RABBIT, CHICKEN and Easter recipes

Recipes for rabbit and chicken consistently generate reader interest especially around Easter. This Ragusa, Sicily-style rabbit recipe coincides with the Easter season in Australia and is always popular.

For those who do not camp, rabbit is a suitable Easter recipe. Alternatively, home cooks are increasingly appreciating these traditional recipes for rustic meats.

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My last blog post was a recipe for rabbit:

SICILIAN CUNNIGHIU (RABBIT) AS COOKED IN RAGUSA, ‘A PORTUISA

But here’s the question I often get: Is rabbit considered a suitable Easter dish in Australia?

The answer is yes, but rabbit is not as common or inexpensive as it once was. If you find rabbit hard to source or expensive, you can easily substitute chicken in any of the rabbit recipes below, and vice versa. The flavours and techniques are quite adaptable.

The photos of some of my Sicilian dishes show how popular rabbit and chicken are in Sicilian cuisine.

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This post has links for many of my favourite Italian rabbit, hare and chicken recipes that are already on my blog, as well as a few recipes for an Italian Easter that include kid, lamb and pies that are very common in Ragusa, Sicily.

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Cooking with the Seasons

One thing that always fascinates me is how the seasons influence our cooking -especially when comparing Italy and Australia. While Italians are celebrating Easter in spring with tender lamb or kid, fresh artichokes, spring greens, and creamy ricotta that is at its best in spring, we in Australia are in autumn.

Natale con i tuoi, Pasqua con chi voi. 

This is a common Italian saying that seems appropriate for Australia as well. Whether that’s friends, neighbours, or family, Easter is a time to gather around good food,  and that’s what these recipes are all about.

Easter in Ragusa, Sicily

If you happen to be in Ragusa with some of my relatives in Sicily, you might celebrate Easter casually with family and friends, sharing scacce or impanate -delicious pastries filled with vegetables or vegetables and meat wrapped in a golden, olive-oil pastry. (You’ll find links to my recipes for those below!)

If you decide to substitute rabbit for chicken in a recipe, just remember:

Rabbit is leaner and may need a little extra moisture while cooking.

Cook it longer and more gently — slow braises bring out its unique  flavour.

Rabbit and hare recipes:

RABBIT with cloves, cinnamon and red wine (CONIGLIO DA LICODIA EUBEA)

ONE WAY TO COOK RABBIT LIKE A SICILIAN

CONIGLIO A PARTUISA (Braised rabbit as cooked in Ragusa)

HARE OR RABBIT COOKED IN CHOCOLATE. LEPRE O CONIGLIO AL CIOCCOLATO (‘NCICULATTATU IS THE SICILIAN TERM USED)

PAPPARDELLE (PASTA WITH HARE OR GAME RAGÙ)

LEPRE ALLA PIEMONTESE (HARE – SLOW BRAISE PIEDMONTESE STYLE

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Chicken recipes:

POLLO OR GALLINA ALLA CONTADINA, ALLA PAESANA – BRAISED CHICKEN WITH OLIVES, SICILIAN STYLE.

POLLO AL GUAZZETTO (SARDINIAN CHICKEN BRAISED WITH SAFFRON)

ITALIAN DRUNKEN CHICKEN – GADDUZZU ‘MBRIACU OR GALLINA IMBRIAGA – DEPENDING ON THE PART OF ITALY YOU COME FROM

POLASTRO IN TECIA – POLLASTRO IN TECCIA IN ITALIAN (CHICKEN COOKED AS IN THE VENETO REGION OF ITALY)

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Easter food, Ragusa, Sicily:

SCACCE and PIZZA and SICILIAN EASTER

SCACCE (focaccia-like stuffed bread)

‘MPANATA (A lamb pie, Easter treat)

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Other Sicilian Easter dishes:

SFINCIONE DI PALERMO (A pizza/focaccia type pie)

EASTER SICILIAN SPECIALTIES …. Cuddura cù ll’ova, Pecorelle Pasquali

RAGU` DI CAPRETTO – Goat/ kid ragout as a dressing for pasta SPEZZATINO DI CAPRETTO

(Italian Goat/ Kid stew)KID/GOAT WITH ALMONDS (SPRING IN SICILY, CAPRETTO CON LE MANDORLE)

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EASTER (Pasqua) in Sicily

PASQUA in Sicilia – EASTER IN SICILY (post 2)

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And if you wish to be in Trieste:

Traditional Easter Sweets in Trieste in Friuli Venezia Giulia

Zeally Bay Sourdough Panettone

A  panettone was a present from the bakers from Zeally Bay. It came unexceptionally in the mail:

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Panettone from Zeally Bay Bakers

Panettone is traditionally eaten during the Christmas and New Year holiday period in Italy. Christmas is close. The best eat before date is 20th February so you will have plenty of time to eat it if you are lucky enough to buy one in Melbourne.

It is made with the best ingredients, and it is organic.

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Zeally Bay were experimenting with making Panettone last year but they were not happy enough with the mixture in time for Christmas 2017. But this year – perfect.

Thank you Zealy Bay, I shall enjoy mine.

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‘Like many great things, sourdough requires time, skill and patience’

The above quote is from Zeally Bay’s website.

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Good luck to those of you who live in Victoria, and enjoy it if you are able to purchase one.

About Zeally Bay bakers and sourdough panettone:

ABOUT PANETTONE AND SOURDOUGH

 Zeally Bay website:  https://zeallybaysourdough.com.au/

 

CAN I CALL IT PANFORTE?

I almost always like to experiment with traditional recipes, often by including ingredients that traditionally are not tolerated by purist Italians. I persevere with my variations because I usually like the end result. It is a little like the situation with Sangiovese produced in Tuscany and the wine from Sangiovese grapes grown in Australia. I once had a lengthy discussion with a lovely wine bar owner in Firenze who could not believe that we would dare call our wine Sangiovese because Australia could not possibly have the traditional characteristics of the Tuscan region, the terroir and the climate. But how important are the skills of the winemaker and the subtle variations of in an aged old tradition?

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I make panforte every year for Christmas. In traditional panforte recipes the most common nuts are almonds and hazelnuts. In recent times pistachio nuts, walnuts and macadamia have become common, especially in Australia.

We have also taken liberties with what we do with the nuts – whole or chopped nuts, skin-on, blanched or toasted? This time I used blanched almonds and hazelnuts with their skins – I blanched and toasted the almonds and toasted the hazelnuts and rubbed some of their skin off.

I like black ground pepper and plenty of it; traditional recipes do not add as much as I do, but then again I also like to add black pepper to my fruitcakes. The common spices are cinnamon, cloves and nutmeg. Some add coriander, and I too have done so in other panforte I have made.

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I added cocoa powder and chopped dark chocolate pieces. I wanted colour, richness and a slight bitterness, a contrast with the sweetness of the fruit. I also thought that the chocolate would melt and once cool would solidify (like in a Florentine biscuit) and make the panforte texture less candied. I used citron and orange peel, figs and ginger (in syrup, but I drained it). I have also eaten panforte with cranberries, cherries and pineapple. Where does one draw the line?

Could I still call what I made panforte? Not likely.

Zenzero (ginger) is not common in Italian cuisine and is not found in panforte, nor are dark chocolate pieces included in the traditional mix.

I used  equal amounts of honey and sugar – the sugar, like toffee makes it brittle, the honey adds flavour and gives the panforte a softer, less brittle consistency.

A little flour and a little butter – the more flour you add, the firmer the texture of the panforte; the more butter the richer and shorter the mixture. I used the chocolate and too much of it and because of the chocolate’s fat high content I should not have used. the butter. My panforte did not end up as chewy as the classic variety of panforte.

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I ended up with a fabulous tasting concoction – how could it not be with all of those good ingredients and flavours. The ginger and pepper makes it very more-ish. But is it panforte?

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I enjoyed making it and shall enjoy eating it and sharing it with friends but not call it a panforte – an experiment perhaps, so that I could make use of all of the ginger in syrup that I had in my pantry.

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A friend went overseas and left me with an incredible amount of  candied ginger. I made a syrup and turned the candied ginger into moist ginger in a very flavourful syrup with the texture of honey.

370 g of nuts – almonds, hazelnuts

370 fruit – figs, citrus, lemon and orange peel

4 tsp ground black pepper

2 tsp ground spices – cinnamon, nutmeg, less quantity of cloves
150g plain flour
4 tsp cocoa powder

150g chopped dark chocolate

1 tsp butter (I used 1 tbs and this was too much)
1 cup white sugar
1 cup honey

Roughly chop the figs, place then into a bowl with the peel and drained ginger
In a different bowl put in the nuts.
Into a large heatproof mixing put in the flour, cocoa and spices. Combine these and stir in the fruit and the nuts.
Heat the oven to 200C
Line containers with baking paper.
Put the white sugar and honey into a pan and gently heat until it bubbles. Keep it on the gentle heat for another minute. Place in the butter.
Work quickly and stir the hot liquid into the other ingredients until well combined, then scrape into the prepared tins and press down. Bake the small ones for about 15mins and larger shapes about 30 minutes. They harden as they cool.
Cool the panforte before turning out. Wrap them in more baking paper until you are ready to gift wrap them in cellophane and sprinkle with icing sugar.

Previous posts about panforte:

PANETTONE AND PANFORTE for an ITALIAN CHRISTMAS

PANFORTE again and again

SICILIAN TORRONE made with sesame seeds (also called GIUGGIULENA/ JUJIULENA, CUBBAITA) and PASTELI and SIMSIMIYAH

What is sometimes referred to as a Sicilian torrone, one of Sicily’s most treasured traditional sweets is giuggiulena (also spelled giurgiulena, giugiulena or jujiulena), a sesame brittle that some Sicilians also call cubbaita.

Although it is sometimes grouped with torrone, it is quite different. Made with sesame seeds, honey, sugar and fragrant lemon or orange zest, it is crisp, aromatic and deeply rooted in Sicily’s culinary traditions.

In my family, the finest giuggiulena comes from my cousin Franca, who lives in Ragusa. Every Easter and Christmas, the extended family eagerly awaits its annual supply. Franca is the designated maker of giuggiulena, just as she is entrusted with preparing scacce. Other family members have their own special roles too—my elderly aunt, for example, is responsible for making the fresh pasta and ricotta ravioli for our family celebrations. These treasured food traditions have been passed from one generation to the next, with each recipe entrusted to the person who makes it best.

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Sesame seeds

Because giuggiulena keeps well, it is not only made for Easter and Christmas but is also kept on hand throughout the year to offer unexpected visitors. Like many traditional Sicilian recipes, it varies from one town—and often one family—to another. Some recipes are made entirely with sugar, others only with honey, while many use a combination of both. My relatives in Ragusa add cinnamon, and I have come across versions flavoured with a pinch of cumin. Almonds or pistachios are sometimes included, perhaps explaining why this sesame brittle is occasionally referred to as a Sicilian torrone.

ARAB CULTURE

Sicilians generally regard giuggiulena as part of the island’s rich Arab culinary legacy, reflecting the influence of more than two centuries of Arab rule. This connection is hardly surprising, as similar sesame sweets are enjoyed throughout the eastern Mediterranean and the Middle East. In Lebanon and Egypt, for example, a comparable confection is known as simsimiyah, while in Greece it is called pasteli. Each country proudly claims the sweet as its own, but they all share a long tradition of combining sesame seeds with honey or sugar to create this simple yet enduring confection.

The variety and quality of the honey you use will make a difference to the taste of giuggiulena.

Different types of honey

I used this honey to make my latest batch:

 have already written two posts about giuggiulena on this blog. One features my cousin Franca’s much-loved family recipe from Ragusa, while the other showcases the version made by Dolcetti Pasticceria in Melbourne. Its proprietor and pastry chef, Marianna, comes from a Sicilian family and continues this traditional confection with the same care and respect for its heritage.

Franca makes giuggiulena in large quantities – her recipe:

INGREDIENTS

1k honey, 1 k sesame seeds, 4 cups sugar, ½ teaspoon of each: cinnamon, cloves, grated orange peel.

PROCESSES

Melt the sugar in a large saucepan on very low heat, when sugar is melted add honey. Add sesame seeds and aromatics mix well. Remove the torrone from the heat quickly (or the sesame seeds my burn). Let cool slightly.
Pour mixture onto a tray with oiled baking paper or a marble that has been coated with oil. Spread evenly and quickly before the torrone hardens, cut into rectangular pieces before it cools and store in airtight containers. Franca often wraps pieces in cellophane paper before she distributes it.

You will find references to her recipe in: EASTER IN SICILY – A SICILIAN FEAST IN RAGUSA – RECIPES AND GIUGGIULENA

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Giuggiulena as named and packaged at Dolcetti

This is Dolcetti’s recipe for giuggiulena:

INGREDIENTS
250gms sesame seeds
250gms orange blossom honey
250gms sugar
250gms whole raw almonds
zest of 1 orange (not too finely grated)

METHOD
Combine the honey and sugar in a pot and stir until it begins to melt and soften.
Add the sesame seeds and almonds and cook, stirring continuously until it begins to bubble.
Let it cook and darken to a dark golden brown colour.
Add the orange zest.
Pour onto a sheet of baking paper lined with a touch of oil or oil spray or onto a lightly greased marble or granite surface.
Flatten it slightly with an oiled rolling pin.
Let it cool before cutting it into pieces.
Keep stored in airtight container.

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Marianna

You will find references to Marianna’s recipe in: GIUGGIULENA (also CUBBAITA) – a brittle Sicilian toffee of sugar and honey with sesame seeds and almonds 

Pasteli and Simsimiyah: Variations on Sicilian Giuggiulena

These variations show how widely sesame sweets are loved across the Mediterranean and the Middle East. Greek pasteli and Middle Eastern simsimiyah are close relatives of Sicilian giuggiulena, but each tradition has its own preferred balance of sesame, honey, sugar and flavouring.

In many recipes for pasteli and simsimiyah, the sesame seeds are lightly toasted separately before the hot sugar-and-honey toffee is poured over them and mixed through.

You will notice that Sicilian recipes often use equal quantities of sugar and honey, while some Greek and Middle Eastern versions use more honey than sugar. Sugar produces a harder brittle, so increasing the honey creates a softer, more chewy texture.

Greek recipes often include a little lemon juice in the sugar-and-honey mixture. Middle Eastern versions may use lemon juice, orange blossom water or vanilla; I particularly like this variation.

The sesame and toffee mixture is usually poured into a square tin lined with lightly oiled baking paper, or onto a lightly greased marble or granite surface. One recipe from Cairo suggested using a mixture of flour and oil to grease the surface, and I like this method as well.

 

 

CHRISTMAS Sicilian sweets at DOLCETTI 2017

What will the carretto siciliano carry to you and your friends from Dolcetti this year?

There  are many sweet treats (dolcetti) for Christmas at Dolcetti Pasticceria.

This year  all the dolcetti have been wrapped in subtle, neutral colours and packed in wooden boxes. They look very attractive.

And as you would expect, everything is delicious.

There is something for everyone.

New treats too.

These are new as well.

Sicilian favourites: Pipparelli…I love the pepper in these biscuits.

Sicilian favourites: Ciascuni

Sicilian favourites: Gigiolena (also Giuggulena)…sesame seeds and sugar and honey. Arabic or Sicilian?

And Marianna and her angels are still mixing fruit mince for the mince pies. We live in Australia after all.

 

Links to some Christmas recipes for sweets from Dolcetti, pastry chef – Marianna Di Bartalo :

CHRISTMAS AT DOLCETTI in 2014 (and Recipe for Spicchiteddi Sicilian biscuits)

CHRISTMAS DOLCI and DOLCETTI and Pistachio Shortbread Biscuits 2013

GIUGGIULENA (also CUBBAITA) – a brittle Sicilian toffee of sugar and honey with sesame seeds and almonds

PANETTONE AND PANFORTE for an ITALIAN CHRISTMAS

ABOUT PANETTONE AND SOURDOUGH

Artisan panettone, lievito madre (sourdough starter) and the slow art of Christmas baking are inseparable from the story of this celebrated Italian Christmas cake.

As Christmas approaches, panettone seems to appear everywhere. Once principally associated with Milan and northern Italy, it is now enjoyed around the world, and Australian shops increasingly display elaborate boxes of imported Italian panettoni alongside versions made by local artisan bakers.

But not all panettone is the same.

There is a considerable difference between an inexpensive, industrially produced panettone and one made slowly by an artisan baker using lievito madre — the traditional natural leaven. The difference is evident in the texture, fragrance, flavour and, inevitably, the price.

And lievito madre takes me back to something my Sicilian father used to tell me about his mother.

Panettone has travelled far beyond its Milanese origins to become one of Italy’s most recognisable Christmas foods.

From Milan to the World

Panettone has long been associated with Milan, but its transformation into an Italian national Christmas tradition owes much to the growth of commercial production during the early twentieth century.

From the 1920s onwards, large-scale producers were able to make panettone more consistently, package it attractively and distribute it by rail throughout Italy. What had been strongly identified with Milan gradually became part of Christmas celebrations across the country.

Eventually, panettone travelled much further.

Today it is produced not only by the large Italian manufacturers but also by pastry chefs and artisan bakers throughout Italy and beyond. The traditional panettone has also inspired numerous variations using regional ingredients and contemporary combinations.

Photo caption: The distinctive tall, domed shape of panettone became synonymous with Christmas throughout Italy during the twentieth century.

Artisan Panettone and Lievito Madre (sourdough starter)

Many inexpensive commercial panettoni rely on production methods designed for consistency, volume and shelf life. Artisan panettone, however, is generally associated with much slower fermentation and, in its traditional form, with lievito madre.

Lievito madre literally means “mother yeast”. It is a living culture of wild yeasts and lactic acid bacteria maintained with regular additions of flour and water.

It is related to what English speakers generally call a sourdough starter, although the lievito madre traditionally used for enriched Italian doughs such as panettone is usually maintained differently from the wetter starter commonly used for sourdough bread.

And this is where my grandmother enters the story.

My Sicilian Grandmother Was Using Lievito Madre

When I first began experimenting with bread at home, like most people I used commercial baker’s yeast – lievito di birra in Italian.

My father would tell me that his mother never needed it.

Whenever she made bread, she saved a piece of uncooked dough from the loaf she was shaping, put it aside and used it to leaven the next batch. As far as he was concerned, this was simply how his mother made bread.

My father was Sicilian and full of such stories. He also talked about companion planting and the influence of lunar cycles on sowing, germination and plant growth.

Thinking myself a modern woman, I regarded much of this as folklore.

Years later, when I learned more about natural fermentation, I realised that at least one of those old stories contained some very sound science. My grandmother had been maintaining a form of natural leaven – her own lievito madre.

The yeasts and bacteria within a mature starter ferment the flour, producing the gases that make dough rise while also contributing acidity and a complexity of aroma and flavour that cannot be achieved simply by adding commercial yeast and rushing the fermentation.

Suddenly, my father’s story made perfect sense.

Slow Bread and Zeally Bay Bakery

This appreciation of natural fermentation is one reason I have long enjoyed the breads made by Zeally Bay Sourdough in Torquay, Victoria.

John and Jan Farnan established the bakery with a commitment to traditional sourdough methods and certified organic and biodynamic ingredients. The bakery has developed an extensive range of naturally leavened breads and baked goods, and its culture has a history stretching back to 1981.

Over the years, I have had the pleasure of tasting many of their breads, as well as brioche and Easter buns.

More recently, I tried the bakery’s panettone.

And it was very good.

Photo caption: Naturally leavened artisan bread depends on fermentation, good ingredients and, above all, time.

What Makes a Good Artisan Panettone?

The panettone was fragrant and complex, with the individual flavours of the flour, eggs, butter and fruit still discernible rather than being overwhelmed by sweetness or artificial flavouring.

That complexity is one of the rewards of long fermentation.

A good panettone should be extraordinarily light for something containing so much butter, egg yolk, sugar and fruit. Pull it apart and the crumb should be soft, elastic and almost feathery, with long strands rather than the close texture of an ordinary cake.

Natural leavening also contributes to its characteristic aroma and keeping qualities. Properly made and carefully wrapped, a good panettone can remain beautifully moist for days, with its flavours continuing to meld and develop.

The quality of the ingredients matters too. Butter should taste of butter; citrus peel should taste of citrus; dried fruit should remain succulent rather than becoming anonymous specks suspended in sweet dough.

What looks simple requires considerable skill.

Imported or Locally Made Panettone?

So, if you are planning to serve panettone at Christmas, should you buy an imported Italian one, choose one made by a local artisan baker, or attempt to make your own?

There is no simple answer.

Some commercially produced Italian panettoni are very good, and large-scale production does not automatically mean poor quality. However, it is worth reading the ingredients and considering how the panettone has been made.

With an imported product, freshness is another consideration. Panettone intended for international distribution must survive packaging, transport and storage before reaching an Australian shop.

Higher-priced artisan panettoni are generally made with greater attention to ingredients and fermentation, although price alone is never a guarantee of quality.

Buying from a good local artisan baker offers another advantage: the panettone may have travelled only a few kilometres rather than halfway around the world.

Photo caption: Imported Italian panettone now appears in Australian shops in an extraordinary range of styles, prices and elaborate Christmas packaging.

Panettone Has Moved Beyond Milan

Although Milan remains the spiritual home of panettone, artisan bakers throughout Italy have made the tradition their own.

Alongside the classic combination of raisins and candied citrus peel, contemporary panettoni may contain chocolate, chestnuts, figs, nuts, spices or other regional ingredients.

In Sicily, it is hardly surprising to find artisan panettoni that make generous use of the island’s extraordinary produce: pistachios, almonds, chocolate and candied citrus fruits such as orange, lemon and citron.

These are not necessarily ancient Sicilian traditions. Rather, they demonstrate how a food can retain its essential identity while being adapted to another region’s ingredients and tastes.

Panettone may have begun as a Milanese speciality, but it now provides a canvas for pastry chefs throughout Italy.

Photo caption: Sicilian artisan panettone often celebrates the island’s own ingredients, including pistachios, almonds, chocolate and candied citrus.

Could You Make Panettone at Home?

Of course you could.

The more pertinent question might be: do you really want to?

Few home bakers make traditional panettone, and there is a reason for this. It is one of those foods that looks deceptively simple in its paper mould.

Making a traditional panettone with lievito madre requires patience, precision and an understanding of fermentation. The starter must be mature, active and balanced before you begin.

It needs regular feeding of flour and water to maintain the microorganisms responsible for fermentation. Before making panettone, bakers commonly give the lievito madre repeated feedings of flour to ensure that it is strong enough to raise an exceptionally rich dough.

And it is rich.

Butter, egg yolks, sugar and fruit all make life more difficult for yeast. The flour therefore needs sufficient strength to support the dough through long mixing and fermentation while developing the characteristic tall, airy structure.

The dough is generally developed through successive stages rather than simply mixing everything together and leaving it to rise.

In other words, this is not a cake you decide to make at four o’clock because friends are coming for dinner.

And Then You Hang It Upside Down

Even after the panettone emerges magnificently from the oven, the work is not finished.

The hot, delicate crumb is so rich and fragile that the panettone can collapse under its own weight as it cools.

The traditional solution is wonderfully dramatic.

The base is pierced with long metal skewers and the entire panettone is turned upside down and suspended while it cools — often for many hours. Home bakers improvise by suspending it between two supports or across a deep saucepan.

Hanging allows the delicate internal structure to set without the dome collapsing.

It is one of those techniques that makes you appreciate why an artisan panettone costs considerably more than an ordinary cake.

Photo caption: Freshly baked panettone is traditionally cooled upside down so its delicate, airy structure does not collapse.

So, Will You Make One?

Making traditional panettone at home can be enormously satisfying. For an experienced bread maker who enjoys working with natural leavening, it is a fascinating challenge.

You will need an active lievito madre, strong flour, excellent butter and eggs, good fruit, accurate timing and plenty of patience.

You will mix, knead, wait, refresh, ferment, mix again, wait again, bake — and finally hang your creation upside down.

Or you could find an excellent artisan baker who has already spent years learning how to do all of this.

Christmas is close.

Do you really wish to make your own panettone?

Zeally Bay Sourdough Panettone

PANETTONE AND PANFORTE for an ITALIAN CHRISTMAS

 

 

CASTAGNACCIO – made with Chestnut flour

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Castagnaccio, ingredients

Castagnaccio is made with chestnut flour. Castagna is the Italian word for chestnut.

Apart from chestnut flour, Castagnaccio, is made with raisins, grated lemon peel, fresh rosemary, extra virgin olive oil, a little sugar, pine nuts and walnuts, mixed with water and made into batter, then baked.

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Chestnut flour

The recipe for making castagnaccio is on a blog post I wrote in May 2011 – as you can see I have been making it for a very long time.

I am now using Australian chestnut flour rather than the Italian imported variety and both are quality products.

SEE: CASTAGNACCIO (A Tuscan sweetened bread made with chestnut flour) 

 

Marmelade d’oranges sanguines – marmellata d’ arance sanguine – blood orange marmalade

The recipe for Marmelade d’oranges sanguines – blood orange marmalade was inspired by a visit to France. In Alsace, I discovered the village of Niedermorschwihr and Au Relais des Trois Epis, the shop of renowned pastry chef Christine Ferber.

Alsace is France’s celebrated wine region famous for outstanding Rieslings and picturesque villages.

Discovering Niedermorschwihr

Tucked into the rolling landscape of Alsace is the tiny, traditional village of Niedermorschwihr, where I had come to visit the cellar door of Albert Boxler, a favourite local winery.

Albert Boxler winery tasting room

Wine brings out the best in me, and as often happens, I found myself deep in conversation with another food lover. He asked whether I had visited Au Relais des Trois Epis, the shop of renowned pastry chef Christine Ferber.

Until then, and much to my embarrassment, I did not know about Christine Ferber or her recipe books, but I had certainly heard the names of some famous culinary greats who have championed her delicious creations such as Parisian pastry star Pierre Hermé, and chefs Alain Ducasse, the Troisgros family, and Antoine Westermann.

Christine Ferber – Alsace’s Jam Queen

Known affectionately as the “fairy of jams,” Christine Ferber is a master pâtissière and one of France’s most respected makers of confitures.

Though located on the main street, her épicerie is modest and easy to miss – charming, understated, and filled with the aromas of butter, sugar, and fruit.

The picturesque village of Niedermorschwihr in Alsace

Her shop reflects daily village life. Although her épicerie it is in the main street, it is so tiny and unassuming that I almost missed it.

Alongside exquisitely baked cakes, pastries, traditional breads, and confitures, she also sells everyday essentials: cheeses, smallgoods, fruit and vegetables, newspapers and most important – chocolate, cookware, and local Alsatian pottery. I bought little presents to take home to Australia.

Ferber is deeply connected to her region. A fourth-generation pastry chef from Niedermorschwihr, she employs locals and sources fruit from the surrounding valleys and farms. Her jams are made in small batches, cooked in traditional copper cauldrons, then ladled into jars by hand to ensure the fruit is perfectly distributed.

Because every fruit harvest is different – in sweetness, ripeness, juiciness, and pectin levels – small production gives her full control. When fruit is low in natural pectin, she often adds apples, a traditional French technique that maintains quality without using artificial setting agents.

We enjoyed eating some of her baked goods and had a picnic.

It all tasted wonderful.

I suspect that  Ferber also relishes the quality she achieves through her small-scale production and the satisfaction that comes from having contributed to the making of each batch of jam herself.

THE LABEL AND DESCRIPTION:  Marmelade d’oranges sanguines – Blood orange marmalade, 220 g ( See recipe below)

Description:The blood orange marmalade is very balanced and less bitter than traditional marmalade.
Ingredients: Blood oranges, sugar, apple pectin, lemon juice.
Origin: Alsace, France
Brand:Christine Ferber
Producer: Christine Ferber and her team prepare these wonderful jams in Niedermorschwihr, a small village nestled in the heart of vines. Not more than four kilograms of fruits are processed in copper pots for jams that have convinced the greatest chefs.

Recipe – Blood Orange Confiture

Recipe from: Mes Confitures: The Jams and Jellies of Christine Ferber

INGREDIENTS

  • 1.2 kg (2 3/4 lb) blood oranges, or 500 ml (2 cups 1 oz) juice
  • 750 g (1 3/4 lb) Granny Smith apples
  • 1 kg sugar + additional 200 g
  • 750 ml water + additional 200 ml
  • 2 oranges
  • Juice of 1 small lemon

PROCESSES

Prepare the Apple Juice

  1. Rinse apples, remove stems, and quarter without peeling.
  2. Place in a preserving pan with 750 ml water.
  3. Bring to the boil, then simmer 30 minutes until soft.
  4. Strain through a fine sieve or chinois, pressing gently.
  5. Strain again through clean cheesecloth and refrigerate overnight.
  6. Next day, measure 500 ml of the clearest juice.

Prepare the Blood Oranges

  1. Squeeze the blood oranges and reserve 500 ml of juice.
  2. Save any seeds and place them in a small cheesecloth bag.
  3. Wash the 2 additional oranges and slice into very thin rounds.

Cook the Marmalade

  1. Poach the orange slices with 200 g sugar and 200 ml water until translucent.
  2. Add apple juice, blood orange juice, 1 kg sugar, the lemon juice, and the cheesecloth bag of seeds.
  3. Bring to a boil, skim, and cook on high heat for about 10 minutes, stirring constantly.
  4. Remove the seed bag, return mixture to a boil, then jar immediately and seal.

Yield: 6–7 jars (about 220 g each)

The Charm of Alsace

Alsace offered many delights – beautiful rolling vineyards, storybook villages, exceptional Rieslings, and even resident storks, a beloved symbol of the region.

But discovering Christine Ferber and her exquisite blood orange marmalade was a highlight I will not soon forget.

Recipes for other Jams and Marmalades:

Marmellata di cigliege (Cherry jam) and Zuppa Inglese

MARMELLATA DI AGRUMI CON MIELE (Citrus jam or marmalade made with honey)

OLIVE PASTES AND OLIVE JAMS

 

PAIN D’EPICES ARTISANAL in Alsace

I am in Alsace  and I have bought some Pain d’épices.

Apart from the Natural or original Pain d’épices , the Rum and Raisins, Figs and Orange and Cointreau varieties appealed to me.

My first choice was  the one  with Orange and Cointreau but it was too sweet. As you can see there were a few different flavoured Pain d’épices to choose from.

I finally settled for  the one  with figues – figs. Superbe!

Pain d’épices or pain d’épice is French for “spice bread” and it has been around for a very long time.  According to Le Dictionnaire de l’Académie française (1694) it is made with rye flour, honey and spices – cinnamon, nutmeg, cloves, ginger, black pepper and aniseed. The perfume of the spices  and the honey was pleasantly overwhelming.

It is sold by the slice and although this looks thin it is a fairly thick slice (otherwise the Pain d’épices would crumble).

We ate it with a runny French cheese. Say no more!

Pain d’épices is a specialty of Alsace and and I bought mine in Strasbourg.  I saw other  specialty  vendors in Gertwiller, Roppenheim, Kaysersberg, Riquewihr and Colmar (were I am writing this post).

Wasn’t at all bad  accompanied by some of the excellent white wines from Alsace.

There are many recipes I found on the web for Pain d’épices  –  honey seems to provide the moisture but I am pretty sure that the one I bought also has butter. The range of spices vary  and some add coffee. I shall search for a recipe and make some Pain d’épices when I get back home – it does not appear to be difficult.

 

AUTUMN FRUIT Cumquats (Kumquats) and Quinces

I do like Cumquats and Quinces – both are Autumn fruit.

The photos were taken at my friends’ house in the south – east of South Australia. Each time that we are together we get productive in her kitchen.

My friend  likes to make preserves – cumquat and whisky marmalade, pickled cumquats and cumquats preserved in brandy. She also makes quince jelly and quince paste. On this particular weekend we used some of her abundant  autumn harvest.

She has the round shaped cumquats. The elongated variety of cumquats are much sweeter and are very good eaten fresh and whole . I like to eat both varieties raw and whole.

Here are photos of some of the methods used to make the cumquats in brandy or Cointreau or a mixture of both. Rum or Whisky is also good.

You could add some extra flavourings if you wish: cinnamon sticks, cloves, allspice, star anise or glace or crystallized ginger.

The jars and lids will need to be sterilised. You may have your own way to this, for example:

  • Use the hot cycle in your dishwasher
  • cover them with hot water and boil them, for about 10 minutes
  • fill them with boiling water, place them on a baking tray lined with a tea towel and put them into a 110 C oven for about 15 minutes.

Although my friend had several kilos of cumquats, the recipe is based on using 1 kilo of cumquats.

You can use as much alcohol of your choice as you wish, for example a ratio of 3 cups of alcohol to 2 cups of water – adjust according to taste.  You will not necessarily know how much liquid you will need to cover the cumquats in the jars but you can always make more if you run out of the alcohol and water mixture.

Sugar – use 800g per kilo of fruit.

Use only whole fruit that are bright orange in color and have firm, undamaged skins. Make sure that they have stems.

Wash and dry them and remove the leaves. Leave the little green stems, then prick each one a couple of times with a thick needle.

Cover with water and bring them slowly to the boil. Simmer them uncovered for about 10 minutes – the must not collapse.

Drain them carefully and gently – they must remain whole. Reserve the water to use in the alcohol mixture.  Combine water with sugar, bring to the boil and boil for about 5 minutes. Take off the stove, add alcohol and mix well.

Place the fruit gently into the prepared jar. Add some spices or ginger among the cumquats if you wish. Top with the syrup. Do not crowd them too much as they may break. Cover with lids. Allow to stand for at least two weeks before using.

4 quinces,  cinnamon quills,  3  lemons, sliced,
About 200g sugar,
2 cups of water

I wiped the fuzz off the quinces and preheated my oven to 140C (fan-forced). I cut the quinces into quarters and sliced lemons and placed them in between the pieces of quinces.

Added sugar and water.

Covered them with foil and baked for at least 3 hours until quinces are soft and a rich red  – I removed the foil about 15 minutes before they finished cooking.

Jelly ( from the juices) in the left over quinces.

SEE EARLIER POSTS ON QUINCES (click on links):
A Tale about QUINCES
MOSTARDA and COTOGNATA- Sweets in Moulds
PRICKLY PEARS Fichi d’India and a paste called Mostarda