EASTER IN SICILY: Faith, Spring, History and Cassata

Easter in Sicily is more than a religious celebration; it’s a mix of faith, spring and history. It is a time when the sacred rituals and the everyday come together. It reminds people of the past, celebrates the present, and looks forward to the future with hope.

Religion, especially Catholicism, is at the heart of life in Sicily, and this is most visible during Holy Week and the Easter Celebrations. From Palm Sunday to Easter Sunday, towns and cities across the island are filled with devotion and tradition.

On Good Friday, processions move slowly through the old streets. During the week churches are filled with music, the smell of incense, and quiet prayers; these rituals passed down through generations.

Easter Sunday marks the resurrection of Christ and brings a sense of festivity after the solemn days leading up to it. But Easter also connects with something older and more natural: the arrival of spring. As winter fades, nature comes back to life—trees bud, flowers bloom, and the days grow longer. It’s a time of new beginnings and hope.

Some Easter traditions in Sicily have roots that go back even further than Christianity. In Enna, for example, a priest blesses the fields, praying for good crops and weather. This ceremony likely comes from ancient agricultural customs.

One of the most striking events is the procession of fifteen local confraternities, each with its own unique clothing and customs. This tradition dates back to the 15th to 17th centuries and shows the influence of Spanish rule on Sicilian religious life. I was in Enna during easter time a while back.

With any festivity in Sicily, food plays an essential role—and Easter is no exception.

Alongside the religious rituals and springtime renewal, special dishes take centre stage.

One of the most iconic Easter desserts is the elaborate Sicilian cassata

While there are several versions of cassata – including a frozen ricotta and sponge cake version known as cassata gelata, and a baked pastry version filled with sweetened ricotta, known as cassata in forno, the most famous is the traditional highly decorated cassata.

Cassata al forno

This eye-catching, baroque-style cake is usually topped with colourful glacé fruits and candied citrus peel. It’s a dessert that isn’t typically made at home but is crafted by skilled pasticceri (pastry makers) in Sicily’s many historic pastry shops (pasticcerie).  Some that have been in operation for generations.

In this is the case with most Italians, they leave the pastry making to the experts.

The classic Sicilian cassata is made of three main parts. First, there’s a soft sponge cake, often moistened with a splash of liqueur and used to line the mould. Inside is a rich, sweetened ricotta filling, made with sheep’s milk (sweeter than cow’s milk) and mixed with small pieces of candied citrus and dark chocolate. Finally, the entire cake is covered with a layer of green marzipan or a smooth glaze of sugar icing, then decorated with intricate patterns and colourful candied fruits.

But cassata is more than just a dessert – it’s a layered representation of Sicily’s complex cultural and historical past and its origins are believed to reflect the many cultures that have shaped the island. The name cassata may come from the Arabic qas’ah, meaning “bowl,” referring to the traditional mould used to shape the cake. The Arabs introduced sugar to Sicily, along with candied fruits, which are key ingredients in the cake. The sponge cake, called Pan di Spagna in Italian, likely came from the Spanish, while the elaborate icing and presentation were influenced by the Monsù – French-trained chefs who worked in aristocratic Sicilian households in the 18th and 19th centuries.

Some of these chefs were French, while others came from Piedmont, a region in northern Italy that was under French control during that time. These Monsù added a touch of French elegance and flair to traditional Sicilian cooking, turning simple ingredients into refined and artistic dishes. Cassata, with its rich mix of flavours, textures, and cultural layers, is a perfect example.

While the traditional cassata is a showstopper, not everyone has the time, or the team of expert pasticceri to make such an elaborate creation.

I have made many cassate (plural) at home, the last one was probably approximately three years ago.

Tastes change, people’s diets do as well and I now have a more enjoyable method of utilising the same delectable flavours in a simpler manner. By employing the classic ingredients, I have crafted various versions of a deconstructed cassata-inspired dessert, such as the deconstructed cassata below where I added strawberries. I have made a few of these and they have always been a success.

the next time, I intend to serve the deconstructed cassata in a large wine glass. This presentation will be both easy to prepare and visually appealing. Furthermore, my previous deconstructed cassata retains the essence of the original, while eliminating the complexities associated with traditional preparation.

Deconstructed Cassata in a Glass

Ingredients (4 – 6 people)

* 500 g fresh ricotta, combined with a splash of thick cream (adjust the quantity to achieve a creamy consistency)

* 100 g caster sugar (or honey or Monk Fruit, as a sugar substitute)

* A few drops of vanilla concentrate

* Orange and citron (cedro) peel, soaked in Cointreau for at least a couple of hours. I use this French Liqueur because it is very orange flavoured.

* Small pieces of exceptionally dark chocolate

* Savoiardi (sponge fingers or Pan di Spagna/sponge cake) for use as a base or topping. Please refer to the “To Serve” section below for an estimate of the required quantities.

Marzipan leaves

* 100 g blanched almond meal

* 100 g icing sugar

* 1 egg white

* 1/4 teaspoon vanilla extract

* 1 drop of green food dye

Method:

Combine the marzipan ingredients in a bowl and knead until smooth. If the mixture is excessively wet, add more almond meal or sugar. I frequently a greater ratio to sugar.  Roll the marzipan thinly between two sheets of baking paper and cut into leaf shapes. These marzipan leaves serve as a delightful garnish and a playful tribute to the traditional decoration.

To Serve:

Experiment with the composition of the dessert. Here are a couple of suggestions:

* Place 1-2 Savoiardi (sponge fingers) or some sponge cake on the bottom of the glass and lightly brush it with the reserved Cointreau.

* Spread the creamy ricotta mixture over the sponge layer.

* Top the ricotta layer with another layer of sponge or savoiardi moistened with the reserved Cointreau. Top with some Marzipan leaves.

Alternatively, you can create a layered dessert by alternating between the ricotta mixture and the sponge layer, with each layer lightly brushed with Cointreau.

I prefer this one:

*Spoon generous layers of the ricotta mixture into large wine glasses.

*Garnish with marzipan leaves and 1-2 dry Savoiardi biscuits (not soaked in Cointreau) nestled into the glass, allowing you to scoop up the ricotta with the biscuits. Top with Marzipan leaves. Drink Cointreau on the side.

These are versions of reimagined cassata – less formal, enjoyable and may be more sympathetic of people’s tastes and diet, but still embodying Sicilian character. Ideal for when you desire to serve something visually appealing and steeped in tradition, without dedicating hours to the kitchen.

CASSATA DECONSTRUCTED; a postmodernist take on Sicilian Cassata

EASTER (Pasqua) in Sicily

CASSATA Explained with photos

CASSATA ( Post no. 2) Calls for a celebration!!!

EASTER SICILIAN SPECIALTIES …. Cuddura cù ova, Pecorelle Pasquali

SCACCE and PIZZA and SICILIAN EASTER

EASTER IN SICILY – A SICILIAN FEAST IN RAGUSA – Recipes and Giuggiulena

EASTER (Pasqua) in Sicily

 

Carne Aglassata – Glazed tongue in onion sauce

Carne Aglassata is a Sicilian recipe  and it is meat braised slowly with plenty of onions. The resulting sauce, once reduced, acts as a glaze for the meat.

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Carne Aglassata is reputed to have been one of the typical dishes of Palermo as cooked by the Monsù – derived from the word monsieur – a French or French-trained cook employed in the homes of the wealthy in Sicily (and southern Italy) during the 1800s’ and early 19th centuries.

Some of the Monsù were French but others were Piedmontese, as Piedmont had been under French control in the late 1700s and early 1800s. These cooks influenced the local Sicilian cuisine by adding flair to what usually resulted in elaborate French inspired dishes. They were show off dishes and were often very decadent and rich; some are described in The Leopard (Il Gattopardo) the novel by Giuseppe Tomasi di Lampedusa which gives an account about the changes in Sicilian life and society during the Risorgimento .

For some reason that I have never been able to comprehend, my father who had never cooked for the family when we lived in Italy regularly cooked lingua (tongue) aglassata when we first came to Australia. The standard recipe for aglassata is for carne (meat) and it is usually for the yearling cut called the girello or silverside.

He cooked this on a Sunday morning – we had the sauce with rigatoni or penne for lunch and the meat for main course. Most of the sauce was used to dress pasta and some of the sauce was reserved for the tongue.Sometimes he added peas during the last stages of the cooking. Obviously you could also include the tongue in the sauce as the dressing for the pasta.

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Lard is usually used for the cooking of Carne aglassata – I used olive oil to cook it. Because tongue can be quite fatty I cooked the dish the day before and skimmed off the fat the next day. I also cut off the back part of the tongue which goes into the throat because this part is also quite fatty.

I then added about 1 tablespoon of lard when I reheated it – the lard helps to make the sauce glossy.

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INGREDIENTS

One ox tongue, about 4 large onions, 1 glass of white wine, rosemary and sage, salt, pepper, about ½ cup altogether of extra virgin olive oil and lard (pig fat).

To peel the tongue:
Wash it really well- I used a vegetable brush to scrub it. You can even use a clean kitchen brush to scrub it.
Place it in a saucepan and cover it with cold water, cover the lid and boil it until the skin turns white. This took about 30 minutes.
Drain it and peel the skin off while it is still hot. The skin is very thick and will come off easily.

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Select a saucepan that will hold the tongue comfortably but that will not need a large amount of water to cover it.
Slice the onions, place them in a saucepan with the oil and herbs, salt and pepper. Add some water, just to cover the tongue. Cover the saucepan with a lid and slowly simmer the tongue for about 2 hours.
Add the white wine, cover and continue to cook it for another 30 minutes.
Place the saucepan in the fridge overnight and skim off the fat the next day.
Remove the tongue and heat the sauce on high heat to thicken the sauce. Add about a tablespoon of lard while it is thickening, this helps to gloss the sauce.
Slice the tongue and return it to the sauce to heat. Use it to dress the pasta or as meat.

I pressed the leftover tongue for another occasion.

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