Magazine, a Melbourne publication called Italianicious
This is the cover of the January – February issue of 2012 Italianicious magazine.
It is a beautiful bi-monthly publication about food and wine, Italian regional recipes, travel stories and features on Italian restaurants and chefs and cultural events both in Italy and Australia. The photos are also stunning.
The current editor, Danielle Gullaci, is continuing to develop the quality and look of the publication established by previous editor, Jane O’Connor. In the January-February issue Danielle has written a feature about me.
Marisa Raniolo Wilkins
FUELLED BY PASSION
And these are the two beginning paragraphs:
“Although Marisa Raniolo Wilkins spent most of her early childhood in Trieste before moving to Australia with her Sicilian parents, a love for Sicilian food and culture has remained close to her heart. Her first book, Sicilian Seafood Cooking, represents eight years of hard work and a lifetime of culinary experiences.
Despite the fact that her parents both hailed from Sicily, Marisa says that she was born on the Italian island “by accident”. Marisa’s mother had lived in Catania, Sicily, before moving to Trieste in northern Italy with her siblings; and her Sicilian father (from Ragusa) was stationed in Trieste during the war, learning to be a tailor. “
From Left – Marisa Raniolo Wilkins, Marianna Di Bartolo (dolcetti Pasty shop), and queen of Sicilian Cooking – Mary Taylor Simeti
I was also featured in Italianicious magazine in the November-December issue when Mary Taylor Simeti and I discussed a Sicilian Christmas at Dolcetti, Melbourne’s little gem of a pastry shop. Naturally Pastry Chef Marianna Di Bartolo contributed to the discussion and we ate some of her delectable sweets. The editor was Jane O’Connor (now group editor of all Prime Media magazines), the three camera shy women and the photographer Patrick Varney of Raglan Images all had a grand old time.
Mary Taylor Simeti is one of my heroes – I think that sometimes it takes a “foreigner ‘ with a passion to rediscover and tease out the history behind the food ( not that she is a foreigner, she is part of Sicily, having dedicated so many years to it.).
Mary and I talked to Gus about his produce at the Queen Victoria Market.
Gus from the Queen Victoria Market showing Mary and I one of his special sculptured cauliflowers
The time before that Italianicious published an article and my recipe for Caponata, that was in December 2009 – February 2010 and the editor was Glynis Macri now Director/Editor of The Italian Traveller – Food, Wine and Travel Consultant.
Marisa Raniolo Wilkins
Mr Bianco’s recipe for Goat with Nero d’Avola (recipe from Italianicious)
For the garnish:
12 baby carrots, peeled and roasted with olive oil, garlic and rosemary
4 potatoes, peeled and cut into quarters, then roasted with olive oil, garlic, sliced lemon and rosemary.
Reader’s Feast Bookstore
The Logo for Readers Feast Bookstore – my favourite bookshop
The other nice thing that happened this week is that I went into Reader’s Feast Bookstore. Sicilian Seafood Cooking has been featured in their Summer 2002 Book Guide and has been written by Helen.
Helen is only one of the helpful, knowledgeable and personable staff who has been working with Mary Dalmau at Reader’s Feast for a very long time.
“Our bookstore will be a place of interest and enjoyment, peopled by committed and enthusiastic staff, who present a range of books to suit all visitors” Mary Dalmau, 1991
Finally my cookbook of the year is Sicilian Seafood Cooking by Marisa Raniolo Wilkins.
Sicilian cuisine includes many recipes for sardines layered and baked, often referred to as a crostata.
In one of Ruth Rogers and Rose Grey’s Cookbooks – River Café Two – they call their layered sardine recipe: Strati di sardine (from strata, a layer). Their recipe is with breadcrumbs, zest of 2 lemons, pine nuts, extra virgin olive oil, chillies and parsley. In their recipe the sardines are not fried beforehand.
A CROSTATA DI SARDE
My recipe also has raisins and includes juice of a lemon and an orange and I call my layered sardines a Crostata di sarde. The stuffing is very similar to that of sarde a beccafico, but in this recipe there is no rolling of the sardines – much less arduous to prepare. A crostata is a tart and the sardines are topped with breadcrumbs; this forms a crust when baked (the word for crust in Italian is crosta).
The term “crostata” originally referred to anything with a “crusted” appearance, and the modern tart is known for being more rustic and less fussy than a traditional pie.
There are plenty of sardines in Australia, they are wild-caught and mainly fished in WA near Fremantle, Hervey Bay in Queensland, and increasingly in South Australia – this makes them available for most of the year.
This crostata can also be eaten cold. You can see how when it is accompanied with a simple salad, it could be a fabulous light meal.
The recipe for Sarde a Beccafico is included below and the addition of nuts in this recipe is also encouraged.
This recipe is for 4 people.
INGREDIENTS
sardines, fillets, double,12 – estimate 3 per person
extra virgin olive oil, ¾ cup
flat leaf parsley, 1 cup, cut finely
garlic, 3 cloves, chopped finely
salt and freshly ground, black pepper
fresh, bread crumbs, 150g , made from 1-3 day old good quality bread
lemon and orange, juice and zest from both
raisins, 50g
pine nuts, 150g
bay leaves, fresh, 10
PROCESSES
Mix the breadcrumbs, parsley, garlic, zest, pine nuts, seasoning and raisins together. Add a splash of olive oil.
Fry the sardines in some of the very hot oil, just enough time to crisp the skin. Do not overcrowd the fish in fry pan or they will poach rather than fry.
Drain on paper and set aside.
Oil a large baking dish that will accommodate all of the ingredients in three layers. Line it with 5 bay leaves.
Begin with a layer of the breadcrumb mixture; add a splash of oil next a layer of sardines (not overlapping and skin side up) then a splash of juice.
Cover the sardines with a sprinkling of the breadcrumbs mixture, and follow with a splash of olive oil.
Repeat with another layer of sardines and juices, finishing with the breadcrumbs and another splash of oil. Insert more bay leaves between some of the sardines.
Bake in a preheated oven (200°C) for about 20 minutes until a crust forms on top.
I recently saw an impressive exhibition at The Gallery of Modern Art in Brisbane called 21st Century: Art in the First Decade (includes film, photography installations, sculpture, painting and drawing).
In a darkened room, I was mesmerised by a five-screen video installation about a perilous sea voyage. The passengers, worn and exhausted, were on a small, old boat, carrying only themselves. I hadn’t read the information tag, so I only recalled Australia’s asylum seekers and the tragic boat tragedies. I wondered about other lands. The small fishing boats and coastline resembled Sicily, and the refugees could be North African. The content was relevant to Sicily’s current situation on Lampedusa, an island in the Mediterranean Sea. I recognised the stairway of a Palermo hotel I had once stayed in.
This moving and relevant installation, called WESTERN UNION: Small Boats, was created by Isaac Julien, an English artist and filmmaker. Filmed in 35mm and transferred to video, it’s an allegorical account of the hazardous sea journeys of North African illegal immigrants who often wash up dead on Sicily’s shores.
I found this photo of me in the hotel where I stayed in Palermo. It has that amazing staircase that is also featured in the film. And although Julien’s installation left me feeling sad, I also contemplated the beauty and excitement of Palermo: the eclectic architecture, which reflects several ruling cultures (Norman, Arab. Baroque); the street markets held in long, maze-like, narrow alleys, the piercing shrills of the sellers and the extraordinary array of produce.
This cassata was prepared for a celebration. I was particularly pleased that my friend followed the cassata and marzipan fruit recipes on my blog (links below).
She got in touch and sent me some photos—it was her New Year’s Eve cake!
Doesn’t the cassata and the fruit look absolutely wonderful?
Hand-made marzipan fruit.
SHE writes: Your recipe works a treat and it is a great celebratory dessert. Everyone on New Year’s Eve thought it was very special!
Some even ate the marzipan fruit!
With more time I would have created a fancy edging with small leaf shapes. Your sponge recipe was most successful! The cake was delicious and I was generous with Cointreau. Everybody was delighted with the cassata – it was the highlight of the meal.
I followed your recipe closely but added more couverture choc (which isn’t so sweet) and glace orange and citron to the ricotta. The glace orange doesn’t have the intense flavour of candied orange peel so you need a bit more of that. I would be inclined to bump up the use of Cointreau next time to make the sponge even moister and to bring out the lovely orange liqueur flavour even more.
Could you also try adding honey to replace some of the sugar in the ricotta mix? It could make the ricotta a little moister too but wouldn’t make it too sloppy as it is stored in the fridge (the honey becomes more viscous when cooled). It has stored well in the fridge (hasn’t gone weepy at all). We had some for morning tea today with friends and it was greatly enjoyed.
Cassata cut.
MY reply:
Honey would alter the flavour and although this is not considered “traditional”or “authentic’.
But authenticity has very little to offer us in terms of practicality, individual tastes or even updates to what we know now about healthy food.
I am very well aware that you have bee hives in your back garden andI know how tasty your honey is. So why not?? just don’t invite any Sicilians around when you eat the Cassata.
Cannulicchi a la Favurita – Cannolicchi alla Favorita is a Sicilian pasta dish that celebrates three of spring’s finest vegetables: fresh broad beans, peas and artichokes.
In Sicily, as in much of Italy, these vegetables arrive at much the same time and are natural companions. Their flavours are different but complementary: broad beans are slightly earthy, peas bring sweetness, and artichokes add their distinctive gentle bitterness. Together, dressed generously with extra virgin olive oil and pecorino, they make a particularly good sauce for pasta.
In Melbourne, spring brings the same opportunity. Broad beans and fresh peas appear in the markets, along with beautiful fleshy artichokes, and this is the time to make the dish while the vegetables are young and tender.
Cannolicchi alla Favorita and the Charleston
The recipe, and its intriguing name, came to me from the menu of the Charleston, a celebrated restaurant in Mondello, the seaside resort on the outskirts of Palermo.
Mondello, Palermo’s famous seaside resort and the setting for the Charleston restaurant.
The Charleston was known for presenting Sicilian ingredients and traditional dishes with considerable elegance. Its setting by the water added to its glamour, and it had a reputation as a place frequented by pezzi grossi – literally “big pieces”, but colloquially important or influential people.
I have never discovered precisely why the restaurant was given the name Charleston. Perhaps it was intended to suggest the glamour and exuberance associated with the Charleston and the fashionable dance halls of the 1920s. Whatever its origins, the name certainly suited such a grand seaside restaurant.
Its cooking drew strongly on Sicilian tradition but presented familiar ingredients in a more refined and contemporary way. Cannolicchi alla Favoritais a good example: simple seasonal vegetables transformed into an elegant pasta dish.
What Are Cannolicchi?
There is a little linguistic complication here because cannolicchi can refer to different things depending on context.
In this recipe, cannolicchi refers to the pasta: short, smooth, hollow tubes, generally about 5–6 centimetres long. Their cylindrical shape is particularly suitable because the pieces catch the vegetables, cheese and olive oil.
If cannolicchi pasta is unavailable, another reasonably large tubular pasta can be substituted.
The name cannolicchi has also been used in Sicily for certain artichokes, which makes the title of the dish particularly interesting when both pasta and artichokes appear on the same plate.
Broad Beans, Peas and Artichokes. A Sicilian Pasta for Spring
This is not a pasta dish with a heavy sauce. I think of it more as a warm spring vegetable salad combined with pasta.
The vegetables are cooked only briefly so that they remain fresh tasting and retain their beautiful variations of green. For this reason, I prepare the vegetables while the pasta is cooking and bring everything together at the last moment.
For the artichokes, use the tender inner heart and the fondo (the fleshy base beneath the leaves). I also use the peeled stalks because they have excellent flavour and there is no reason to waste them.
Large, fleshy artichokes are particularly suitable. You will need to strip off the outer leaves to reveal a fresh looking crisp heart .When they are in season, I find excellent ones at the Queen Victoria Market.
Large, fleshy artichokes
Fresh Herbs and Ricotta
The original combination is already full of flavour, but I like to add fresh herbs towards the end of cooking.
Mint is particularly good with broad beans and peas. Tender fennel fronds are another very Sicilian choice, while basil works beautifully when it is in season.
I also sometimes place a spoonful of fresh ricotta on each serving. It is not essential, but its mild creaminess is a lovely contrast to the pecorino and the slight bitterness of the artichokes.
The important thing is not to overwhelm the vegetables. This is a dish about freshness, simplicity and the flavours of spring.
What appeals to me most about Cannolicchi alla Favorita is its restraint. There is no elaborate sauce and no need for long cooking. Its success depends almost entirely on the quality and freshness of the vegetables.
Cannolicchi alla Favorita Recipe
Serves 6
Ingredients
400 g cannolicchi or another tubular pasta
5 large artichokes, depending on size
1 lemon
1 kg young broad beans, in their pods
1 kg young peas, in their pods
1 large fresh white onion, finely sliced
100 g pecorino, freshly grated
¾ cup extra virgin olive oil
salt
freshly ground black pepper
fresh mint, fennel fronds or basil, finely chopped
fresh ricotta, optional, for serving
Shell the broad beans
Prepare the Vegetables
Shell the peas and broad beans.
If the broad beans are very young and tender, I leave their pale green outer skins intact. With larger beans, remove the tougher outer skin.
Peel the broad beans if necessary
Prepare a bowl of cold water acidulated with the juice of the lemon.
Trim the artichokes generously, removing the tough outer leaves until you reach the tender centre. Cut away any fibrous parts and remove the choke if one has developed. Retain the tender fleshy base and peel the stalks.
Slice the artichoke hearts, bases and stalks finely and place them immediately into the acidulated water to prevent discolouration.
Cook the Pasta and Vegetables
Bring a large saucepan of water to the boil, salt it generously and add the pasta.
While the pasta cooks, make the vegetable sauce.
Heat the extra virgin olive oil in a large pan. Add the sliced fresh onion and cook gently until softened and lightly golden.
Drain the artichokes well and add them to the pan with the peas and broad beans. Season with salt and toss the vegetables over medium heat for about 7–10 minutes, or until just tender.
The exact cooking time will depend on the age and size of the vegetables. Avoid overcooking them — they should retain their freshness, colour and individual character.
Add the finely chopped herbs towards the end of cooking.
Bring Everything Together
Drain the pasta when it is al dente, reserving a little of the cooking water.
Add the pasta to the vegetables and toss gently so that the olive oil and vegetable juices coat the pasta. If necessary, add a small amount of the reserved pasta water to loosen the mixture.
Serve immediately with freshly grated pecorino and plenty of black pepper.
For an extra touch, add a spoonful of fresh ricotta to each plate.
The complete dish is a reminder of something fundamental to Sicilian cooking: when produce is at its best, very little needs to be done to it.
Sedano rapa is celeriac, and whenever I buy one at Melbourne’s Queen Victoria Market, someone invariably asks me: “What do you do with it?”
The same thing happens when I buy cavolo nero, cime di rapa, artichokes and, occasionally, fennel, lthough fennel has now become familiar enough in Australia to attract fewer puzzled looks.
Celeriac is certainly not a beautiful vegetable at first sight. Knobbly, rough-skinned and often trailing roots, it looks rather unpromising. But underneath that rugged exterior is dense, creamy-white flesh with a fresh celery fragrance and a flavour that is earthy, slightly nutty and much more delicate than its appearance suggests.
It is also remarkably versatile. Celeriac can be eaten raw or cooked, boiled, mashed, roasted or turned into soup. In Italy, sedano rapa is particularly associated with the north, although, as I discovered through my own family, it was certainly not unknown in Sicily.
Sedano rapa, or celeriac, may look rather unattractive before peeling, but beneath the knobbly exterior is firm, fragrant white flesh. As you can see, the leaves are like celery.
When Is Celeriac in Season?
Celeriac is a cool-weather vegetable. In Australia it is generally at its best from late autumn through winter, with good supplies during July and August, but I have also found it to be available well into October. In Italy and elsewhere in the Northern Hemisphere, its season extends broadly from autumn into early spring.
Whenever possible, I buy celeriac with its leaves still attached. Fresh, green leaves are a useful indication of freshness, but there is another reason: I use them.
The stronger outer leaves can flavour soups and stocks, while the small, tender leaves from the centre can be added to salads.
We Italians, or at least this Italian, do not like throwing useful food away.
How to Prepare Celeriac
The first task is to deal with that intimidating exterior.
I always buy my celeriac with leaves, this is an indication of how fresh the bulb is. Cut away the root end and peel the celeriac generously with a sharp knife, removing the rough skin, knobs and crevices. Once the rough exterior is removed, celeriac is dense, smooth and creamy-white, with a distinctive fresh celery taste and aroma.
Celeriac discolours quite quickly when exposed to air, much as an apple does. If I am serving it raw, I therefore prepare it last and dress it immediately with lemon juice or another acidic dressing.
Celeriac the Triestine Way
In Trieste, we used to eat sedano rapa bollito e in insalata – boiled celeriac dressed simply as a salad.
The celeriac was peeled, cut into large pieces and boiled in salted water until tender but not falling apart. Once drained and cooled slightly, it was dressed with extra virgin olive oil, lemon juice or vinegar, salt and pepper.
There is nothing elaborate about it, but this kind of simple preparation is typical of so much Italian home cooking: good produce, cooked appropriately and dressed without disguising its flavour.
It can be served warm or at room temperature and makes an excellent accompaniment to meat.
Celeriac in Northern Italian Cooking
Celeriac is much more familiar in the cooking of northern Italy than it is in many southern regions, and traditional preparations vary considerably.
In Verona, for example, celeriac is made into substantial soups with borlotti beans, onion and carrot, enriched with meat stock and fresh pork sausage. This is the sort of hearty, sustaining food that makes sense in the colder climate of northern Italy.
In Piedmont, celeriac also appears in lighter soups made with broth and served with good bread and grated cheese. The way they present it is very much like a French onion soup.
And then there is one of Piedmont’s most distinctive dishes—bagna cauda.
Raw Celeriac with Bagna Cauda
I particularly like celeriac raw, and its crisp texture makes it an excellent vegetable to serve with bagna cauda.
Bagna cauda, literally “hot bath”is the famous Piedmontese warm sauce traditionally made with anchovies, garlic and olive oil, with butter appearing in many versions. Raw and lightly cooked vegetables are dipped into it at the table.
Celeriac is ideal for this dish as its fresh, strong flavour complements the salty richness of anchovy, butter and garlic. It is also crisp and aromatic, making it perfect for dipping into warm Piedmontese bagna cauda. Cut it into batons, rub it with a little lemon juice to keep it white.
Celeriac and Apple Salad
My preferred method of consuming celeriac is raw in a salad. This is not a traditional Italian recipe but one I personally enjoy.
I julienne the peeled celeriac and combine it with apple, then dress everything immediately with extra virgin olive oil, lemon juice, salt and freshly ground black pepper. The lemon adds freshness and helps prevent both the apple and celeriac from turning brown.
From there, the salad can take several directions.
Red Radicchio
Radicchio adds colour and pleasant bitterness. Watercress is another favourite addition, and rocket works well too. A little egg mayonnaise can make the salad richer and turn it into something more substantial.
The contrast is what makes it so appealing: crisp celeriac, sweet-tart apple, bitter leaves and a sharp lemon dressing.
A fresh celeriac and apple salad with radicchio – the lemon dressing adds zing while helping to keep the celeriac and apple pale.
Other Ways I Cook Celeriac
Celeriac also responds beautifully to cooking.
I make it into soup, sometimes on its own and sometimes combined with potato. I also mash celeriac with potato, adding butter and cream for richness, or extra virgin olive oil and lemon juice for a lighter, more Mediterranean version.
It can also be roasted. Cut into chunks or wedges and tossed with olive oil, it develops a sweeter, nuttier flavour and crisp golden edges while remaining soft inside.
And boiled celeriac, simply dressed with good olive oil and lemon or vinegar, remains one of the easiest and most satisfying ways to eat it.
A Sicilian Connection
Although sedano rapa is much more closely associated with northern Italian cooking, it also has a place in my family’s Sicilian memories.
My father spent his youth in Ragusa before moving to Trieste. He remembered his mother boiling celeriac and dressing it simply with olive oil. Apparently, my grandparents also grew it at their mulino, a water mill near Ragusa Ibla.
The countryside surrounding Ragusa once housed numerous water mills, constructed along waterways to facilitate the movement of water for wheat grinding. These places were part of the agricultural life of the region.
My grandparents’ mill was also a place where they kept their dogs and cultivated a few vegetables.
When I visited Sicily as a child, we went to the mulino often. During the hot summers, it was somewhere to walk to and escape for a while from their apartment in the city.
That old mulino became part of my memories of Ragusa.
Years later, while watching an episode of Inspector Montalbano, I saw Montalbano going to a restaurant in an old mill. For a moment I was convinced I recognised my grandparents’ mulino. My relatives in Ragusa soon disappointed me: it was not theirs.
So much for my moment of television fame by association.
The Mulini of Ragusa
On a later visit to Sicily, I visited another old water mill that had been restored and brought back into use. Once again, grain was being stone-ground there, this time producing high-quality flour from organically grown wheat.
There was something satisfying about seeing an old agricultural structure working again for the purpose for which it had originally been built.
And perhaps that is why a celeriac can lead me so far from the vegetable itself.
I may begin with a knobbly sedano rapa at the Queen Victoria Market and a stranger asking, “What do you do with it?” But food has a habit of carrying memories with it—from a simple salad in Trieste to my grandmother’s kitchen in Ragusa and an old water mill in the Sicilian countryside.