A TASTE OF PALERMO: Pasta con le Sarde

When I cook Pasta Con Le Sarde (pasta with sardines), an iconic dish from Palermo, I can always count on my guests falling in love with Sicilian food.

This dish is a beautiful celebration of Sicily’s history, combining pasta with the deep flavours of sardines, spring onions (I especially like the green leaves), wild fennel, saffron, currants, fennel bulbs, toasted pine nuts and/or almonds. The crowning touch is a topping of crispy, golden breadcrumbs, sautéed in olive oil. The combination of ingredients is both unexpected and fascinating. But how can a dish so rich with these unique flavours be Italian? Where are the ingredients that one associates with Italian food?

The answer lies in the island’s fascinating history.

Sicily, and especially Palermo, has long been a crossroads of cultures, where various peoples and flavours were absorbed and blended. One of the most influential groups were the Arabs who settled in Sicily and ruled the island from the 9th to the 11th centuries. The Arabs brought with them an array of ingredients and culinary techniques, many of which still permeate Sicilian cooking today. The use of fennel, saffron, almonds, pine nuts, and currants, as well as the habit of combining sweet and savoury elements in one dish, are hallmarks of Arabic influence.

The photos are of Palermo.

A critical ingredient in pasta con le sarde is wild fennel, which contributes a fresh, slightly aniseed flavour to the dish. However, wild fennel has a short growing season and can be difficult to forage, and if you’re making this dish outside of the growing season you may only find stalky, yellowing plants, as I did recently, but I managed to find some fresh shoots. While you can’t replace the wild fennel entirely, you can substitute it with fennel bulbs (preferably with their fronds still attached), which will lend the dish a similar flavour profile. This too is seasonal.

Sometimes, if I am short of fennel, I add some fennel seeds to the pasta water or to the fennel and onions when I am cooking them.

Ingredients:

For Cooking the Pasta: Wild fennel stalks and fronds (if available) to infuse the cooking water.

Recommended Pasta Shape: Bucatini is the traditional choice, but spaghetti or casarecce will also work well.

extra virgin olive oil

500g fresh sardine fillets

4 spring onions, finely chopped

a handful of fennel fronds, finely chopped

1-2 fennel bulb, finely diced

a pinch of saffron (soaked in a little warm water)

50g currants (soaked in water for 10 minutes)

50g – 100g toasted pine nuts and or toasted almonds, roughly chopped

salt and pepper to taste (or a pinch of ground chili for heat)

For the Breadcrumb Topping:

1 cup breadcrumbs made from good quality day-old bread

a pinch of sugar

a sprinkle of ground cinnamon (optional, but adds a nice touch)

grated lemon zest

Instructions:

Prepare the Ingredients:

  • Make sure that the sardine fillets are free of bones.
  • Chop the spring onions and fennel fronds. Dice the fennel bulbs.
  • Soak in a little water the saffron and currants in separate bowls.

Make the Breadcrumb Topping:

  • Heat a little olive oil in a pan and add the breadcrumbs.
  • Stir in the sugar, cinnamon, and lemon zest.
  • Toast the breadcrumbs until golden and fragrant. Set aside.

Prepare the Pasta Water:

  • Add fennel stalks and some of the tough fronds in a pot of water, add a little salt and bring the salted water to a boil. Let them simmer for about 30 minutes to infuse the water with flavour.

Cook the Sardine Sauce:

  • Heat olive oil in a pan. Sauté the spring onions until soft and fragrant.
  • Add the fennel bulb and fronds and cook until softened. You may need to add a splash of water or white wine to help soften the fennel, depending on its texture.
  • Stir in the saffron, currants, pine nuts, and almonds. Season with salt and pepper (or chili if you prefer a little heat). Blend the flavours and cook for a few minutes and leave it to rest while you cook the pasta and fry the sardines.
  • Drain the solids out of the fennel infused water.  Cook the bucatini (or your choice of pasta) according to the package instructions, using the fennel-infused water for a subtle flavour boost. Once the pasta is ready, drain it, reserving a little of the cooking water in case you need it.

  • In a separate pan, fry the sardine fillets in a little olive oil. I sometimes add a few greens from a spring onion or a few fennel seeds but it isn’t optional).  They will cook quickly, and some may begin to break apart. Break about ¾ of them up slightly and add them to the fennel mixture. Reserve the whole fillets to place on top of the dressed pasta.

Assemble the Dish:

  • Toss the cooked pasta into the sardine and fennel mixture, ensuring the flavours are well incorporated. If the sauce seems a little dry, add some reserved pasta cooking water to bring it all together. At this stage I will probably add a splash of extra virgin olive oil.
  • Transfer the pasta to a serving dish, top it with the sardines and generously sprinkle with the nuts.
  • At this stage you have a choice. You could also top the pasta with some toasted breadcrumbs and place the extra crumbs in a bowl so that eaters can help themselves as they would with grated cheese, or to gently fold the nuts and fillets through the pasta before topping the whole bowl with toasted breadcrumbs.
Pasta Con Le Sarde – Pasta with sardines, Sicilian from my book Sicilian Seafood Cooking

You can never have enough posts for Pasta Con Le Sarde:

PASTA CON LE SARDE (SARDINES)

PASTA CON LE SARDE, an iconic Sicilian recipe from Palermo. Cooked at Slow Food Festival Melbourne

PASTA CON SARDE; the baked version, Palermo, Sicily

Palermo and Sicily … peeling the onion

“Sicily is the pearl of this century for its qualities and its beauty, for the uniqueness of its towns and its people […] because it brings together the best aspects of every other country.”

This was written almost a thousand years ago by an Arabian geographer, Muhammed Al-Idrisi, in his book of “pleasant journeys into faraway lands” for the Norman King of Sicily, Roger II.

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As Al-Idrisi discovered, Sicily may be small, but it has the best of everything and although I may visit some places again and again, I always manage to discover something new. And this is what brings me back to Sicily again and again. I grew up in the far north of Italy in Trieste but each summer as a child, I would travel to Sicily for our summer holidays – both of my parents have relatives in Sicily. For me Sicily was an exotic place of sunshine, colour and warmth, the outdoors and the sea. Wherever I go in Europe, I always visit Sicily as well.

On my latest trip I concentrated on Southeastern Sicily and went to little towns and villages that I had not been to before as well as familiar places where I’m always interested to see what’s changed and what has stayed the same.

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Next time I visit I plan to spend more time in the city that is the essence of Sicily – Palermo.  While Al-Adrisi called Sicily a “pearl” Roberto Alajmo, a journalist and blogger born and raised in Palermo compared his home town to an onion, una cipolla – its multiple layers have to be peeled to be appreciated.

Once you start peeling back the layers of Palermo what you find is a city where history meets infamy and splendor encounters squalor, antiquities stand beside modernity. All of it evidence of a fantastic overlay of cultures from Carthaginians, Greeks, Romans, Arabs, Normans, French and Spanish. This cultural fusion shows up in the food and drink, the art and architecture, the palaces, the temples and churches and the entire Sicilian way of life.

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Last time I visited Palermo was three years ago, but each time I go I’m always happy to revisit the historic quarter with its Arabo-Norman monuments.

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Among my favourites are the Palazzo dei Normanni and its Cappella Palatina with their dazzling Byzantine mosaics and frescoes. There’s also King Roger II’s La Martorana, where the spectacular mosaic of Christ the Pantocrator overlooks Olivio Sozzi’s baroque Glory of the Virgin Mary, painted six centuries later. I enjoy admiring the simple, geometric shapes of the Norman palaces, La Cuba and La Zisa, built entirely by Arabic craftsmen and the distinctive Arabo-Norman red domes on San Cataldo and San Giovanni degli Ermiti.

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On my not-to-miss list is the Cattedrale which is another masterpiece of overlaid period styles, begun by the Normans in the 12th Century, with 15th Century Catalan Gothic porch, capped off with a neo-classical 18th Century neo-classical dome. The timeline continues inside with tombs of Norman and Swabian kings and queens: Roger II and his daughter, Costanza d’Altavilla and their son Frederick II and his wife of Costanza of Aragon. You can admire her imperial gold crown in the cathedral’s treasury.

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Palermo also has a fountain to rival the best of Rome. La Fontana Pretoria was once prudishly called the “fountain of shame” because of the multiple nude statues. Judge for yourself!

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The baroque also makes a grand stand in the four elegant palazzo facades of the Quattro Canti, framing the intersection of Palermo’s two main boulevards.

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I know I’m at the heart of the onion that is Palermo when I enter the labyrinth of laneways in the city’s sprawling markets – especially La Vucciria and Ballarò – with their clustered stalls that remind me of an Arabic souk. I like to listen to the clamour of the traders’ shouted Sicilian dialect. Sheltered from the sun under red canvas awnings you find the fish stalls. In his book, Midnight in Sicily Peter Robb described how the diffused red light of the market “enhanced the translucent red of the big fishes’ flesh and the silver glitter of the smaller ones’ skins”.

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Wandering the old quarters of Palermo, you’ll pick up the aroma of traditional street-food fried in large vats such as panelle (chickpea flour fritters), cazzilli (potato croquettes) or meusa (spleen) which are typical dishes of the friggerie. You will smell char-grilled peppers. And if I want to eat these treats in doors I go to classic restaurants like L’Antica Foccaceria San Francesco which has been cooking the same thing for decades.

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I find it interesting to see how traditional cuisine has developed and one of my favourite things to do in Palermo (or anywhere I go in Sicily) is to find restaurants that re-invent traditional dishes and present them with contemporary twists.  And if I want to contrast the old-style dishes with contemporary versions there are still typical trattorie like La Casa del Brodo that have classic Palermo dishes like sarde a beccafico, caponata, pasta con la sarde.

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I’m also seriously interested in discovering the ever increasing new hip bars that serve glasses of Sicilian wine varieties like grillo and nero d’avola and boutique beers matched with interesting snacks that reflect modern Sicilian cuisine.

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When the time comes to escape the close-quarter hustle of the city, I can catch a bus to the north-west side of Palermo to admire the Liberty-style residences of the capital’s once-wealthy merchants. I can travel to the picturesque seaside town of Mondello, where I can dine out on the waterfront, drink in the view, scoop up a granita or gelato, eat a cannolo or a slice of cassata. It is definitely a place to eat fish and enjoy a drink or two.

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Back in town I can always book a ticket to the opera or ballet at the Teatro Massimo and eat a delicious cold treat on my way back to where I am staying.

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Palermo’s gardens are another escape. I love to wander in the greenery of the Villa Giulia or the Piazza Marina with its massive fig trees, which are spectacular. The modern art galleries are another diversion. There’s the GAM (La Galleria d’Arte Moderna), Francesco Pantaleone Arte Contemporanea, Nuvole Incontri d’Arte and Palazzo Riso which I was told about on my last visit to Palermo, when I saw an exhibition of works by Francesco Simeti.

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Palazzo Riso is a baroque neo-classical edifice built in the 1780s. It was Mussolini’s temporary headquarters in World War II and bombed by the Americans in a failed attempt to kill the Italian dictator (who had left town only days before the air-raid). For years the Palazzo stood in ruins and when it was finally restored during the late-1990s, the restorers preserved some of the damage as evidence of its history.

Although I have seen Guttoso’s painting of the Vucciria Market hanging in the Palazzo Chiaramonte Steri, I have yet to see the basement where thousands of prisoners accused of heresy through the Holy Inquisition were imprisoned. These prison walls are covered in prisoners’ simple etchings, which were plastered over in the 19th Century.

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I take great pleasure in returning to a place as rich and varied as Sicily and why revisiting a city as layered as Palermo is top of my European travel wish list. It may not have the reputation of Rome (the eternal city) or Florence (la serenissima) but it has depth and diversity.

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