THE SUBTLE POWER OF VINEGAR: HOW ITALIANS BALANCE FLAVOUR

The subtle power of vinegar and how Italians balance flavour is something I appreciate in my own kitchen. Beyond acidity and preservation, vinegar brings balance, gives structure to a dish, and harmony in everyday cooking.Italian cuisine has always been attentive to relationships on the palate: fat is balanced with acidity, sweetness is moderated by bitterness and warm dishes are often refreshed with a sharp element. I often deglaze pans with vinegar. A small splash in a warm pan releases an aroma and sharpness that immediately awakens the senses. And it smells fantastic!

Lemon brightens flavours and highlights bitterness, but vinegar behaves differently. It softens and steadies strong tastes, preventing them from becoming overpowering. Consequently, selecting the appropriate vinegar is a deliberate decision that is part of the cooking process.

In my pantry you will find several types of vinegar —  commercial red wine vinegar, white wine vinegar, champagne vinegar, sherry vinegar and often homemade red wine vinegar. Over time I have learned to select each based on the dish’s requirements rather than habit. Understanding these differences is one of those small shifts that moves cooking from a mechanical to a thoughtful. process.

CHOOSING THE RIGHT VINEGAR

Red wine vinegar

Red wine vinegar is my preferred choice. Its consistent sharpness makes it a reliable ingredient for vinaigrettes, cooked vegetables, legume salads and the sweet-and-sour notes of agrodolce.

Its bold flavour is precisely its strength, allowing it to stand alongside robust ingredients without overpowering them.

White Wine Vinegar

White wine vinegar is lighter and less tannic than red wine vinegar, offering acidity without weight or colour. The acidity is expressed subtly.

I use it when working with tender leaves, fresh herbs, cucumber or zucchini and occasionally for deglazing fish or seafood when I prefer not to use wine. It is also suitable for some ceviche-style preparations, particularly for stronger-tasting fish, making it more suitable for lemon.

It also blends well into emulsified sauces such as mayonnaise or aioli, where lemon might otherwise dominate.

Sherry Vinegar

Sherry vinegar adds complexity rather than sharpness. A few drops are often sufficient.

I frequently drizzle it over simply roasted vegetables such as mushrooms, pumpkin, eggplant and beetroot, allowing their natural sweetness to complement its savoury depth. It is equally suitable for pan sauces for more strongly flavoured poultry such as duck or quail.

Sherry vinegar is the one I use when I want warmth rather than brightness.

Champagne Vinegar 

Champagne vinegar possesses a restrained acidity. It is a subtle taste that supports rather than dominates.

I use it for soft tasting ingredients like lettuces, dishes with delicate herbs such as tarragon or chervil and salads that include fruit, like oranges, peaches and pears, where excessive sharpness would disrupt the balance. Champagne vinegar preserves elegance rather than overwhelming it.

Understanding Balsamic Vinegar

 I am very careful with Balsamic vinegar and use it very sparingly because most varieties that are available are overly sweet and synthetic. Having tasted different batches of Balsamic Vinegar in Modena some years ago I  know what I should be tasting!

Proper Balsamic Vinegar is aged. As with much of Italian cooking, its depth is shaped more by time than by intervention. No additives.

The most revered style is traditional balsamic, produced in Modena or Reggio Emilia from slowly cooked grape must and aged in a succession of wooden barrels for at least twelve years, often far longer. As the seasons pass and the liquid gently concentrates, it becomes darker, denser, and quietly complex. Only a few drops are needed — on Parmigiano Reggiano, ripe strawberries, or a finished risotto — where it deepens rather than dominates. And it is very expensive so one is frugal.

Most bottles encountered today are Aceto Balsamico di Modena IGP, is made from a blend of wine vinegar and grape must and matured for a shorter time. When well made, it is excellent to use in everyday cooking — vinaigrettes, used in agrodolce, or stirred through pan juices.

At the lower end, the type that is sold in supermarkets and labelled as Balsamic … and made in Italy…maturity is sometimes suggested rather than earned. Caramel for colour, thickeners for viscosity, and added sweetness offers quick roundness. Do the ingredients  listed mention grape must? Not likely. And how many additives are listed, and is the information correct?

For this reason, many Italian cooks keep two bottles — one for daily cooking, the other patiently aged, reserved for the final moment when a dish calls for depth and quiet resonance. And they are willing to pay for it .

Homemade Red Wine Vinegar 

Making homemade vinegar is a lesson in patience.

Its production is always slightly unpredictable, influenced by time, temperature and the vitality of its mother. When I am successful, in making it, the vinegar is softer and more layered than most commercial versions.

I treat it with the same respect as a high-quality extra virgin olive oil, often saving it for special salads or using it as a finishing touch, particularly with bitter leaves such as radicchio, chicory and endive.

When I have excess red wine left over, I begin another batch. Fermentation has its own schedule, and some jars take longer than anticipated. The waiting period becomes an integral part of the process.

For those who prefer not to make their own vinegar, a reputable delicatessen will often stock beautifully aged vinegars that are well worth purchasing.

RECIPE: A Traditional Method for Homemade Red Wine Vinegar

Rustic, reliable, and close to how vinegar is still produced in many homes across Italy and France.

Ingredients

  • 750 ml–1 litre red wine (avoid heavily sulphated wines)
  • 250–500 ml unpasteurised vinegar containing a live mother
  • 1 small piece of rustic bread

Equipment

  • Wide-mouth glass jar or crock
  • Breathable cloth or cheesecloth
  • Rubber band or string
  • Wooden spoon

Method

  1. Prepare the wine: Aim for an alcohol level of roughly 6–10%.
  1. Add the starter culture: Pour the wine into the container, add the live vinegar, and drop in the bread — traditionally used to provide nutrients and encourage microbial activity.
  1. Aerate and cover: Stir gently. Cover with cloth — oxygen is essential. Never seal airtight. When I have  used a crockpot I have also used a smaller lid to keep the mother down and then covered it with gauze. I have never had problems with vinegar flies, but maybe I am just lucky!

  1. Ferment: Store somewhere warm (18–27°C), dark, and undisturbed. Within 1–3 weeks, a gelatinous film — the mother — should form, and the aroma will shift from wine to tangy vinegar.
  1. Taste and monitor: Begin tasting after four weeks. Most batches take 4–8 weeks, sometimes longer.
  1. Finish: Remove the bread and bottle, or age further for deeper flavour. Always reserve some mother to start the next batch.

Practical Tips

  • Avoid metal lids touching the liquid.
  • Do not disturb the mother once formed.
  • Top up gradually with wine to create a continuous culture.
  • Discard if fuzzy mould appears; a smooth, jelly-like mother is normal.

Bitterness, Balance, and the Italian Table

Italian cuisine embraces bitterness — radicchio, chicory, scarola, and Belgian endive (witlof) are favourites in my kitchen.

Whether served raw or braised, vinegar is the quiet mediator that softens bitterness and creates equilibrium.

The following recipes reflect northern Italian traditions, where radicchio is celebrated.

A head of Firm Radicchio.

Here are a couple of recipes for radicchio.

Radicchio Agrodolce (Sweet–Sour Radicchio)

A classic example of bitterness balanced with acid and sweetness, widely associated with the Veneto region.

Firm Radicchio cut into wedges.

Ingredients

  • 2 heads radicchio, quartered
  • 2 tbsp olive oil
  • 1 small red or white sliced onion or spring onion
  • 2 tbsp red wine vinegar
  • 1 tsp sugar or honey (I often use 1 tbsp balsamic and 1 tbsp red wine vinegar instead)
  • Salt and black pepper

Optional: toasted or candied walnuts, pine nuts, raisins, or currants.

Method

  1. Heat olive oil in a wide pan.
  2. Sauté onion until soft and lightly sweet. If using spring onion sauté less (I overcooked mine)
  3. Add radicchio cut-side down and cook until lightly charred.
  4. Add vinegar and sweetener; toss gently.
  5. Cook for 2–3 minutes until slightly wilted but still structured.
  6. Season and serve warm.
Alternative Charred Version of Radicchio Agrodolce 

For a deeper flavour:

  1. Sear the wedges vigorously without moving them.
  2. Turn once.

  1. Deglaze with vinegar or a vinegar-balsamic mixture.
  2. Add a touch of honey and butter, basting the radicchio  on both sides in the pan until glossy or removing it before making the glaze.
Glaze for Cooked Radicchio.

Plating Tip: Serve wedges whole, slightly overlapped, with glaze spooned toward the core for visual structure.

Candied Walnuts (Perfect for Salads with bitter leaves)

Crisp, lightly glossy, and balanced — never overly sweet.

Ingredients

  • 1 cup walnut halves
  • 1 tbsp sugar
  • 1 tbsp butter or olive oil
  • Pinch of salt
  • About a small teaspoon of wine vinegar

Method

  1. Toast walnuts lightly in a dry pan until fragrant.
  2. Add fat, sugar, and salt. Once the begin to melt add the vinegar.
  3. Stir continuously until caramelised.
  4. Spread on baking paper and cool completely.
Radicchio Salad with Balsamic and Parmigiano

Another northern Italian classic — simple, structured, and refined.

Ingredients

  • Radicchio leaves, torn
  • Parmigiano Reggiano shavings
  • Toasted walnuts (optional)
  • Extra virgin olive oil
  • Good-quality red wine vinegar, balsamic, or both
  • Salt and black pepper

Method

  1. Toss radicchio with olive oil, salt, and pepper.
  2. Add vinegar gradually, tasting until the balance feels right — acidity should support, not dominate.

Plating Suggestions

  • Use a large plate and leave some negative space.
  • Build height rather than spreading the salad flat.
  • Add contrasting textures such as shaved fennel, citrus segments, firm pears sliced, nuts and fried capers. I also use firm peaches or vanilla persimmons, although these are not traditional ingredients. However, cuisine evolves and even traditional cuisine changes.
  • Finish with a final gloss of olive oil and intentionally placed shaved Parmigiano.

These small decisions/ finishing touches elevate salads from rustic home cooking to quietly sophisticated.

Other Radicchio recipes:

LASAGNA /LASAGNE. RECIPE FOR LASAGNA AL RADICCHIO

RISOTTO made with Radicchio

RISOTTO AL RADICCHIO ROSSO

COOKED RADICCHIO

Pan fried radicchio with pickled pears, walnuts, beetroot and gorgonzola

BIGOLI NOBILI (Bigoli pasta with red radicchio, borlotti and pork sausages)

Agro Dolce:

TONNO AL AGRO DOLCE; Sweet and sour tuna, Sicilian; ALBACORE TUNA

PEPERONATA(SICILIAN SWEET AND SOUR PEPPERS)

Sweet and Sour Peppers.

THE MANY VERSIONS OF CAPONATE and grilled food

Eggplant caponata.
Sweet and Sour Pumpkin.

Sicilian Pumpkin with vinegar, mint, sugar and cinnamon

ACETO DI VINO FATTO IN CASA (Home Made Wine Vinegar)

EASTER IN SICILY: Faith, Spring, History and Cassata

Easter in Sicily is one of the most significant celebrations of the year, where faith, spring , history and culinary traditions converge. And among them, Cassata  stands out — not just as a dessert, but as a reflection of Sicily itself: rich, layered, and shaped by many cultural histories.

Ornate cart wheeled through the streets for Processions.

Renowned for its deeply rooted Sicilian Easter customs, the island commemorates Holy Week with solemn processions, ancient rituals.

HOLY WEEK

The Easter period begins with Holy Week, from Palm Sunday to Easter Sunday, when towns and cities across Sicily are marked by devotion and tradition. Churches fill with incense, music and prayer, while the streets become the stage for solemn processions that have been passed down through generations.

In Enna, celebrations continue even in the week following Easter.

Catania, Santa Agata, lit up .

On Good Friday in particular, statues depicting scenes from the Passion of Christ are carried slowly through ancient streets.

Ancient Rituals and Easter Processions in Sicily

Many of these Easter customs are not only religious but also historical, with origins that may reach further back than Christianity itself.

The religious celebrations continue in the hill town of Enna, one of Sicily’s most renowned Easter centres.

These are photos ‘Albis’ Sunday. celebrated the following Sunday after Easter Sunday. The processions, consist of all-male groups of various ages and sodalities or confraternities from different churches or fellowships. The procession travelled from Piazza Mazzini to the nearby Lombard castle in Enna.

These processions, often accompanied by confraternities in traditional dress, create an atmosphere that is both deeply spiritual and visually striking.

Processions move slowly through the town of Enna.

A priest blesses the surrounding fields during the celebrations, invoking good harvests and favourable weather. This ritual reflects an enduring connection to the land and echoes ancient agricultural traditions.

The Blessing of the fields.

One of the most striking  is the procession of fifteen religious confraternities, each wearing distinctive robes and carrying sacred statues.

Processions move slowly through the town of Enna.

These brotherhoods date from the 15th to 17th centuries, reflecting the strong influence of Spanish rule on Sicilian religious life.

one of the Confraternities.

EASTER SUNDAY AND THE ARRIVAL OF SPRING

After the solemnity of Holy Week, Easter Sunday brings a sense of release and joy. It commemorates the Resurrection of Christ, but it also coincides with the arrival of spring — a season that has always held deep meaning in Sicily.

As winter recedes, the landscape begins to change. Trees bud, flowers appear and the days grow longer. This natural renewal reinforces the deeper symbolism of Easter as a time of rebirth, hope and continuity.

Cassata Siciliana: A SYMBOL OF EASTER AND CULTURAL HISTORY

Easter foods in Sicily are never incidental; they carry memory, history and meaning. Among them, Cassata Siciliana stands as the most iconic — not simply a dessert, but a reflection of the island itself: layered, complex and shaped by many cultures.

With its sponge, sweetened ricotta, candied fruit and marzipan, cassata tells a story of Sicily’s past. Arab influences introduced sugar, citrus and the art of candying fruit. The name cassata may derive from the Arabic word qas’ah, meaning a bowl or basin, referring to the mould used to shape the cake.

The sponge — pan di Spagna — points to Spanish connections. Later, French-trained  chefs called monsù refined the dessert in aristocratic kitchens adding elegance and structure. Convent kitchens also played an important role, especially in the development of almond-based sweets and marzipan.

Nuns in Convents also contributed greatly to the development of Sicilian Pastries, especially those made with almonds and Marzipan.

Cassata, as we know it today, is the result of all these influences coming together.

PASTICCERIE (pastry shops)

It is also a cake that reflects Sicily’s love of colour, sweetness and elaborate presentation.

For this reason, cassata is rarely made at home in Sicily. It is usually the work of skilled pasticceri, many working in historic pastry shops that have preserved these techniques over generations. Like many elaborate Italian desserts, it is often left to those who have mastered the craft.

The result is a dessert that is both theatrical and deeply rooted in Sicilian tradition. The classic Sicilian cassata is an eye-catching, baroque-style cake, usually decorated with colourful glacé fruits and candied citrus peel.

The Other Forms of Cassata

There are other versions of cassata.

  • Cassata gelata – a frozen dessert made with ricotta and sponge cake
  • Cassata al forno – a baked pastry filled with sweetened ricotta
Cassata al forno is very much like a Baked Ricotta Cheese Cake.
Cassata at Home

While the traditional cassata may appear elaborate, its essence is simple — good ricotta, balanced sweetness and careful assembly. Making it at home is less about perfect decoration and more about understanding these elements and respecting their origins.

Over the years I have made several homemade cassate, sometimes decorating them with green marzipan and sometimes with a mixture of almond and pistachio marzipan.

CASSATA EXPLAINED

The classic Sicilian cassata is made of three main parts. First, there’s a soft sponge cake, often moistened with a splash of liqueur and used to line the mould.

Sponge cake cut into sections to assemble the cassata.

Inside is a rich, sweetened ricotta filling, made with sheep’s milk (sweeter than cow’s milk) and mixed with small pieces of candied citrus and dark chocolate.

The ricotta filling – the centre of the cassata.

Finally, the entire cake is covered with a layer of green marzipan or glassa a smooth glaze of sugar icing, then decorated with intricate patterns and colourful candied fruits.

Rolling out the marzipan of two colours.
****HERE IS THE FULL RECIPE 

CASSATA (It is perfect for an Australian Christmas)

 

HERE ARE Simpler and Deconstructed Versions of CASSATA 

While the traditional cassata is a spectacular dessert, it is also labour-intensive.

Tastes change, and many people today prefer desserts that are lighter and less elaborate.

For this reason I often prepare simplified versions that use the same classic ingredients — ricotta, sponge, almonds and citrus — but in a more relaxed form.

One example is a deconstructed cassata, where the familiar flavours are layered in glasses rather than assembled as a formal cake. Sometimes I add fresh strawberries, which complement the ricotta beautifully.

These variations retain the essence of cassata while eliminating the complexities of traditional preparation.

Marzipan Leaves Recipe

To garnish these desserts I often prepare simple marzipan leaves, a playful reference to the decorative marzipan traditionally used on cassata.

Ingredients

  • 100 g blanched almond meal
  • 100 g icing sugar
  • 1 egg white
  • ¼ tsp vanilla extract
  • 1 drop green food colouring

Method

Combine all ingredients and knead until smooth. If the mixture is too soft, add a little more almond meal or icing sugar.

Roll the marzipan thinly between sheets of baking paper and cut into leaf shapes.

Reimagining Cassata — Less Formal

These simplified desserts reinterpret cassata in a relaxed way. They retain the characteristic flavours of ricotta, almonds and citrus while being quicker to prepare.

Layered Cassata in a Glass

Place one or two Savoiardi biscuits or sponge cake in the bottom of a glass and lightly brush with Cointreau.

Add a layer of sweetened ricotta mixture, then another layer of sponge or Savoiardi.

Finish with marzipan leaves.

EVEN Simpler

Spoon generous layers of ricotta mixture into large wine glasses.

Add marzipan leaves and one or two dry Savoiardi biscuits that can be used to scoop up the ricotta. Serve the Cointreau separately.

Cassata on the Blog Since 2009

Cassata has appeared frequently on All Things Sicilian and More over the years. If you would like to explore further, here are some related posts:

EASTER (Pasqua) in Sicily

CASSATA Explained with photos

CASSATA DECONSTRUCTED; a postmodernist take on Sicilian Cassata

CASSATA ( Post no. 2) Calls for a celebration!!!

SICILIAN CASSATA and MARZIPAN AT EASTER (Food and Culture in Sicily, La Trobe University)

SICILIAN CASSATA and some Background (perfect for an Australian Christmas)

Other  posts about Easter in Sicily

EASTER SICILIAN SPECIALTIES …. Cuddura cù ova, Pecorelle Pasquali

SCACCE and PIZZA and SICILIAN EASTER

EASTER IN SICILY – A SICILIAN FEAST IN RAGUSA – Recipes and Giuggiulena

PASQUA, Traditional sweets, Cassata Siciliana, Agnellino pasquale (Pascal Lamb)

 

 

 

 

RICETTE per capretto (e capra) – Recipes for slow cooked kid and goat

Here is another recipe to add to the collection of:  RICETTE per capretto (e capra) – Recipes for slow cooked kid and goat. Perfect for any occasion but especially at Easter and New Year.

Slow Cooked Goat with Mushrooms

Slow Cooked Goat with Mushrooms is a rich, slow-braised ragù inspired by Sicily, where Marsala is not reserved only for desserts but is also used to add depth and fragrance to savoury dishes.

Many Italian goat stews are cooked with red or white wine, but in western Sicily it is not unusual to cook meat with Marsala, the island’s famous fortified wine. For this recipe I used Marsala Fine (semi-secco) both to marinate the meat overnight and to enrich the braising liquid.

The finished slow cooked ragù was served with fresh egg pappardelle, whose broad ribbons are perfect for capturing every spoonful of the rich sauce.

Fresh pappardelle dressed with slow-cooked goat and mushroom ragù, finished with Pecorino and fresh mint
Marsala

One of the distinctive Sicilian touches in this dish is the generous use of Marsala, the island’s famous fortified wine. Outside Sicily, goat is more commonly braised with red or white wine, but Marsala has long been used in Sicilian kitchens to enrich both sweet and savoury dishes. In this recipe, I use Marsala Fine (semi-secco) to marinate the goat overnight and again during the slow braise. As it cooks, the wine loses its alcoholic edge, leaving behind a subtle sweetness and remarkable depth of flavour that beautifully complements the richness of the goat and the earthiness of the mushrooms.

Choosing the Meat

I bought a leg and shoulder labelled capretto, the Italian word for kid goat. Traditionally, capretto refers to a young, milk-fed animal prized for its delicate flavour. Judging by the size of these cuts, however, I suspect this was from a more mature goat (capra), which is no disadvantage for a slow-cooked dish. Older goat develops a fuller flavour and becomes wonderfully tender when gently braised for several hours.

The Overnight Marinade

The flavour begins the night before.

I cut most of the meat from the bones, but left the bones in the marinade. They release valuable flavour during the slow cooking and enrich the finished ragù.

The marinade consisted of:

  • Marsala Fine (semi-secco)
  • Extra virgin olive oil
  • Bay leaves
  • Rosemary
  • Cloves

To these classic Sicilian flavours I added sage and nepitella (calamint), these herbs more commonly associated with central and northern Italy, but ones that work beautifully with goat.

Below is the photo of the marinade:

Goat marinating overnight in Marsala, herbs and extra virgin olive oil.

I cut most of the meat off the bone but kept the bones in with the meat to marinade overnight.

The flesh removed from the bones
Building the Ragù

The following day, drain the meat, reserving the marinade.

Brown the goat and bones in batches in extra virgin olive oil until well coloured.

don’t overcrowd the pan, brown meat a few pieces at the time

Removing the meat between batches ensures it browns rather than steams.

In the same pan prepare a soffritto of finely chopped onion, carrot and celery.

The soffritto- onions, carrots and celery

Cook the onion first until softened, then add the carrot and celery and continue sautéing until fragrant.

Return the meat and bones to the pan.

Return all the browned meat to the saucepan

Pour over the reserved marinade, add the herbs, season generously with salt and freshly ground black pepper, then add enough good-quality meat stock to almost cover the meat. I also added another splash of Marsala for extra richness.

Add drained marinade, Marsala and more fresh herbs

Cover and cook gently over low heat for about 4 hours, checking occasionally and adding more stock if necessary.

Slow cooking will do this: By the end of the cooking the meat should be very tender and the bones almost clean.

Add the Mushrooms

When the meat is almost cooked, remove the bones and stir in the sliced mushrooms.

Cover again and cook for another 20–30 minutes, allowing the mushrooms to absorb the rich cooking juices without losing their texture.

The result is a deeply flavoured ragù with tender goat and earthy mushrooms balanced by the sweetness of the Marsala.

Flesh with bones removed and mushrooms – cooked
Serving

Cook fresh egg pappardelle until al dente and toss it through the ragù so every ribbon is coated with the sauce.

Serve with grated Pecorino cheese and a scattering of fresh mint leaves, whose freshness lifts the richness of the slow-cooked goat.

This is generous country cooking—perfect for sharing around a large table with family and friends.

Quite a bit of work, but Perfect!

See:

RAGU` DI CAPRETTO Goat/ kid ragout as a dressing for pasta

SPEZZATINO DI CAPRETTO (Italian Goat/ Kid stew)

SLOW COOKED LEG OF GOAT WITH HOT MINT SAUCE

KID/GOAT WITH ALMONDS (SPRING IN SICILY, CAPRETTO CON LE MANDORLE)

SICILIAN SEAFOOD COOKING, ITALIANICIOUS and READER’S FEAST Bookstore. Recipe for Slow cooked goat in Nero D’Avola

MINESTRA from Trieste – borlotti, pearl barley, sauerkraut

MINESTRA from Trieste with borlotti and pearl barley – Minestra d’Orzo e Fagioli is a traditional Triestine soup with sauerkraut (capuzi garbi) as an optional ingredient.

It is one of the most comforting soups and is wonderfully brothy, nourishing and deeply satisfying.

It is a meal I enjoy cooking during Melbourne’s cold winter months.

These are three ingredients I almost always have on hand. Together they produce a soup that reflects the culinary heritage of Trieste, a city where Italian, Austrian and Central European food traditions meet.

Borlotti beans, pearl barley – humble ingredients that define this Triestine minestra/ soup
A Taste of Trieste

My love of this soup comes from having lived in Trieste as a child. Sauerkraut, known locally in the Triestino dialect as capuzi garbi (“sour cabbage”), was a familiar ingredient in many homes throughout winter.

Even today I always keep jars of sauerkraut in my pantry. I also cook dried borlotti beans and pearl barley separately in batches, storing them in their cooking liquid in the refrigerator or freezer. This makes preparing a wholesome soup easy —simply combine the cooked ingredients, warm them together and dinner is ready.

Like most Italian home cooking, this recipe is flexible rather than prescriptive. Adjust the proportions according to your taste and what you have available.

Trieste, Ponte Rosso
Every Family Makes It Differently

Like the majority of the way Italians cook, the quantity of ingredients is only an estimate…use more or less of any ingredient to suit your taste and there are many versions of this soup throughout Trieste and this is important to acknowledge.

Some cooks leave out the sauerkraut altogether, while others enrich the broth with potatoes, smoked pork or lard making it a closer version to Iota, another Triestine favourite. Potatoes create a thicker, heartier soup, but I prefer a lighter broth where the flavours of the beans, barley and sauerkraut remain distinct.

The Role of Lardo

Many traditional Triestine recipes begin with lardo affumicato (smoked pork fat) or speck, which gives the soup remarkable depth and richness.

Lardo affumicato or speck adds traditional richness to Trieste bean and barley soup.

It is worth noting that the Italian word lardo can refer to different products:

  • Lardo affumicato is smoked pork fat used for cooking.
  • Lardo is rendered pork fat is also called lardo in Italian and simply “lard” in English.
  • Lardo is also a celebrated Italian salume made from cured pork back fat, traditionally seasoned with herbs and spices. Perhaps the most famous is Lardo di Colonnata, matured in marble basins in the Carrara region.

Lardo as a salume is eaten (sliced very thinly) and widely used in Italian cuisine especially in northern Italy; it is made from the thick layer of fat from the back of a pig and cured and no additives or preservatives are used.

Lardo does make a big difference if used – it will enrich the taste and the texture of the soup.

I generally do not have Lardo in my fridge but I can easily purchase it if I wish.

No lardo? I finish each bowl with a generous drizzle of excellent extra virgin olive oil and plenty of freshly ground black pepper.

Dried Beans or Canned?

I almost always cook dried borlotti beans because they are inexpensive, delicious and produce a wonderfully flavoursome cooking liquid that becomes part of the soup. If I drain borlotti, for example in a sale, I keep the borlotti broth and use it as stock.

However, if you prefer to use canned beans, simply cook the barley separately and add the drained beans towards the end of cooking.

You will need additional vegetable or chicken stock because you will not have the rich bean broth that develops naturally when cooking dried beans.

Ingredients
  • 250 g dried borlotti beans
  • 250 g pearl barley
  • 1–3 garlic cloves
  • 2–4 bay leaves
  • A handful of chopped parsley
  • Salt and freshly ground black pepper
  • Extra virgin olive oil, to serve
Optional
  • 80–100 g smoked lardo or speck, finely diced
  • 2–3 potatoes, peeled and diced
  • 150–200 g sauerkraut (capuzi garbi), drained and gently squeezed.

*** I have a recipe to make Iota, see below.

Method
  1. Soak the borlotti beans and pearl barley separately overnight in plenty of cold water.
  2. Drain the beans and place them in a large saucepan with fresh water, the garlic and bay leaves. Bring to the boil, then simmer for approximately 30 minutes.
  3. Add the soaked pearl barley, parsley, salt and pepper.
  4. If using potatoes or sauerkraut, add them at the same time as the barley.
  5. Continue cooking for another 20–30 minutes, or until both the beans and barley are tender.
  6. If using diced smoked lardo or speck, add it with the beans at the beginning of cooking so its flavour slowly enriches the broth.
  7. Taste and adjust the seasoning before serving.

Serve hot with a generous drizzle of good-quality extra virgin olive oil and freshly ground black pepper.

I have always loved the Triestine word for bread—pan. Short, strong and wonderfully direct, it perfectly suits the rustic loaf that belongs beside this soup. A thick slice of good pan is all that is needed to complete the meal.

A bowl of  brothy Minestra d’Orzo e Fagioli

IOTA

IOTA recipe for SBS ITALIAN (a thick soup from Trieste)

Pork Hock, Polish Wedding Sausage, Borlotti and Sauerkraut =IOTA (a lean version)

IOTA (Recipe, a very thick soup from Trieste) Post 1

IOTA FROM TRIESTE, Italy, made with smoked pork, sauerkraut, borlotti beans 

Do I take making coffee at home too seriously?

Do I take making coffee at home too seriously? Here is a photo of the coffee-making equipment I have at home.

IMG_3564

In times before the Corona Virus lockdown, when a group of us went to gym classes at the Melbourne City Baths we would go for a coffee and a chat after our session. Now that we are socially isolating, the same gym group catches up for a chat on Zoom.

During one of our Zoom sessions I brought out the coffee making equipment pictured above on a tray and I staged a performance of having made a coffee for each of us. There were the expected laughs but one person said that it looked as if I was hording. That was the end of that. I kept on thinking about this and wondering if I did have too many coffee makers.
I do not know if my friend  knew just how important is a ritual making coffee at home.

As an Italian, I take the preparation and consumption of coffee very seriously. I have a range of macchinette da Caffè of various sizes: one, two, four and six cups. I do not have a three or five-cup machine, but if I have three people wanting coffee, I use both my one- and two-cup machines. For five people, I use my one- and four-cup machines. If I anticipate that someone may require more than one cup, I ask beforehand and prepare coffee in one or more of the larger machines.

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I grind my coffee beans just before I place the ground coffee in the chosen macchinetta because freshly ground coffee is likely achieve the best flavour and aroma. If I am making coffee for one, it has to be in the one cup macchinetta, for two people, it has to be in the two cup, etc. Usually Italians are happy with just the one coffee per time and they only make the right amount because, after all, it needs to be freshly made and never rewarmed. I have had that grinder for about 30 years old.

Any left-over coffee can be saved to make a caffè freddo in summer or a granita di caffè.  The left-over coffee can also be kept if there is someone in the household who mixes left over coffee with milk to eat with bread,  broken into pieces and dropped in. This is no different to the French doing the same thing. My father used to have this for breakfast. Of course, he did not do this when we lived in Italy – there he would go to the bar on his way to work to have a quick coffee and a chat with the barista at the counter.
No lingering. (Crem Caffè in Piazza Goldoni, Trieste). His Tailoring business was a couple of doors to the right and upstairs and our apartment was just around the corner.

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CremCaffè in Piazza Goldoni, Trieste.

There was no way that my dad could continue this ritual in Australia when we came to Adelaide from Trieste in 1956.

Lucky for us, times have changed and those who wish can do this. You will not see Italians carrying takeaway coffee or sipping it as they walk along and I find it difficult to appreciate those who sit in a coffee place for a long time, chatting and having only one coffee or reading their papers or writing on their laptops. Especially if it is a small business. Some beliefs are difficult for me to dismiss. Maybe it is to do with the coffee place having a  relatively quick turnover so as to make a living.

If we (father, mother and I and perhaps friends) wanted a leisurley coffee and luxurious cakes we would go to  Caffe degli Specchi in Piazza Unità on the waterfront.

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Trieste has numerous coffee bars.Caffe degli Specchi in Piazza Unità.

Our Napoletana coffee-maker travelled with us to Australia.  At the time it was the top domestic extraction coffee-maker available before the stovetop espresso macchinette became popular. This is not a photo of what we had. This piece of equipment was discarded years ago. We also brought with us a little milk heating saucepan to heat the milk. I have memories of inviting one of our Australian neighbours for coffee. I can remember the man’s face and irrespective of the amount of warm milk we poured into the coffee, it was was much too strong. He was used to Chicory Essence.

We tried.

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This is called a Napoletana.

The Napoletana has a tank for the water, the ground coffee holder and filter, a small hole for steam to escape and the server.

Once it is assembled, the part that holds the water is put on the heat to boil and once it has boiled and the steam begins to come out, the pan is flipped upside down and the boiling water trickles through.

Now back to my macchinette da caffè and do I have too many? I do not think so.

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Alfonzo Pupplieni e figli (and sons) made these Coffee Macchinette.

There are the macchinette I use at home (as above) but we also have some that travel with us. We never travel overseas with out taking these. They are very light weight. These are much more modern than all my other caffettiere, the little blue Bialetti used to be my mum’s – I cannot get rid of that! Coming to think of it, that little blue Bialetti must be at least 15 years old.  The ones in the photo above were made by Alfonzo Pupplieni e figli (and sons) and I notice that my research indicates that they are classified as “Vintage” and are in high demand. Good things last.

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Simple BIALETTI macchinette.

This one (photo below) is heavy.  It comes camping with us and gets taken when we go and sleep at friends’ houses or Airbnbs or rental holiday accommodation.
We like our “proper” coffee.

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Fortunately, none of our friends drink instant coffee … or at least they do not let us know. Some friends have plunger coffee … this is not the coffee I like to drink. My partner drinks plunger coffee if he has to, but prefers coffee from the macchinetta that travels with us. He even prefers this to the coffee made from electric Coffee Machines – pod or automatic so it gets included in our luggage.

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The Atomica was designed by Giordano Robbiati in 1946 in Milan Italy.

But he doesn’t like strong coffee in the morning, so he uses the distinctively designed Atomica, which makes two large cups. I never drink coffee from the Atomica. It is far too weak for my taste. This vintage coffee maker can also froth milk to make cappuccino or caffè latte.  The Atomica was designed by Giordano Robbiati in 1946 in Milan Italy. I do not know the age of my Atomica but just like our car, it goes in for a regular service. This used to belong to a friend and was given to me many, many years ago.

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I want to make special mention of this macchinetta. It was a gift from one of my Sicilian aunts. With this heavy macchinetta, I can make coffee for four people or six; this macchinetta must also be getting to be elderly.

I  had a taste for coffee when I was pretty young. My mother made me “caffé col’uovo sbatutto” (coffee with beaten egg) for breakfast.
If it wasn’t a “uovo sbattuto” it was “un uovo all’ ostrica”…this was an egg yolk with a squeeze of lemon juice, just like having an oyster.
This with a cup of hot chocolate was breakfast.

Caffè col’uovo sbattuto

Beat an egg yolk with a few teaspoons of sugar until foamy, then pour in a little good strong coffee, and mix it up. The coffee deletes the sweetness. If I had been an adult, more coffee would have been added.

If I am going to have good coffee at home, I do want proper equipment…. and I take pleasure remembering.

BEING ELDERLY, TRAVELLING and COFFEE

MY ITALIAN KETTLE and Russian tea

 

CHICKEN WITH SAUERKRAUT, from the Carso, in north eastern Italy, near Trieste

Chicken with Sauerkraut is a simple dish with flavours from the Carso region of northeastern Italy, near Trieste. The Carso is a mountainous area between Slovenia and the Adriatic Sea, south of Monfalcone.

Cultural History

The recipe’s simple ingredients reflect the flavours of Hungary, Germany, Russia and Eastern European countries. These are also the flavours of Trieste: chicken, sauerkraut, onion, lardo and white wine. This is not surprising as Trieste was once part of the Austro-Hungarian Empire.

I first came across a version of this recipe in Fred Plotkin’s book, La Terra Fortunata, (published in 2001). I

I have previously made this dish using chicken with bones as the recipe suggests. However, I have used boneless chicken and some fatty bacon this time. Having lived in Trieste, I am well-acquainted with sauerkraut and cooking with smoked pork and pork fat. I always have jars of sauerkraut at home, particularly in winter for making dishes such as iota.

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Lardo

Lardo is an Italian salume that is eaten and widely used in Italian cuisine especially in northern Italy; it is made from the thick layer of fat from the back of a pig and cured with a mixture of salt, herbs, and spices;  the most esteemed Italian lardo is aged in the warm, fresh caves in the area of Carrara (famous for its marble) and no additives or preservatives are used.

Lardo Affumicato is Speck. This also is used widely in cooking of Trieste and Italian regions that used to be part of the Austrian- Hungarian Empire.

The rendered fat from the  lardo or bacon is the fat used in this recipe. (Pork fat, or rendered pork fat is also called lardo in Italian and is lard in English).

THE RECIPE: Chicken with Sauerkraut

INGREDIENTS

This recipe does not require specific quantities as it relies on estimations and personal preference. I used approximately 1 kg of chicken, 5 rashers of fatty bacon and 500 g of drained and squeezed sauerkraut.

Feel free to adjust the quantities to suit your taste.

Fry the bacon/lardo in a heavy bottomed saucepan

PROCESS

Gently fry the bacon or lardo in a heavy bottomed pan over medium heat and when there is sufficient melted fat in the pan sear the chicken pieces till golden.

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Fry the chicken in batches.

Fry the chicken in batches so as not to crowd the chicken pieces in the pan while searing.

Do not to crowd the chicken pieces in the pan while searing.

Once you have seared the meat, add a sliced small onion and cook it gently till softened and golden.

Seared Chicken, onion and sauerkraut .

Add some peppercorns , bay leaves and the sauerkraut and cook it gently for about 10 minutes.

Mix the ingredients together.

Add the chicken, some white wine (about 1/2 cup) and bring to a boil. Cover with a lid and cook gently for about 20 minutes. If necessary add more wine or water to keep it moist while it is cooking,

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Add white wine, bring to a boil, cover and cook gently.

If you are using chicken with bones cook it for longer (30-40 mins, depending on the size of the chicken).

Goulash (Gulyás in Magyar) and Gulasch in Trieste

Travelling recently through Tyrol, Vienna and Russia, I was struck by how often Goulash appeared on menus. Whether called Gulyás in Hungary or Gulasch in Austria and Trieste, this deeply comforting dish clearly travelled widely through the former Austro-Hungarian Empire, adapting to local tastes and traditions along the way.

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Curious once again about its origins, I returned to one of my favourite cookbooks on Hungarian cuisine — Cuisine of Hungary by George Lang — still one of the most detailed and informative books I own on the subject.

Gulasch in Trieste

— for many years. As a child living in Trieste, I grew up with the strong culinary influences of Central Europe. Trieste was part of the Austro-Hungarian Empire until the end of the First World War, and many dishes from that period remain firmly embedded in the city’s cuisine.

Triestian Gulasch is usually made simply with beef, onions and paprika. The onions and meat are slowly browned in lard and olive oil, but bacon is generally not used. Unlike many northern European versions, Triestian recipes rarely include potatoes, peppers or additional vegetables, and they are never thickened with flour.

Some cooks add caraway seeds or a little tomato paste, but red wine is not traditional.

My Version of Gulasch

Like many home cooks, I have gradually adapted the dish over time.

I almost always cook with wine and have always added red wine to my Gulasch. Perhaps this came from my mother’s cooking; it is something I have never questioned. I also rely heavily on herbs in my kitchen, so bay leaves naturally find their way into the pot. And because I enjoy a little complexity in flavour, I use both sweet and hot paprika.

I do not add potatoes directly to the stew. Instead, I prefer to serve them separately — perhaps as patate in teccia or creamy mashed potatoes enriched with milk and butter.

More often though, I serve Gulasch with polenta, one of the great accompaniments of Triestian cooking.

In Tyrol I was also served Goulash with braised red cabbage, which worked beautifully.

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I do not add potatoes to the braise and prefer to present then separately, either Patate in teccia or creamy mashed potatoes with lashings of milk and butter. However, I am more likely to present it with Polenta, a favourite accompaniment in the cooking of Trieste.

 

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Goulash as presented in a restaurant in Tyrol. It was accompanied with braised red cabbage.

What Makes a “True” Hungarian Gulyás?

According to George Lang, a true Hungarian gulyás should contain no spice other than paprika and caraway seeds.

He insists that lard, bacon and onions are essential and famously warns:

“Never use flour. Never Frenchify it with wine. Never Germanize it with brown sauce.”

Traditionally, the only additions should be potatoes or galuska (small dumplings).

But, as with all traditional dishes, variations exist from household to household and region to region. Some cooks add tomatoes or tomato paste, garlic, green peppers or hot cherry peppers for extra heat.

That flexibility is part of the reason why this dish survived across borders and cultures.

George Lang’s Kettle Gulyás Recipe

This recipe Kettle Gulyás comes from “The Cuisine of Hungary” by George Lang (Penguin Books, 1971)

Ingredients

  • 2 tablespoons lard (or vegetable oil)
  • 2 medium onions, coarsely chopped
  • 1.1 kg beef chuck or round, cut into cubes
  • 225 g beef heart (optional), cubed
  • 1 garlic clove
  • Pinch of caraway seeds
  • Salt
  • 2 tablespoons paprika
  • 1 ripe tomato
  • 2 green frying peppers or Italian peppers
  • 450 g potatoes

Method

Peel and roughly chop the onions.

Heat the lard in a large heavy pot or Dutch oven. Brown the beef cubes in batches, taking care not to overcrowd the pan. Remove the meat as it browns.

Add the onions and cook gently over low heat until glossy rather than browned.

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Return the beef to the pot.

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Crush the garlic, caraway seeds and a little salt together using the flat side of a knife.

Remove the pot briefly from the heat. Stir in the paprika and garlic mixture quickly with a wooden spoon, then immediately add warm water. George Lang warns against adding cold water at this stage because it can toughen the meat.

Cover and simmer slowly for about one hour.

Meanwhile, peel and chop the tomato, slice the peppers into rings and dice the potatoes.

After the meat has braised for an hour, add the tomato, peppers and enough water to create a soup-like consistency. Season lightly with salt and continue simmering for another 30 minutes.

Add the potatoes and cook until tender. Adjust seasoning and add hot cherry peppers if you prefer a spicier version.

Food, Memory and Empire

What fascinates me most about Goulash and Gulasch is not simply the recipe itself, but the way food travels across borders and becomes absorbed into local identity.

A Hungarian shepherd’s dish became part of the everyday cooking of Trieste, Vienna and much of Central Europe. Each place adapted it slightly, yet the essential character remained — slow-cooked meat, onions, paprika and warmth.

These are the dishes that tell stories of migration, empire, trade and memory.

And perhaps that is why I continue to cook Gulasch after all these years.

Trieste, Ponte Rosso

For my recipe of Gulasch, as cooked in Trieste see:

GULASCH (Goulash, as made in Trieste)

 

 

TORTELLINI, how made in Bologna

Tortellini, and how they are made in Bologna. This post will need very  little explanation – the photos tell it all!

Tortellini are everywhere in Bologna. The small tortellini (made with chicken and veal) are eaten in broth or with a cream dressing and grated Parmesan on top.

This woman worked quickly and drew much attention. Observe the size of the squares of pasta. Imagine the dexterity of stuffing and folding the pasta and shaping them into the shape of bellybuttons.

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This woman worked quickly and drew much attention.

Observe the size for the tortellini for broth.

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The egg pasta is rolled ultra thin and cut into small rectangular shapes. it took so much concentration even in the hands of a professional.

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cutting the pasta into small squares.

The filling is close by; the most common fillings are the roast chicken and veal or a mixture of mortadella, roast meats and parmigiano. Nutmeg and marjoram are also favourite flavourings in Bologna.

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So amazing, such small tortellini!

MARINETTI Filippo Tommaso, futurist, frequented a bar in Bologna

DELVING INTO EGG PASTA

EMIGLIA ROMAGNA and their love of stuffed pasta

SICILIAN SUMMER SOUP – made with tendrils of a Sicilian squash

This information provides instructions for making a summer Sicilian soup using a Sicilian squash, the tendrils and leaves of the vine.

The tendrils of the Sicilian squash are called tenerumi and this soup is particularly easy to make if you have a Sicilian friend who grows this vegetable in her garden. I have bought some of this squash at a farmers’ market but it is only available for a short time in the season.

The squash is a long, light green trumpet-shaped squash. It is called a zucca lunga (long squash) or zucca trombetta (trumpet squash) or zucca serpente (serpent squash). she had no squash available  but she knew I had some zucchini to replace the squash, and the soup tasted delicious.

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simple ingredient_ tendrils with leaves, zucchini, basil leaves, garlic and tomatoes.

It is a summer dish, and red tomatoes, a little garlic (optional) and basil are also added ingredients. Broken spaghetti are used to thicken the soup…when in Sicily you are unlikely to eat soup without pasta.

PROCESS

Strip and use the soft tendrils and soft leaves off the long, hard curly stems.

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the tendrils and leaves stopped from the hard stalk.

Place the leaves and tendrils ( and some squash or sliced zucchini)  in some boiling water with a little salt.

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When they are nearly cooked add some broken spaghetti.

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These vegetables are cooked separately.

The tomatoes are left cut in half. Soften the tomatoes in a little extra virgin olive oil with some garlic and basil. It is just a tomato salsa!

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The half tomatoes- cut made into a summer salsa.

Add the tomato mixture on top of the pasta. Drizzle on some good extra virgin olive oil, more basil leaves and some chilli flakes if this is your want.

You will find more photos (including the zucca lunga) and information about this recipe and ingredients on previous posts:

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The Sicilian summer soup called Minestra di Tenerumi.

ZUCCA LUNGA SICILIANA – long, green variety of squash

MINESTRA ESTIVA CON ZUCCA LUNGA SICILIANA, Sicilian Summer soup made with the long, green variety of squash

TENERUMI (and I did not have to go to SICILY to buy it). The Melbourne Showgrounds Farmers Market

KOHLRABI and TENERUMI, shared between cultures of Sicily and Vietnam

MINESTRA DI TENERUMI (Summer soup made with the tendrils of a Sicilian squash)

 

CHICKEN AND VEGETABLE TERRINE

A Chicken and Vegetable Terrine is a worthwhile culinary endeavour.

It is visually appealing and suitable for a drinks menu, starter or a light meal.

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The Terrine with sage leaves that were placed on the bottom of the pan, now upturned

Those of you who have been around as long as I have and were making terrines in the 80’s may be familiar with using finely minced chicken (mousseline) as a binder for layering vegetables.

My bible at the time for making terrines was Terrine, Pâtés & Galantines. It is one of many books in this Time Life Books, The Good Cook.

I had not used this book in years as terrines and pâtés have dropped out of vogue  in Australia but I was in France the year before last and particularly in Paris terrines were very much still eaten and I have wanted to make a terrine or pâté ever since. Today was my chance and I am taking this one to a friend’s place to eat on her balcony while we celebrate Christmas eve – terrines are very portable, great for picnics too.

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The baked Terrine.

When I looked at this book I also found a number of magazine cut outs with recipes inserted between the pages and on one of them was this very same recipe (published 1981), but it was accredited as being a recipe from Fanny’s restaurant in Melbourne (opened in 1960 and closed in 1993). There was no mention or credit given to the origins of this recipe. The original recipe is called Chicken and Vegetables Terrine and is as cooked in the three star restaurant Les Frères Troisgros, in Roanne, France.

I used chicken fillets for making the mousseline. Cut them into chunks. Place in a food processor and blend until broken down and smooth. Egg and flavourings are added to the pureed chicken; it is the main component of the terrine and used as a binder for the vegetables.

The original Les Frères Troisgros recipe is in six layers. The vegetables are parboiled for a few minutes and cooled. The chicken puree is divided into 3 bowls – in one bowl the carrots are added (cut into batons); in the other the green beans and the third is plain.  The vegetable mixtures are then placed in layers – plain, carrot, beans, a thin layer of black olives in a row in the centre, plain, carrot, beans.

Now that I am looking at the original recipe I am wondering why I am giving you all this information – mine is quite different, but let us give credit where credit is due and it did provide inspiration and brought back fond memories of making terrines.

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I used my Le Creuset, Enamelled Cast Iron Pâté Terrine w/ Lid that I bought in the 80’s, and is still being produced by Le Creuset. If you do not have one of these pans, use a loaf pan (roughly 20cm/x10cm).

 THE RECIPE – Chicken and Vegetables Terrine

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INGREDIENTS

What I did.
*my addition

5-6 chicken fillets cut into chunks
½ cup extra virgin olive oil
5 spring onions sautéed in a little oil (original recipe used shallots)
1 tablespoon white wine or champagne vinegar * I used sherry vinegar (softer tasting)
1 egg
salt
a handful of green beans, parboiled for 1-2 minutes and cooled, (*I dressed them with a little vinaigrette)
a handful pitted black olives (*mine were marinaded In fennel seeds, oregano and extra virgin olive oil)
*a handful of pistachio nuts
*juice and grated peel of ½ lemon
*ground nutmeg,
* ground pepper (I used pink peppercorns)
*fresh marjoram
*fresh sage leaves to line the bottom of the pan
* ½ cup almond or hazelnut butter = grind nuts into meal with oil to make a paste (I used this for taste but also because my friend is allergic to diary)

Process

Sauté chopped spring onions in a little oil and cool.

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Sautéed spring onions.

Mince chicken fillets in a food processor. Add ¼ cup of the oil, vinegar, salt and pepper. Add cooked spring onions, egg, lemon juice and peel, marjoram, almond or hazelnut butter and puree until very smooth.

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Chicken and other ingredients ready to be blended.
  • Switch on Oven to 180C
  • Lightly grease the pan you will use. Place fresh sage leaves on bottom for visual impact and taste. Sage and marjoram are doing well in my planter box and marjoram goes well with chicken, however other herbs, e.g. thyme, rosemary, tarragon will also be suitable.
  • Divide puree into 3 lots.
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The layer of green French beans.
  • Place first lot on top of the sage leaves and spread it with a spatula to cover entire bottom surface. Place green beans keeping the beans in straight lines going in the same direction. Then cover with a layer of chicken mixture.
  • Place olives on top, add pistachio nuts. Then cover with a layer of chicken mixture.
  • Place pan in a larger pan filled with enough boiling water to reach about ½ to ¾ of the way up the sides of the pan. Set in oven and bake for 35 mins.

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  • Remove the pan from the oven and let the terrine rest for about an hour in the pan. or until it is cooler. Run a sharp knife between the terrine and the pan to loosen it and carefully turn it upside down on a plate to catch any juices.  Wrap in with baking paper, place a weight on top (I used the lid of the Le Creuset pan) and let it cool in fridge for at least 3 hours or overnight to set.
  • The original recipe presents the terrine with a tomato vinaigrette. I made some egg mayonnaise – easier to transport.

CHICKEN LAYERED WITH A TUNA AND EGG MAYONNAISE; A cold Chicken dish

PESCE IN BIANCO (Plain fish). MAIONESE (Mayonnaise)