Celeriac and Kohlrabi: Italian recipes for Two Unusual Vegetables

As the season of spring arrives in Melbourne, I’m still enjoying celeriac and kohlrabi, two unusual vegetables that are still available in September and October at the Queen Victoria Market.

Celeriac and Kohlrabi: Strange-Looking but Delicious

Celeriac and kohlrabi could be described as particularly beautiful. Celeriac is knobbly, tangled and earthy; kohlrabi has a swollen round stem with leaf stalks projecting from it, but these rather inhospitable exteriors are two versatile and delicious vegetables.

Not the prettiest vegetables at the market, but celeriac and kohlrabi reward the cook who looks beyond appearances.

The specimens in my photographs are particularly rugged. A careful grower or more selective retailer might have rejected them before they have reached this  mature end of season stage.

Kohlrabi is best harvested young because large, mature plants can become tough and woody. Celeriac is more forgiving and can grow to a considerable size while remaining perfectly good to eat.

A younger looking kohlrabi as usually sold at the beginning of their season
When Are Celeriac and Kohlrabi in Season?

Celeriac is very much a vegetable of the cooler months and has a long growing season. In the Northern Hemisphere it is generally harvested from autumn through winter and into early spring; in UK, for example, the main season extends roughly from October to March.In Italy kohlrabi grows during two main seasonal cycles: a spring crop from May to June and an autumn-to-winter crop from October to November.

 In the southern part of Australia the seasons are reversed, making celeriac predominantly an autumn and winter vegetable, although local climate and growing conditions can extend its availability.

Kohlrabi is a member of the brassica family. It grows quickly and also prefers cool conditions. When harvested young, its swollen stem is crisp, juicy and mildly sweet, with flavours reminiscent of cabbage stem, broccoli and turnip. It can be eaten raw, steamed, sautéed, roasted, stuffed or added to soups and stews.

In Europe, successive crops can provide young kohlrabi from late spring through autumn and into early winter in milder regions. In temperate parts of the Southern Hemisphere, spring and autumn provide particularly favourable growing conditions but too much heat or dry weather can encourage older specimens to become tough and woody.

Green coloured Kohlrabi sold with substantial amounts of leaves that I bought in Vietnam!

The leaves of kohlrabi are edible too and can be cooked like other leafy brassicas.

A much younger me holding a bunch of leafy Kohlrabi (cavolo rapa) that my relatives in Ragusa use to make with pasta (Causunnedda )

My relatives in Ragusa use them in a delicious, rather soupy pasta dish. I was always intrigued by the kohlrabi they bought there: very leafy, with relatively small swollen stems, and invariably beautifully tender. The violet varieties of kohlrabi are prominent in Italy and eventually they will also be common in Australia.

Kohlrabi in the Market in Syracuse. Bought young has crisp, juicy flesh, but the leaves are valuable too—something Sicilian cooks have long understood.
Versatility of CELERIAC and Kohlrabi

Perhaps because of their uncompromising appearance, celeriac and kohlrabi are easily overlooked, but European cooks have long recognised their value. Both can move comfortably between raw and cooked dishes and take well to strong flavours as well as simple preparations.

They are also suited to preserving. In Central and Eastern European food traditions, firm vegetables have long been preserved in vinegar, brine or through fermentation, sometimes with herbs, mustard seeds and spices. Kohlrabi and celeriac lend themselves particularly well to pickling because of their firm texture and ability to retain some crunch.

I have written about both vegetables before, with recipes and examples of how they are prepared in different parts of Italy. Use the links to see those earlier posts.

Two northern Italian recipes that demonstrate Celeriac and Kohlrabi recipes

Two distinct recipes from Northern Italy are here: a hearty Veronese minestra with celeriac, borlotti beans, sausage, and tagliatelle, and a Trentino–Alto Adige preparation of kohlrabi slowly cooked with butter and cream until tender.

Recipe: Minestra di Sedano Rapa Tagliatelle –Veronese Celeriac, Borlotti Bean and Tagliatelle Soup

This substantial minestra from Verona is made with celeriac, borlotti beans, fresh pork sausage and egg tagliatelle. The celeriac softens during the long cooking and contributes the distinctive celery-like fragrance, while the beans give the soup body and the fresh sausage adds richness.

Grande Enciclopedia Illustrata della Gastronomia

I found this recipe in my 1990 edition of Grande Enciclopedia Illustrata della Gastronomia, where it is attributed to Giovanni Capnist’s La cucina veronese.

The accompanying text written in Italian makes an interesting distinction: although celeriac has essentially the same aroma as ordinary celery, it is not used simply as an aromatic but treated as a vegetable in its own right, both raw and cooked.

This minestra demonstrates that particularly well. Celeriac is not hiding in the background as we do with celery stalks,  it is one of the substantial ingredients around which the dish is built.

Serves 6–8

Ingredients
  • 400 g dried borlotti beans
  • 1 celeriac, about 500–600 g before trimming
  • 1 large onion
  • 1 carrot
  • 4 small fresh pork sausages
  • 1.5 litres beef broth
  • 200 g dried egg tagliatelle
  • Salt and freshly ground black pepper
  • Extra virgin olive oil, to serve — the original suggests olive oil from Lake Garda

METHOD

Soak the borlotti beans overnight, then drain.

Peel and trim the celeriac and cut it into small pieces. Roughly chop the onion and carrot and remove the sausage meat from its casings.

Place the beans, celeriac, onion, carrot and sausage meat in a large saucepan. Add the beef broth and bring gently to a simmer.

Cook over low heat for at least 2 hours, stirring occasionally so that the ingredients do not catch on the bottom of the pan. Season with salt and pepper.

About 20 minutes before the end of cooking, add the dried egg tagliatelle. Continue cooking, stirring occasionally, until the pasta is al dente.

Remove from the heat and allow the minestra to settle and cool slightly before serving. For a thicker consistency, mash some of the tender borlotti beans against the side of the pot and stir them back through the soup.

If desired, finish each serving with a drizzle of extra virgin olive oil*

 An Interesting point: *The original Italian recipe finishes with:

“Servire, condendo se piace con un filo di olio d’oliva del Garda.” – If desired, serve, with a drizzle of  olive oil from Grada.

That reference to Lake Garda olive oil is not an incidental detail. Verona lies just east of Lake Garda, where the moderating influence of the lake has allowed olives to be cultivated unusually far north. A final thread of local olive oil therefore gives the dish an unmistakable local,  geographical connection.

Recipe: Cavolo Rapa Soffocato – An Alto Adige Way with Kohlrabi

I have found versions of this traditional Alto Adige dish in two of my cookery books. In my 1990 Grande Enciclopedia Illustrata della Gastronomia it appears as Cavolo rapa stufato, while Osteria: 1,000 Generous and Simple Recipes from Italy’s Best Local Restaurants, published by Slow Food Editore, calls it Cavolo rapa soffocato – smothered kohlrabi.

Osteria: 1,000 Generous and Simple Recipes from Italy’s Best Local Restaurants,Slow Food Editore

The recipes are essentially the same, but I much prefer the straightforward, simple instructions in Osteria.

What makes the recipe particularly interesting is that it treats kohlrabi quite differently from the crisp vegetable we might expect in a salad or pickle. Here there is no attempt to preserve its crunch. The kohlrabi is deliberately cooked for an hour until very tender, with butter, a little sugar and flour, before being finished with cream. The sugar encourages browning and enhances the vegetable’s natural sweetness, while the flour and cream turn the cooking juices into a light sauce.

It is rich, comforting and distinctly Alpine in character and an excellent example of what northern Italian cooks can do with this rather austere-looking vegetable. The cream and butter are also characteristic of this very northern Italian Cuisine.

The recipe in Osteria is attributed to Klaus Mayr of Renon–Ritten, in Bolzano–Bozen, Trentino–Alto Adige.

I have not made this recipe yet, but although it is a side dish, I rather like the idea of presenting it as a hot dip with warm bread. I doubt very much it the Bolzano crew would be impressed!

Cavolo Rapa Soffocato — Smothered Kohlrabi

Serves 4

Ingredients
  • 6 tablespoons unsalted butter
  • 1 tablespoon sugar
  • 4 kohlrabi, diced
  • 1 tablespoon plain flour
  • Salt and freshly ground black pepper
  • ½ cup cream
Method

Melt the butter in a saucepan and add the sugar. Cook over medium heat, stirring, until the sugar begins to caramelise.

Add the diced kohlrabi, sprinkle with the flour and season with salt and pepper. Cook, stirring so that it does not stick, until the kohlrabi begins to brown.

Add ½ cup cold water, cover and cook over low heat for about 1 hour. Check occasionally and add a little more water if the pan becomes too dry.

Uncover, stir in the cream and cook for a few more minutes, stirring frequently, until the sauce has thickened. Serve warm.

A finishing comment: There is something very appealing about these two recipes sitting together. Celeriac and kohlrabi may be awkward-looking vegetables, but neither is treated timidly in these northern Italian dishes. In Verona, celeriac becomes part of a substantial minestra with beans, sausage and pasta; in Alto Adige, kohlrabi is slowly smothered with butter and cream. Both recipes make a convincing case for looking beyond appearances—and perhaps for giving these vegetables a little more space in our kitchens.

Other recipes on the blog:

UNVEILING KOHLRABI, a BRASSICA

KOHLRABI with pasta (Causunnedda )

KOHLRABI, as eaten in Sicily

Kohlrabi, Fennel, Celeriac and Daikon make a good salad (and other recipes)

A WET PASTA DISH WITH KOHLRABI

KOHLRABI and TENERUMI, shared between cultures of Sicily and Vietnam

SEDANO RAPA (Celeriac and how to eat it) 

I am surprised that there is only one post about celeriac as I use it quite a bit, however you will find a number of different ways to prepare it in the above link.

SQUID WITH BLACK INK SAUCE (Calamari al Nero)

Squid with Black Ink Sauce is one of those dishes that never fails to impress. With its glossy black sauce it looks dramatic, tastes intensely  flavourful and of the sea. But, despite its striking appearance, is surprisingly straightforward to prepare.

I recently prepared this dish for a friend’s first gathering. I sought a memorable, yet simple, dish that would feel generous and celebratory. It was the ideal choice.

Because I have included many photos and discussed the ingredients,  the process may look complicated. But it isn’t.

Calamari and Cuttle Fish, the differences

Calamari (squid) have long, streamlined bodies, ten tentacles (eight arms and two longer feeding tentacles) and tender, mildly sweet flesh. They cook quickly and are popular grilled, fried, stuffed or slowly braised.

Cuttlefish (seppie) are close relatives of squid but have broader, flatter bodies and firmer, sweeter flesh. They contain larger ink sacs than squid, making them the preferred choice for classic dishes such as seppie al nero, where the ink creates a rich, glossy black sauce.

Cuttle fish is more difficult to purchase, and in fact mostly impossible in the Queen Victoria market so I have used Calamari in this Recipe.

Introduction and background to squid or cuttlefish cooked in black ink

Over the years I have cooked calamari al nero many times, changing the recipe to suit the occasion. Because I know this dish well from both Trieste and Sicily, my version sits comfortably between the two traditions. It combines the rich black sauce of the northern Adriatic with the brighter flavours of southern Italy.

Calamari al nero, glossy and black and delicious!

Being winter in Melbourne, I served it with crisp baked polenta rather than pasta—a combination that always draws admiration before it is tasted. And of course polenta is northern Italian food.

A Dish Shared Across Italy

Squid or cuttlefish cooked in its own ink (calamari al nero or seppie al nero) is one of Italy’s most distinctive seafood dishes. It appears all along the Italian coastline, but each region prepares and serves it differently.

Veneto and Venice

Around Venice, seppie al nero is a classic. Cuttlefish are preferred because they have larger ink sacs. The cuttlefish is slowly braised with onion, garlic, white wine and just a little tomato until the ink produces a glossy, intensely flavoured sauce.

It is traditionally served with soft white polenta. . I used golden polenta and the contrast between the jet-black sauce and the golden polenta is as beautiful as it is delicious and perfectly balances the richness of the ink.

Trieste and Friuli Venezia Giulia

Across the northern Adriatic in Trieste and Friuli Venezia Giulia, the dish remains very much part of everyday cooking. In Italian it is called seppie in umido; in the Triestino dialect it becomes sepe in umido. It still appears regularly on the menus of traditional trattorie, especially in Trieste Vecchia, the city’s historic quarter.

Although Trieste has absorbed influences from Slovenia and the former Austro-Hungarian Empire, this dish remains unmistakably Adriatic.

Sicily

In Sicily the same dish takes on a different character. Squid is used more frequently than cuttlefish, and the sauce generally contains more tomato, fresh parsley, garlic or onion and white wine. The result is lighter, fresher and more aromatic, while the ink still provides its unmistakable depth of flavour.

Rather than polenta, Sicilians usually toss the sauce through spaghetti, sometimes serving the squid separately as a second course.

These regional differences reflect Italy’s extraordinary culinary diversity, but both result in a silky sauce with extraordinary depth and complexity.

Finding Squid Ink

Not everyone can buy squid or cuttlefish with the ink sacs intact. Most seafood is cleaned before sale and the ink is discarded.

Fortunately, nero di seppia (cuttlefish ink) is widely available from Italian delicatessens and specialist food stores. It is sold in small sachets, jars or tubes and is the same product used by many Italian cooks when fresh ink is unavailable, especially these days when the fish is mostly sold clean and cut. The ink has a long shelf life and delivers the same deep black colour and rich flavour.

If your fishmonger prepares whole squid or cuttlefish, ask whether they can save the ink sacs for you. They freeze well for several months. Simply thaw them, pierce the sac and stir the ink into the sauce towards the end of cooking.

Fresh ink has a slightly more delicate flavour, but good-quality packaged nero di seppia is an excellent substitute.

How to Clean Squid
  • Pull the head and tentacles from the body.
  • Remove the internal bone.
  • Peel away the skin and remove the fins.
  • Slit the body open.
  • Remove the innards, reserving the ink sac if present.
  • Remove the eyes and beak from the tentacles.
  • Rinse thoroughly and pat dry before slicing.
Cleaning and cutting the squid
For the polenta

Prepare your preferred polenta ahead of time so it can be baked just before serving. Information, instructions further down in this post.

Baked polenta with the compulsory crust

THE RECIPE

Squid with Black Ink Sauce (Calamari al Nero)

Ingredients

Serves 6–8

For the BRAISED squid
  • 2.5-3 kg small squid, cleaned and sliced
  • ½ cup extra virgin olive oil
  • 3 garlic cloves, finely chopped
  • 400 g tin of chopped or puréed tomatoes
  • 1-2 tablespoon tomato paste
  • 1 cup finely chopped parsley
  • 1 cup dry white wine
  • 4–6 sachets squid ink (4 g each), or about 3 tablespoons nero di seppia paste
  • 1 cup fish stock or water
  • Pinch chilli flakes (optional, especially if cooked in Southern Italy)
  • Fresh chilli, finely sliced, to finish
  • You can add peas – I used frozen, 2 cups. adds taste, nutrition and visual appeal.
Final addition – the fresh chilli

I also deseeded a couple of long red chillies, cut them into thin strips and put them on top of the black glossy contents.

Method

  • Heat the olive oil in a large heavy pan and gently soften the garlic.
  • Add the squid in batches so it sautés rather than steams. Cook for about 15 minutes.

  • Pour in the wine, add the tomatoes.
Adding a can of tomato puree to the squid
  • Add parsley (and cilli flakes if using). Cover and simmer gently for about 40 minutes, stirring occasionally.
Adding the parsley to the squid
  • Stir in the squid ink and cook for another 20 minutes or until the squid is tender.
Draining the squid from the main saucepan into another and evaporating the sauce
  • Remove the squid  from the main saucepan with a slotted spoon. Reduce the sauce until thick, glossy, black and intensely flavoured.
  • Stir in the tomato paste if further thickening is needed.
Adding a little tomato paste to thicken the sauce
  • Return the squid to the pan.
Returning the squid to the reduced sauce
  • Add the frozen peas and cook gently for a final 10 minutes.
  • Once cooked, add the strips of fresh chilli. on top.
The squid with the peas and thin strips of red chillies

ABOUT POLENTA and Baked Polenta

Types of Polenta:

Instant polenta is usually made from yellow cornmeal that has been pre-cooked and dried, so it cooks in 2–10 minutes instead of the traditional 30- 35 minutes. It produces a smooth, creamy consistency but generally lacks the depth of flavour and texture of traditionally cooked polenta. It is ideal for quick weeknight meals and can be served soft or left to set before grilling or frying.

Yellow polenta is the most common type in Italy and is made from yellow maize. When cooked slowly, it develops a rich corn flavour and can range from soft and creamy to firm enough to slice once cooled. It pairs well with hearty meat ragùs, sausages, mushrooms, game, braised dishes and robust cheeses. This is the type of polenta I stock at home.

White polenta is made from white corn and has a milder, more delicate flavour and a finer texture than yellow polenta. Traditionally associated with the Veneto and parts of Friuli Venezia Giulia, it is often served with seafood, salt cod (baccalà), cuttlefish in ink, or more delicate meat dishes. It is cooked in the same way as traditional yellow polenta but has a softer, silkier finish.

Cook the polenta according to the packet directions (traditional polenta generally takes about 30 minutes).

Pour into a well-oiled baking dish or heavy ovenproof pan. Smooth the surface, drizzle generously with extra virgin olive oil and bake in a moderate oven for about 30 minutes until lightly crisp on top.

Serve generous slices topped with the squid and plenty of black ink sauce.

Leftover polenta is excellent fried the following day in olive oil until it develops a crisp crosta—a golden crust that Italians treasure.

The polenta waiting to be baked. It can be cooked and poured into a baking tin well before you bake it

Golden baked polenta provides the perfect contrast to the silky black ink sauce.

The polenta and squid in black ink sauce on the table, ready to be served

Finished dish with peas and strips of fresh red chillies

Serving the squid dish on each plate with the polenta
Calamari al Nero served on crisp baked polenta—a meeting of Sicilian and northern Adriatic traditions.
The squid with black ink sauce and polenta was immensely enjoyed by all

SEPPIE IN UMIDO CON POLENTA (Cuttlefish or Squid With Black Ink And Polenta from Trieste)

MONTALBANO’S PASTA WITH BLACK INK SAUCE

Polenta and its magic

NDUJA with SQUID, very simple

CALAMARETTI IN TEGAME; in Sicilian it is CALAMARICCHI ’N’TIANU (Small calamari braised with tomatoes and potatoes)

MONTALBANO’S FAVOURITE DISHES

RICOTTA RAVIOLI and STONE GROUND FLOUR