PATATE as a contorno (Two recipes for ‘squashed’ potatoes, Patate in tecia).

Last week’s post mentioned patate in teccia (potatoes in a pan), a perfect accompaniment for vitello arrosto (veal roast). In fact in Trieste where this recipe is common, it can be the perfect contorno to accompany many other hot main courses which have a little gravy or juice.

In teccia is triestino (dialect used in Trieste) for cooked in a pan.

Patate schiacciate,  means ‘squashed potatoes’. I was away with friends over the weekend and one of my friends cooked these potatoes (see photo). He was surprised that I too knew them as ‘squashed’ and that they are cooked in various parts of Italy.

Here are two recipes for ‘squashed’ potatoes.

PATATE IN TECCIA (Trieste)

INGREDIENTS

potatoes 600g
onion, 1 large
extra virgin olive oil, 6 tablespoon
salt and pepper to taste

PROCESSES

Place whole, un-peeled potatoes in cold water and boil until cooked. Drain them.
In Trieste the potatoes are peeled and squashed into smaller, uneven sections. I sauté the potatoes un-peeled (and not forgiven for doing this by Italians).
Sauté and soften the onion till they are a light golden colour. Use extra virgin oil.
Add the potatoes and cook on medium heat until they begin to colour (form a crust) on the bottom. Stir them continually so that they can continue to colour (this process will take about 10 minutes).
*Sometimes I have used duck fat, the render of having cooked duck – the taste is superb, but it is not traditional.
PATATE SCHIACCIATE

INGREDIENTS

potatoes 600g
extra virgin olive oil, 6 tablespoon
salt and pepper to taste
Heat the oven to 200 C
Place whole, un-peeled potatoes in cold water and boil until cooked. Drain them.
Position potatoes in a well-oiled baking pan (not-overlapping) and squash them with the palm of the hand (or a cup).
Dribble with the remaining oil and sprinkle with salt and pepper.
Bake the potatoes for about 20 minutes till golden (have formed a crust) and serve.
*I often use duck fat instead of oilve oil, but this is not traditional.
See  recipe for Vitello Arrosto
Roast veal but cooked wet on the stove top rather than the oven.

VITELLO ARROSTO (Roast Veal)

When we first arrived in Australia, we lived in Adelaide and one of the favourite things that my mother cooked when we had guests, was vitello arrosto (roast veal).

It was not vitello as we had been used to in Trieste (veal which was very pale in colour and young), however, we were very fortunate to have a good Hungarian butcher who did his best to supply us with cuts of meat that we were better acquainted with.

When I was a teenager I often had friends who came to stay and I used to tell them that what we were eating was roast veal, they were confused. Firstly because it was not roast lamb (my mother thought that what Australians called lamb was really pecorona – ultra big sheep), but secondly because what we called roast was not a roast cooked in the oven, so why did we call it roast?

Ovens were not commonly used, baking was not common, but wet roasting was, and if you look at recipes for vitello arrosto you will find that the most common way of cooking it is in a pan with a close fitting lid on top of the stove. The juices do not dry out and the roast will be tender and very flavourful.

This is not a recipe my Sicilian relatives cooked – their arrosto was always cooked slowly in the oven, with onions, a little tomato, bay leaves and usually with potatoes. This was also moist and cooked for some of the time partly covered. The photo above of the meat was taken in a meat market in Sicily; the cut of meat that my relatives often use for a boneless roast is called a reale.

Ask your butcher for a piece of veal that you can roast.  A leg of veal is suitable, but it will be gelatinous and not every one likes this.

it is also called Vitello in Pentola ( saucepan/pan),  in Australia it is often called a Dutch oven; is a good shape to use for vitello arrosto.

INGREDIENTS
roasting veal in one piece of 1.5 – 2 kg
extra virgin olive oil, ½ – ¾ cup
white wine,  up to 2 cups or 1 cup wine, 1 cup stock
onion, 1 cut into quarters
carrots, 3, leave whole
fresh rosemary, sage and whole garlic cloves to stud the meat
salt and pepper to taste
PROCESSES
Make holes in the meat (use a sharp, thin knife) and stud the meat with the flavourings – use separate flavours for each hole.
Heat the oil, brown the meat well on all sides.
Pour in 1 cup of the wine and evaporate.
Add the onion and carrots, a few more sprigs of rosemary and sage, salt and pepper.
Cover and cook over low heat for about 1½ hours, but keep on adding a little more wine (or stock) so that the meat is kept moist and does not stick to the bottom of the pan (add extra water or stock if necessary).

When the meat is cooked, cut the roast into thin slices and serve it with the sauce (I always include the bits of onion and carrots, some cooks use a mouli to passare (grind/ mash) the vegetables into the sauce.

My mother always presented the veal with spinach sauteed in butter and nutmeg and patate in teccia…but these are part of another story.

PATATE as a contorno (Two recipes for ‘squashed’ potatoes, Patate in tecia).

 

SICILIAN CHEESE MAKING. A VISIT TO A MASSARO (farmer-cheese maker) IN RAGUSA. Formaggio all’argentiera

My relatives in Ragusa, Sicily, often visit their favourite massaro—a farmer who raises cows and makes cheese. They buy fresh farm produce: ricotta, provola, Ragusano, and caciocavallo.

Sicilians have a deep appreciation for locally made cheeses, and in Ragusa, unlike many other parts of Sicily, there are more cows, rather than sheep.

Ricotta, a staple in Sicilian kitchens, is prized for its freshness and versatility. It’s enjoyed on its own or used in various savoury and sweet dishes. Sheep’s milk ricotta is especially sweet and preferred for pastries. Where would the cannoli and cassata be without it!

Zia Niluzza and the Massaro

My aunt, Zia Niluzza, lives in Ragusa and regularly has her ricotta, provola, and caciocavallo delivered by a local farmer she called a massaro. She also enjoys visiting him, especially when she has guests. She makes it a must when I’m visiting from abroad.

For many years, cheese and ricotta were delivered by a man named Ciccio,  who operated a small-scale dairy on his masseria (farm) just outside Marina di Ragusa. My aunt always referred to him as a massaro and he had only three cows. Those with more cows might be called a vaccaro (a farmer who had a herd), but to be considered a casaro (professional cheesemaker), cheese would need to be produced on a much larger scale.

Ciccio used to make Ragusano cheese, one of Sicily’s oldest and most distinctive cheeses. If you’ve watched Inspector Montalbano, you’ve likely seen the landscapes around Ragusa where this cheese is traditionally made. Ragusano is similar to provola in that it uses a pasta filata (stretched curd) technique, but it’s shaped in large rectangular blocks. It weighs up to 16 kilograms, and is aged for  many months. It’s rubbed with oil and vinegar during aging, giving it its characteristic golden-yellow rind. The cheese has Protected Designation of Origin (PDO) status, which limits its name and method of production to this specific region.

Sadly, Ciccio ceased producing Ragusano when it gained PDO status. Upgrading his operation to meet PDO regulations proved too expensive, a common fate for many massari.

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My First Visit – 1977

I first visited Ciccio’s masseria in 1977.  I wanted to go and was fascinated by my aunt’s description of the process of making cheeses on such a small home farm..

We arrived unannounced and found the family in a two-room barn with packed earth floors and thick stone walls that naturally regulated the temperature. It was smoky inside. Ciccio had just made what would become Ragusano and at that point, there were still curds submerged in a tub of whey.

In another room, we saw pear-shaped provole, large yellow Ragusano cheeses resting on rafters, and pairs of caciocavallo hanging over wooden beams like saddlebags (“cacio a cavallo” literally means “cheese on horseback”).

Some cheeses were draining in reed baskets; others were maturing on racks. The smell was potent: smoke, sour milk, and the pungent vinegar and oil that is rubbed onto the Ragusano rind to make it the dark golden coloured cheese that it becomes.

This was a family event. Ciccio’s teenage son was stirring a large cauldron over a wood fire to make ricotta from the whey left over from caciocavallo. We watched in silence as the liquid separated into curds. His wife quietly brought us terracotta bowls with torn bread at the bottom. Each of us received a ladle of hot curds and whey – ricotta in its freshest form.

I asked for less whey. and bread.

The scene felt ceremonial: the smoke, the silence, the secret language (Sicilian rather than Italian was spoken almost throughout), the transformation of liquid into food, and the communal sharing. I made this comment aloud, but it didn’t go over well. Most Sicilians, including my aunt are very religious.

This ricotta was made with cow’s milk.They were delighted to see me taste the hot ricotta for the first time. I hadn’t known that freshly made ricotta was such a treat and that it was still produced in such humble, traditional ways.

The Sicilians in Ragusa seem very fond of eating warm ricotta. I liked the solid part but did not enjoy the bread in the whey. I did not dare complain.

We returned to Ragusa with a load: Ragusano, fresh provola, ricotta salata (salted, dried ricotta), and fresh ricotta draining in a reed basket.

Cheese Quick Guide

Cheese Milk Texture Shape Aging Flavor Notes
Provola Cow (sometimes mixed) Semi-soft to firm Pear/teardrop Short to medium Buttery, mild to tangy
Caciocavallo Cow (or sheep/goat) Semi-hard to hard Gourd/teardrop Months to 1+ year Nutty, spicy when aged
Ragusano Raw cow (Modicana) Hard Rectangular block 3+ months Aromatic, sharp, savory

Not every one likes eating warm ricotta

Shortly after, my brother and sister-in-law visited Sicily. Excited by my experience, Zia Niluzza took them to Ciccio’s farm. But it was a hot day, and my sister-in-law—who isn’t fond of milk—couldn’t stomach the strong smells and warm curds. Zia was embarrassed by her refusal, and apparently the cheesemakers were a little surprised.

But I sympathize. The combination of smoke, sour milk, fermenting cheese, and heat can be overwhelming. Zia had planned the visit without thinking that not everyone finds warm curds in whey appealing.

The Tradition Lives On

Ciccio no longer makes cheese; he sold the farm due to changing economic and environmental conditions. Zia Niluzza now visits a different massaro. When I last visited, she was planning an outing with women from her church to enjoy fresh ricotta and although they are locals, it remains a popular local activity now open to both locals and tourists. I declined. I didn’t want to dilute my memory of that first visit.

Many of these masserie (farms) have converted rooms into spaces large enough to be eateries. My aunt has often booked these places for family occasions. When I go to Ragusa, she rounds up all the relatives so that we can be together and have feasts— everything that is presented is traditional local food, all made with the cheese they produce.

From My Kitchen: Sicilian Cheese Dishes

 Formaggio all’Argentiera (Fried Cheese with Garlic, Vinegar, and Oregano)

Formaggio all’Argentiera is also a favourite in my kitchen, especially as an antipasto. It is very easy to prepare, and I have never had complaints from guests.

Argento is the word for silver, and silversmiths could eat cheese cooked in this manner and  the method of cooking it is the same as the method that could be used to cook meat. The poor could not afford to eat meat (the silversmiths could), but the poor could cook cheese and give the impression of being well off (to any one who was walking past their house while they were cooking the cheese).

It is a rustic, traditional dish and can be made with fresh cheese – formaggio fresco, provola or caciocavallo.

Ingredients

For 2-4 slices of cheese, some extra virgin olive oil,  garlic clove, sliced,  dried oregano, freshly ground black pepper, a splash of white or red wine vinegar, pinch of sugar.

Instructions:

Heat olive oil in a non-stick pan over medium heat.

Add garlic and cheese slices. Sprinkle with oregano and pepper.

Cook for 1 minute or until golden, then flip. Sprinkle the other side.

Remove cheese and place on a serving dish.

Deglaze the pan with vinegar and sugar, reducing slightly.

Pour over the cheese and serve hot.

Tip: If your cheese doesn’t melt easily, you can leave it in the pan while deglazing. Not all cheese has the same melting point.

RICOTTA FRISCA ‘NFURNATA – RICOTTA FRESCA INFORNATA (Baked, fresh ricotta)

 

WHAT TO DO WITH A ZUCCA (An overgrown zucchini – a marrow).

What to do with those overgrown zucchini?
The easiest thing is to make them into a marinaded salad or a preserve.

Those zucchini grow rapidly and before you know it, they become zucche (plural of zucca,). The marrows I am talking about are no longer than 22 cms, still tender and have flavour – any larger than this they become tasteless and dry and are good for the compost. Usually, zucche are stuffed, but these can also be used successfully to make a salad or a preserve.

I use a mandoline (kitchen utensil used for slicing and cutting) to cut the marrows into matchsticks and then use a method similar to the one for making Italian vegetable preserves.

Sicilians (and southern Italians) are fond of preserves – the most common are made with eggplants or green tomatoes, sliced, salted, squeezed dry (the next day), then placed in vinegar for a day, squeezed dry and finally placed in oil and oregano.

I treat marrows in a similar way, but because I want to eat them fresh it is unnecessary to go through the lengthy process I have described above – the salting process takes about 30 minutes and the rest is completed in no time at all. If I am using zucchini, I slice them long-wise and very thinly (a potato peeler can be good).

The following amounts are for processing 1 marrow…..and not too large or seedy.

INGREDIENTS

marrow, 1

salt, 1 teaspoon

white, wine vinegar, 1 teaspoon

extra virgin olive oil, 1/3cup

oregano, ½teaspoon dried is more pungent,

freshly ground black pepper, to taste

PROCESS

Cut marrow  into half, remove seeds. Cut into match sticks or use a mandoline or a turning slicer which cuts into spirals.

Place in a colander with salt. Leave to drain for at least 30mins. Squeeze dry.

Dress with the oil and vinegar and crushed oregano.

Leave for about 10 minutes for the flavours to infuse.

CIOCCOLATA CALDA (Hot chocolate)


One of my friends is enjoying drinking hot chocolate. She drinks it as genteel ladies once drank it and in a fine cup. It is made the English way with good quality cocoa, water and a dash of milk. 

I too like my hot chocolates unsweetened and made with good quality cocoa. During my many visits to Italy I have ordered many hot chocolates in bars; each one I ordered was different in taste and thickness.

As a child living in Trieste, I grew up with drinking hot chocolate. It was my breakfast, it was drunk at childrens’ parties and at bars while the adults drank coffee. Trieste is close to Austria and the hot chocolate I was used to was always presented in a fine tea cup with a blob of whipped cream. It was always made with a generous quantity of quality cocoa powder and with milk.

Below: Il Caffè degli Specchi in Trieste. 

My mother always made it in a pentolino (we had a special small saucepan that we only used for heating milk) and she would stir the mixture until hot. When in bars the same ingredients were used, but the milk was foamed like in a cappuccino or caffé latte.

I tasted my first, thick hot chocolate when I first went to Mantova. It was almost the consistency of custard. . Those of you who have ordered hot chocolate anywhere north of Rome (except Trieste) would know what I am talking about – milk, sugar, thickening (usually corn flour or potato starch), and chocolate (often cocoa powder).

Places like Torino and Perugia are among the places in Northern Italy that produce fine chocolate so you will find thick chocolate drinks in these towns.

The Baroque city of Modica in southern Sicily is famous for its chocolate made with ancient techniques in the Antica Dolceria Bonajuto, .  In the 1500s when the Spaniards were the rulers they introduced the method from the Aztecs;  the chocolate is often flavoured with cinnamon, vanilla, pistachios and citrus zest. When I had a hot chocolate in the Antica Dolceria Bonajuto, I selected the version that had cinnamon and zest, and it was indeed wonderful.

Below: Modica and Antica Dolceria Bonajuto.

Traditionally, thick chocolate was made in the top of a double boiler, over boiling 
water – good quality, dark chocolate (not cocoa) is melted in water and stirred until it is dissolved. Still over heat, it is then whisked by hand for at least 3 minutes (in a modern kitchen, an electric wand can be used).

Another recipe for making a good tasting, thick, hot chocolate also contains some shaved good quality bittersweet chocolate (high level cocoa-70-80%) as well as the good quality cocoa, milk and sugar to taste (Italians like sugar). In a milk saucepan, mix the sugar and cocoa with a little bit of milk till smooth. Add milk and stir over medium heat. Add the bits of chocolate to taste (and preferred thickness). Keep on stirring till melted.

It can be an alternative to dessert.

 

PAPPARDELLE (Pasta with Hare or game ragù)

Tuscany and Umbria specialise in sauces for pappardelle made with game meat and I hope that those of you who have visited these regions of Italy were able to eat some when there.

Pappardelle are usually the favourite shape of pasta for strong sauces made with strong tasting meat especially game: either cinghiale (wild boar) lepre (hare), capriolo (venison), coniglio (rabbit), anatra (duck). If not game, maybe salsicce di maiale (pork sausages) or funghi (mushrooms), and preferably the wild ones stronger in taste. Often the pappardelle may have a fluted edge to prevent the sauce dropping away off the sides. These are sometimes called reginette (regina- queen, crowns) but once again, there is local variation in the names.

Pasta shapes are synonymous with certain sauces. Generally, thin sauces which contain a lot of oil (for example made with seafood or with a few vegetables) are better suited to long thin pasta shapes (spaghetti, spaghettini).

Thicker sauces, made with meat or with larger vegetables are better suited to shapes with large, uneven surfaces (rigatoni, penne). Their shapes help to trap the ingredients in the thick sauce.

Pasta shapes are also regional. While the south of Italy may prefer small pasta shapes for thicker sauces (fusilli, casarecci, orecchiette) other parts of Italy enjoy long, flat ribbons of pasta (tagliatelle, fettucine). Fresh ribbon pasta made with a large number of eggs is enhanced by sauces made with delicate subtle flavours, often with cream.

Niluzza rolls pasta_0002 copy

When I was in Tuscany in December 2008, I enjoyed many primi of pappardelle, one in particular in Sansepolcro (very close to Umbria) and the accompanying sauce was made from wild boar and it included pieces of chestnut.

The photograph is of Alex, my small friend: it was taken in Greve. He is outside of the butcher shop (we were staying across the road) and he is patting the stuffed wild boar which decorates the front of the shop. Wild boar is very popular in the winter months in Tuscany but I have also eaten some very fine boar meat in Calabria.

I bought a hare in Greve and cooked it the same way.

Nluzza's ribbon pasta_0136

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Sauces made with strong tasting meats (wild boar, hare,venison, rabbit, duck) are usually cooked slowly in a ragout (ragù in Italian) and made in the same way as a Bolognese sauce. Because of their rich taste and choice of ingredients they are autumn and winter dishes, most probably enjoyed with a glass or two of red wine.

Sometimes porcini mushrooms are also added to the ragù.

Ragù, using hare, rabbit or boar

Sauté in extra virgin olive oil: ½ onion, 1 carrot, ½ stalk of celery (all cut finely).
Add the hare, rabbit, boar chopped into sections complete with bones and brown (some add pancetta as well). If using sausages leave them whole but prick them, if using mushrooms slice into thick pieces.
Add 1 glass of red wine and evaporate briefly.
Dilute about 2 tablespoons of tomato puree in a little warm water and add to mixture. Stir carefully and add 1 cup of broth, salt, pepper, 3 bay leaves and a little grated nutmeg and simmer until liquid is almost evaporated and the meat is tender and falling off the bone (this could take 2-4 hours for the hare or boar). Continue to check on the liquid and add more as necessary.
Remove bones from the meat and return to the sauce. Some add a little cream and more nutmeg at this stage.
Dress the cooked pappardelle.
Present with grated parmigiano, as a choice for each person.