping, the Zelten will last for a long time.

Grappa is made with grape skins. The wines and grappa from this region is unique.

Recipes of food mentioned in this post.

ZUPPA INGLESE, a famous, Italian dessert

CASSATA Explained with photos

SICILIAN CASSATA and some background (perfect for an Australian Christmas)

CAPONATA Catanese (from Catania) made easy with photos

INSALATA RUSSA (Party time; Russian salad)

 

PUTIZA, from La Cucina Tipica Triestina

One of my readers has asked for this recipe and because she does not seem to be very familiar with the English language, I am providing a screen shot of the recipe from one of my books about La Cucina Triestina.

Trieste, Ponte Rosso

It is from this book:

The recipe is for Putiza. It is described as a Panettone ripieno (filled).

Putiza is called Potica in Slovenia.

It is a delicious, rich, yeast bread dough stuffed with walnuts, chocolate, pine nuts and  sultanas soaked in rum. It can be made at home, but is easily found in many pastry shops especially during Easter and Christmas.

There are no photos in the book, but this is what it looks like:

See also:

PRESNIZ and GUBANA (Easter cakes in Trieste)

Traditional Easter Sweets in Trieste in Friuli Venezia Giulia

In memory of Zia Licia, my aunt from Trieste – recipe for Fritole

My last surviving aunt, Zia Licia, died last week. She died in Adelaide and the funeral was a couple of days ago, but because I live in Melbourne I was unable to attend.

I was visiting friends in Pambula, on the south coast of NSW when my brother rang  last week to give me the news about Zia’s death and since her death, I have been remembering many things.

Zia Licia was from Trieste and was married to my mother’s brother, Pippo.

My mother’s family moved to Trieste from Catania, Sicily, when my mother was five years old.  She lived in Trieste till my father, mother and I come to Australia. I was eight years old but my memories remain strong.

I consider myself very lucky to have roots in Trieste, Sicily and Australia.

Just like my Sicilian aunts, Zia Licia liked to cook.

 

 

When we came to Adelaide we shared a house for a while with my  Zia Licia and her husband, Zio Pippo.

My mum did not cook much in Trieste, my parents went out to eat or  Zia Renata, my other aunt in Trieste would often cook.

When we came to Australia, mum and Zia Licia cooked together. It was a form of entertainment… what else could you do in a new country when things were so different? Of course my uncle also enjoyed cooking and because he worked on weekdays, he joined in on weekends. There were the three of them on a Sunday morning cooking up new things for the guests we often invited for Sunday lunch.  Those lunches were special, and I was required to help in the kitchen.

Maybe that is where my love of cooking comes from?

My Zia Licia had a good sense of humour and a way of laughing that brought fun into any situation; as expected we all  laughed a lot during these cooking sessions.

One of the very first things that I can remember really enjoying  was the making of Fritole (Frittole in Italian, from fritto, fried).

So what are they?

Fritole are fragrant  and flavourful balls of sweet dough. Once fried they are  coated in granulated sugar (and cinnamon, optional); the spoonfuls of batter were once most likely fried in lard but in recent years, olive oil.  Some may use vegetable oil but I think that olive oil has a special fragrance that enhances the taste of Fritole.

The batter is made with flour, yeast, milk, eggs, sugar, lemon zest,  raisins or sultanas soaked in sufficient dark rum (sometimes in grappa) to rehydrate the raisins. In most recipes  pine nuts are also added, but not always.

Frìtole are also a well established sweet in Venezia, especially during  the Carnevale. The Venice Carnivale takes place each year in February. It begins around two weeks before Ash Wednesday and ends on Shrove Tuesday, also known as Fat Tuesday (Mardi Gras in French or Martedi Grasso in Italian).

Trieste and Venice are neighbours, so sharing this recipe is not surprising, but in Trieste Fritole are popular at Christmas time. Bakeries, pastry shops and Christmas street markets all have Fritole and they are also made at home.

We had no recipe for Fritole, so we relied heavily on Zia Licia’s memory of making Fritole because Zia  would have helped her mother make them in her Triestinian kitchen. Having eaten them very frequently in Trieste we also relied on our collective memories of how Fritole should look, taste, smell and feel…and always eaten warm and fragrant – so important when it comes to reproducing recipes.

I cannot remember how the adults felt about the Fritole, but I remember enjoying them very much as a child.

In those days we did not add pine nuts to our Fritole; we had no access to them and it was a nut not familiar in Australia at that time.

I found various recipes for Fritole in the large number of books about the cooking of Trieste (in Friuli Venezia Giulia) and in the Veneto regions of northern Italy and  the recipe below is probably  the closest to what we would have made. The instructions in the ancient Italian recipe I’ve chosen, are not very specific because it is assumed that cooks would know what steps to follow, so I  will spell them out.

Ingredients: 3eggs, 30g fresh yeast, 400g plain flour, cinnamon, milk, 50g sugar, lemon peel (grated), rum, 50g raisins (or sultanas), 40g pine nuts.

To the above, add a little salt to the batter. If you wish to use dry yeast, 10g should be sufficient. As for the milk , you will need at least 2 cups, but maybe more – the mixture should be like a thick batter.

Place the raisins or sultanas in a small bowl and pour some dark rum or grappa over them (to cover). Set aside for a few hours or overnight.

Place about a cup of warm milk in a mixing bowl and sprinkle in the yeast. Mix well to incorporate the yeast into the milk. Add about half of the flour and mix it in gently. Cover the bowl with a cloth and set aside to rest for half an hour. The mixture will bubble as the yeast activates.

Drain the raisins or sultanas and reserve any rum in a small bowl. Toss them around in a little flour to coat lightly; this will prevent them from sinking to the bottom of the Fritole as they fry.

When the yeast mixture has risen, use a wooden spoon or spatula to incorporate all the ingredients  – the remaining flour, raisins sugar,  egg, lemon zest, rum and pine nuts (if using).  Add more warm milk as necessary to ensure that the mixture is like a thick batter. Cover the bowl with cloth again and set aside in a warm and draft-free area for at least 30-45 minutes to rest – it should double in size and the batter should be bubbly and airy.

Use a heavy-bottomed pot to heat sufficient oil (for the batter to swim/float in). The oil needs to be hot. Use a spoon to carefully drop the batter into the hot oil. It is better to fry a few Fritole at the time and not overcrowd them in the pan.

Once fried, drain the Fritole  with a slotted spoon or tongs and place them on paper towels to absorb any excess oil. Roll them in sugar and cinnamon.

In the last few days I  have  found myself bursting into old Triestinian songs…like Le Ragazze di Trieste and Trieste Mia. I will need to stop myself otherwise i will drive my partner mad!

I have returned to Trieste on many occasions and the photos  of Trieste have been taken over a number of years .

 

 

 

 

BUDINO made of chocolate and Autumn fruit

It all started with my purchases at the Queen Victoria Market and the fabulous autumn fruit.

I love persimmons.

I also bought, feijoas, rhubarb,  pomegranates and quinces. And then I saw some small pears and bought them too.

Friends were coming to dinner and I was unsure about what to make as a dessert.

I thought about making a fresh autumn fruit salad with walnuts, a persimmon crumble or the always a favourite, baked quinces. I then thought that the pears  could be added towards the end of the baking of the quinces .

A chocolate budino rather than a chocolate sauce would go particularly well with the pears.

 

Budino

In 1957 when I came to Australia with my parents my mother used to make budino for dessert. Unlike my Australian friends who had some form of dessert every night (even if it was tinned fruit and ideal milk instead of cream), my Italian family finished off a meal with fresh fruit.

My father would have his small pairing knife and peel fruit for our little family. Desserts were for special occasions and Sunday lunch was considered special, even when we did not have guests.

Although the English translation for budino is pudding, it is nothing like any form of  English pudding, whether steamed or baked.

Basically, budino is a thick custard, cooked on the stove and then allowed to set. We had no moulds, so my mother used to use a clear glass bowl. Our budino was two tone. She made two budini mixtures, one was vanilla and the other was chocolate. The slightly cooled vanilla budino was poured into the glass bowl first and once it was well on the way to setting it was topped with the slightly cooled chocolate budino. Sometimes she even managed to make some swirls. Later she started making apple strudel – Strucolo de pomi – rather than budino for guests.

When we lived in Trieste, if we were eating at home or had guests we always purchased pastries, as did my Sicilian relatives, but in Australia, we did not have access to the same range of pastry shops (we lived in Adelaide). Over time my mother taught herself how to make sweets of a higher standard and budino disappeared from her repertoire.

The budino as prepared by my mother was made of milk, corn flour, sugar, vanilla essence, butter or cream (to enrich it), and egg yolks. A bit like crème anglaise. Most of the recipes for budino do not include egg(s) and unlike many recipes for budino she did not heat the milk before making the custard. It all commenced in a thick bottom saucepan with cold ingredients.

It is dead easy to make and it tastes great.

The cream and butter enrich the budino and if you prefer a leaner version use  less of each or just one.

Chocolate version of budino

3 cups pf whole milk and 1 cup of cream (4 cups = 1 litre)
2 tablespoons of butter, if using unsalted add a pinch of salt
1/3 to 1/2 cup sugar (depending on how sweet you like it)
2 tablespoons cocoa
1/4 cup corn flour
1-2 egg yolks
150g + dark chocolate, coarsely chopped (add more if you want a stronger taste)
1 teaspoon pure vanilla extract

In the saucepan, mix the egg yolk(s), sugar, corn starch and cocoa. Add a little milk and stir to make a paste. Pour in the milk, vanilla and cream and continue to mix, trying to prevent any lumps.

Place the pan with the ingredients on the stove and over medium-low heat keep on stirring until the mixture is thick like custard. Add the butter towards the end.

When it begins to cool, place in the bits of chocolate and stir gently. Some of it will melt into the budino.  if you would like to taste firm chocolate, wait until the budino is cooler before you add the chocolate.

Pour into a mould  (or bowl) and when the mixture is cool, cover it and place it in the fridge for a few hours or overnight, until completely chilled. If you do not want a skin to form on top, use some baking paper or butter wrapper and cover the surface.

Sometimes I pour the budino into  individual small serving bowls or cups or glasses as I do with a mousse. If you are using a mould, the budino can be turned out onto a plate as I would do with a jelly.

Serve with a dollop of whipped cream.

Although budino was always presented plain in my childhood, berries and baked fruit is always a good accompaniment.

It keeps well for a few days.

Above, budino with poached rhubarb and apples. Below, with baked pear.

 

BIANCOMANGIARE and GELO

In Sicily, they make Biancomangiare (Blancmange).

it is also called Gelo. This too  is thickened on the stove and set like a budino. It is simpler to make and much less rich.

AUTUMN FRUIT and baked quinces

A Tale about QUINCES

GELO DI MELONE (Jellied watermelon)

CARRUBA (Carob) and its uses

 

CASSATA Explained with photos

I have written about  making cassata many times and rewriting the recipe is not necessary so I will provide links at the bottom of this post.

I did take a few photos. The photos and a few notes tell the story.

Make or buy a sponge cake.

Slice the sponge and line the mould with the sponge cake. It helps to line the mould with some foil  to ensure that the cassata can be inverted easily. You may also like to use a little apricot jam to stick the different parts of the sponge together. I did not have any apricot jam and I used marmalade… not too much, it should not taste bitter. Honey could be OK too.

Tub ricotta is not very good, both in taste and texture. Buy full cream ricotta from a good deli.

Beat the ricotta with some cream, castor sugar and good vanilla essence. The amount of cream you use will depend on the creaminess of your ricotta. I do not like my cassata sweet and may not add as much castor sugar as someone else would. Taste the mixture and see if it tastes to your liking, then add chopped  pistachio nuts,  citrus peel including some cedro.

Next some cinnamon  powder and some chopped dark chocolate. Fold through.

Dampen the sponge cake with some liqueur, some use marsala, I like an orange based  liqueur and mostly use Cointreau, but do not make it soggy.  Most cooks dilute the liqueur with sugar and water. I do not – give me the full  taste anytime.

Fill the ricotta cream into the mould lined with sponge cake.

Put a slice of the sponge cake on top as a lid. Dampen it with liqueur, cover it with foil and put a weight on top. Keep it in the fridge till ready to decorate. I like to make the cassata  the day before I decorate it and eat it.

Marzipan. Make it the day before and keep it wrapped in foil or baking paper or whatever you use :

As you can see I use  much more almond meal than icing sugar. Mix it with a little water and a little vanilla and knead it to bring it together. Like when baking dough, add more almond meal or icing sugar to make it the correct consistency.

Most cassate are coated with ‘glassa’ made of sugar and water. I find this sickly sweet and prefer the old fashion marzipan. Traditionally the more commonly decorated cassate include a pale green colour. This may have been because the green may have been made with pistachio meal and the white with almond meal. Some people do not like eating marzipan so  do not be surprised if you find some guests struggling to eat it.

I made two lots. of marzipan. The green vegetable dye was far too intense., but i was not going to throw the ingredients away. next time i shall use a dropper.

Roll the marzipan out… rolling it between two pieces of greaseproof paper may help.

Ready to decorate.

I really enjoyed this part, however the way I decorated my cassata may not be like the cassate you are likely to see in Sicily.  Most people buy cassate from pastry shops, they leave it to the experts. This is also the case for cannoli.

My cassata  over all is definitely less sweet. I used every bit of the marzipan. I used toothpicks to keep the flowers in place.

Sicilian cassata coated with  a shiny ‘glassa’ is the most common cassata. Usually glace fruit is used to decorate the top.

Ornate cassate: in noteworthy pasticcerie.

 

I decorate cassate as the mood takes me. Thesa are some cassate I have made in the past:

For greater details and recipes see:

SICILIAN CASSATA and some background (perfect for an Australian Christmas)

SICILIAN CASSATA and MARZIPAN AT EASTER (Food and Culture in Sicily, La Trobe University)

CASSATA (It is perfect for an Australian Christmas)

CASSATA ( Post no. 2) Calls for a celebration!!!

Marmellata di cigliege (Cherry jam) and Zuppa Inglese

Marmellata di cigliege (cherry jam) happens in one of those moments when someone comes home from the market with far too many cherries. The glossy, firm cherries with fresh green stems go straight into a bowl on the table, while the rest become a fragrant, ruby-red jam to enjoy in many delicious ways.

This batch of cherry jam was especially good – so good that I used some as a topping for a creamy Zuppa Inglese, the iconic Italian dessert. It is also perfect spooned over gelato or even churned into homemade ice cream.

Preparing the Cherries

Remove the stems, wash the cherries and discard any blemished fruit. Weigh the cherries and transfer them to a heavy-based saucepan.

Using a potato masher, crush about two-thirds of the cherries to release their juices.

Add the zest and juice of one lemon (for 500g of cherries—use more if you are working with a larger quantity). Cook over low to medium heat until the cherries soften.

Adding the Sugar. How Much Sugar to Use

Many traditional cherry jam recipes use equal quantities of fruit and sugar, and commercial jams may use even more. I prefer a less sweet, more fruit-forward jam and typically use half the weight of sugar to fruit—for example, 250g of sugar for 500g of cherries.

Add the sugar and cook over moderate heat for around 20 minutes, stirring until fully dissolved and thickened.

Test the setting point by placing a small amount of jam on a chilled saucer and drawing your finger through the centre. If it holds its line, the jam is ready.

Remove from the heat and rest for 10–15 minutes.

Sterilising and Bottling

Choose glass jars with airtight lids and sterilise them. I usually pour boiling water into the jars and submerge the lids in boiling water. A dishwasher cycle can also work well as long as its timing aligns with your jam being ready.

Ladle the hot jam into hot jars, seal, and allow to cool.

Zuppa Inglese with Cherry Jam

Zuppa Inglese is one of the most decadent yet simple Italian desserts. But there is one non-negotiable: without Alchermes liqueur, it cannot truly be Zuppa Inglese. This deep red, ancient Florentine liqueur perfumes the entire dessert and gives it its unmistakable character.

The components are straightforward:

  • Savoiardi (sponge fingers)

  • Rich egg custard

  • Alchermes liqueur

Like a trifle, Zuppa Inglese is layered: biscuits dipped in Alchermes, custard, more biscuits, and more custard—three generous layers.

Finish with a cloud of whipped Chantilly cream (whipped cream with caster sugar and a touch of vanilla) and spoon over a few glistening cherries from your homemade marmellata di cigliege.

Perfect, celebratory, and wonderfully Italian.

Top with  a layer of whipped cream (with a little caster sugar and vanilla = Chantilly cream)… and the cherries.

See more detailed recipes for:

ZUPPA INGLESE, a famous, Italian dessert

LONG LIVE ZUPPA INGLESE and its sisters

ALCHERMES/ALKERMES (The liqueur used to make Zuppa Inglese)