Anchovies are often added to fish in Sicilian cuisine – they are either stuffed in the slashes made on the sides of the fish or gently melted with a little oil and added to the fish whilst it is cooking. Trout has flaky, delicate flesh and slashing it is not a good idea so I chose to do the latter.
I always use herbs for all my cooking and this time I selected sage that is often associated with veal and pork but I quite like it with trout. Sage is not a common herb in Sicilian cooking and you may prefer to use rosemary instead.
whole fish, one large trout (for 2-3 people)
lemons, 1-2 whole – ends trimmed, sliced into thick circles
extra virgin olive oil, 2-3 tablespoons
salt and freshly ground pepper to taste
anchovies, 3-6 cut finely
green olives, a couple of tablespoons, well drained
sage or rosemary
Prepare the fish – clean, dry and stuff a few herbs in the cavity.
Add a little oil (about one tablespoon depending on your pan) to the frying pan and over medium heat. Add the lemon slices and pan fry them until lightly browned – turn once. In order to brown the lemon slices they should not be overcrowded so you may need to pan fry them in two batches.
Remove the lemon slices from the pan with the oil and any of the juices.
Add a little more oil to the fry pan, heat it and add the anchovies. Stir them around in the pan over medium-low heat until they dissolve.
Add the trout. Sprinkle with salt and pepper (remember that the anchovies are salty) and add the sage. Pan fry the fish on both sides and only turn once.
Add the olives half way the cooking.
Toss the slices of lemon and the juices back in the pan and heat through.
When I was in Paris a couple of months ago I saw this hand painted Fridge in a store window. This fridge is part of Sicily is my Love, a colourful collaboration by Smeg fridges and Dolce&Gabbana’s signature decorative style. Each of the 100 fridges illustrate Sicilian folklore in bold, vibrant colour and are hand-painted by Sicilian artists. They were released during the Milan Design Fair, Salone del Mobile di Milano in 2016.
Saint Joseph’s Day (Festa di San Giuseppe) is celebrated in Italy on March 19.
Italy double dips and combines this ancient and religious tradition with Father’s Day – La Festa del Papà – the feast (celebration) for father, the event imported from America in the early 20th century. In the USA it is held on the third Sunday of June.
Saints’ name days are more significant in the south of Italy. My father, who was born in Ragusa but lived in Trieste, used to receive phone calls from his family who lived in Sicily wishing him well, “auguri” on March 19.
San Giuseppe was reputed to be a humble carpenter who looked after his family (Mary and Jesus) so it is easy to see why the Catholic church has made him the patron saint of carpenters, workers, protector of the church and of fathers, but he is also patron saint of the poor and, more mysteriously, of pastry cooks.
I have partly explained (to myself) how pastry cooks fits under Saint Joseph’s umbrella by thinking about what happens in Sicily. The feast of Saint Joseph although in Lent (a time of fasting in the Catholic liturgy) also marks the end of the long unproductive season of winter. His feast day is close to the equinox and since pagan times spring has been celebrated big time in various ways.
Wheat (grains, seeds and legumes) were unequivocally the metaphorical seeds of life and through germination and regeneration they invoke the powers of fertility. In many parts of Sicily there are banquets to celebrate the bounty of the harvest (known as La Tavola di San Giuseppe – Saint Joseph’s Table). The main food is a collection of breads of odd shapes and sizes, many sprinkled with seeds. The food and breads on display were once shared and offered to the poor, now they are shared within the community.
Fried sweets are traditionally made in Sicily on Saint Joseph’s day. Sfinci (made with flour) and Crispeddi di Risu (made with rice) seem to be the most common and as in all Sicilian recipes there are many local variations. Sfinci are the most common and are found in the north, south and west of Sicily; some are filled with custard cream or ricotta.
In my copy of Maria Consoli Sardo’s book Cucina Nostra (1978) there is a recipe for sfinci made with semolina. She also provides a recipe for sfinci made with rice without yeast. I like her recipes because they seem genuinely authentic – uncomplicated and, as I imagine, an example of cucina povera (poor kitchen) as cooked by many Sicilians especially those living away from the larger cities on the land (see her recipe below).
Crispeddi di risu are more common in the east of Sicily, from Messina in the north; Catania on the central coast and Syracuse in the south east. I have found many recipes for crispeddi and all involve cooking rice in milk or milk and water and adding eggs or flour. Some contain yeast and others are very complicated and involve forming balls of the cooked rice and dipping them into batter before deep-frying them.
Maria Consoli Sardo calls her recipe Sfinci Di Risu (Fritelle Di Riso, in Italian).
I have used Arborio rice.
200g rice, ½ litre of milk, 200g of flour, lard for frying (how else can you make them crisp?), sugar and cinnamon for sprinkling.
Boil rice in water (does not say how much water, I used 500 ml= ½ litre. There is no mention of salt but this is common sense, as a Sicilian you would know to add a pinch.)
Halfway through cooking, add milk and finish cooking (it will have the consistency of risotto…having said this, my risotto is all’onda, ie, in waves … it should have some moisture).
Place the cooked rice in a bowl and leave it for 24 hours, add flour, mix well and let it rest. Spread the mixture out (such as on a marble slab) and after 2 hours cut it into batons and fry them in plenty of lard. After they have been fried, sprinkle them with sugar and cinnamon.
My variation to the above: I used extra virgin olive oil to fry them and dressed them with Chestnut Honey and cinnamon. (I usually have Orange Flower Honey (Sicilian) in my pantry but I have run out! The Chestnut Honey however was great!)
This second recipe for crispeddi di risu is adapted from Giuseppe Coria’s Profumi di Sicilia, Il libro della cucina Siciliana. It is also a simple recipe and this one has yeast. Judging from his quantities Signor Coria must have always cooked for large numbers!
1 kg of rice
1 litre of milk
1 litre of boiling water
½ tsp of salt
2 tbs of sugar
500 g of plain flour
150 g of fresh yeast (or equivalent) dissolved in ½ cup warm water
grated zest of 2 oranges and 2 lemons,
honey, cinnamon powder to coat.
Mix the milk with water, add salt and sugar and add the rice. Bring to the boil, reduce heat and simmer on low heat stirring occasionally until the rice has absorbed all the liquid and looks like a risotto.
Cool, mix in the flour and yeast. Add the grated peel. Mix it well, cover, and let rise for 2-4 hours.
Shape the rice with a spoon and slide them into the hot oil.
When golden, place them on paper to drain for about 30 seconds and then dress them with honey and cinnamon powder.
I was in Sydney where I attended some sessions of the Sydney International Food Festival. The World Chef Showcase on Saturday focused strongly on the cuisine of the Middle East and Mediterranean –this was the program that interested me the most.
The Festival list of Australian and overseas guests was very impressive and included: Musa Dagdeviren (Istanbul), Yotam Ottolenghi (London), Mary Taylor Simeti (Sicily, food history), Joe Barza (Lebanon) and Kamal Mouzawak (founder of Beirut’s Souk el Tayeb – a weekly market farmers’ produce and Lebanese food), Anissa Helou (London), Ozden Ozsabuncuoglu (Turkish food authority) and Mehmet Gurs (Istanbul).
Those of you who like Middle Eastern food and live in Melbourne will almost certainly know the names Ismail Tosun (Gigibaba) and Greg and Lucy Malouf (cookbook collaborators and Mo Mo Restaurant), also Abla Amad (Abla’s Restaurant). Sydney readers may recognise Somer Sivrioglu (Efendy Restaurant in Balmain).
Abla Amad was accompanied by Yotam Ottolenghi who was relatively unknown in Australia at the time and i was one of the first to hear him at Abla’s session.
There is an obvious and powerful connection between Middle Eastern and Sicilian cuisine – the Arabs ruled Sicily for two centuries (in medieval times they were sometimes called “Saracens” or “Moors”). The Arabs contributed to the development of Sicilian culture, agriculture and architecture and had a profound influence on the cuisine of Sicily.
The food that was prepared and discussed by the participating Festival guests featured many of the distinctive ingredients of Middle Eastern food – the rich spices (especially saffron and cinnamon), rice and grains, nuts and seeds (especially pine nuts, almonds, pistachio, sesame), sugar, and the typical fruits (citrus, figs, pomegranate) and vegetables and flowers (orange, jasmine, rose flower waters) of the Mediterranean.
The ‘Arab’ ingredients and flavours are not unique to Sicily. They are present in other countries of the Mediterranean, for example the cuisine of Spain and France.
A post on my blog is not the venue to discuss this topic at length. However I have already written about some recipes of sweets that could be attributed to the co-Arab and Sicilian association (for they cannot be attributed just to the Arabs).
Here is a similar recipe to cubbaita (giuggiulena) and it is called petrafennula, (also called petramennula depending on the Sicilian locality).
All my Sicilian relatives and friends keep a selection of these small homemade sweets at home just in case someone visits unannounced.
PETRAFENNULA – PIETRA DI MIELE (Rock made of honey).
almonds, 500g blanched and roughly chopped into large pieces
candied orange peel, 400 g chopped finely,
cinnamon, ½ teaspoon (optional).
Place the honey in a saucepan.
Add the peel.
Allow the mixture to simmer gently and stir from time to time until it begins to solidify.
Take the mixture off the stove and work quickly
Add the almonds and the cinnamon and stir gently to incorporate.
Pour the mixture on to baking paper placed on a cold surface – such as a marble slab or a baking tray (traditionally this is done without paper on an oiled marble slab).
Break it into pieces when it is cold. When my mother made this, she sometimes used to drop dollops of the mixture (about a tablespoon in size) on to a cold surface to form small odd shapes – more like pebbles than sharp rocks. This seemed easier than shaping it into one large slab, which then needs to be broken into smaller pieces.
I have a friend in Adelaide who has the most wonderful garden and beehives. She used her honey to make giuggiulena and the petrafennula and both resulted into slightly softer versions of candy. We discussed this and think that it must be due to the varying levels of moisture in different types of honey and from the various locations. I have used a variety of honey including leatherwood (definitely not Sicilian) and other organic honey from a variety of Australian locations and have achieved the required results.