N’ZALATA CAPRICCIOSA – INSALATA CAPRICCIOSA (Fennel,olives etc)


This is a very simple and colourful salad, full of different flavours and it includes fennel –very prolific and in season in Australia at the moment. I always find this vegetable very refreshing and cleansing.

Capricciosa means whimsical or fanciful in Italian and the salad lives up to its name. I found this salad in a book about Sicilian recipes that I bought at a railway station. It is listed as N’ZALATA CRAPICIOSA – a misprint, surely? But capricious to the end!

INGREDIENTS and PROCESSES

This salad consists of finely sliced fennel, chopped green olives, capers and red salad onion. In Italy this type of onion is called cipolla calabrese or cipolla Tropea. The name is appropriate – it grows extensively in Calabria and is a dominant ingredient in Calabrese cooking.

Red onions do not just grow in the South of Italy, I also found fresh red onions (sold with their green tops) all over Tuscany and Rome at the end of last year. (The photo was taken in the Greve market, held each Saturday morning in the Piazza where we were staying in December 2008).

Onions, like all vegetables are seasonal. As well as using fresh onions raw in salads, Sicilians also use mature ones (those with dry skin) but usually they “sweeten” them first.

My father always did this, especially for his famous tomato salads. Raw onions are first sliced and then sprinkled with salt (some soak them in cold, salted water) for about 20 minutes – use a colander. The onions are then squeezed to remove the excess liquid and the strong flavour (my father wore his glasses for this process); he also quickly rinsed the onions at the end. 

As a variation, for colour and flavour I have used some chopped finely fennel fonds and sometimes finely chopped mint for extra zing.

For the dressing use quality extra virgin olive oil, salt, pepper and a dash of vinegar. Dress and toss the salad just before serving.
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WILD FENNEL and photos

Wild fennel is frequently used in Sicilian food to add a particular aniseed taste to many dishes. It can be cooked (see recipes for Pasta con le sarde and Ministra di finocchio e patate ) or added raw like any chopped herb, for example as in an olive or an octopus salad. The seeds are also used, for example scattered on bread before baking or to flavour marinades and preserves. 

These photos of wild fennel were kindly sent to me by one of my readers who lives in Philadelphia. 

She has travelled to Sicily several times and has also attended cooking classes there. She is aware about the differences in flavour between wild fennel and the bulb fennel. Since coming back from Sicily she has found a good source for wild fennel seeds and they are sprouting well in her North American garden in an apartment complex. 

She writes:
The gentleman in the blue work suit is holding wild fennel. We picked lots of it. My understanding is that you never eat it raw and that the “frilly” part at the top has tons of flavor unlike the typical fennel I find here with the large bulb where the frilly part has almost no flavor at all. 

I don’t think wild fennel has any bulb at all. It appears if anything, more like celery in that it is a simple stalk except with the frilly parts at the top.

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RICOTTA FRISCA‘NFURNATA – RICOTTA FRESCA INFORNATA (Baked, fresh ricotta)

I love baked ricotta, but not the bastardized versions blended with eggs and herbs I have seen for sale. I do not know where these originated – not in Italy and definitely not Sicily!

I like to make the authentic, baked ricotta – unadulterated, white and fresh tasting in the centre, with a golden-brown crust. I particularly like it as a first course accompanied by a tomato salad and presented as a light meal.

 

Purchase the solid ricotta, in Australia usually sold by weight from four kilo shapes . The creamy variety sold in plastic tubs is not suitable.
In Sicily the ricotta is drained (on a rack overnight in the fridge) and just rubbed with salt and baked slowly uncovered until it becomes a dark golden colour. Sometimes, olive oil is rubbed over the ricotta before the salt is added, but not always. I also like to add a few herbs for flavour at the bottom of the ricotta while it is cooking and sometimes pepper (or red chili flakes) but this is not strictly traditional.

 

 

INGREDIENTS

ricotta, fresh and a solid piece

extra virgin olive oil, to coat the ricotta
herbs:¼-½ cup dried oregano, enough to sprinkle as a covering and on the bottom
fresh rosemary and/or bay leaves (optional) placed under the ricotta
black pepper, ¼-½ cup or dried red chili flakes, 1 teaspoon (optional)
salt (flakes or coarse), to sprinkle on top.

 

PROCESSES

The following cooking time is for a piece of ricotta weighing about 1 kilo.
Pre heat your oven to 180 C.
Oil the bottom of a baking tray, place a sprinkling of freshly ground black pepper, and oregano (also the bay leaves and/or rosemary if you wish to include these).
Place the lump of ricotta (or wheel) on top of the flavourings.
Oil, the ricotta lightly – use your hands to coat it.
Sprinkle with the salt (I use flakes) and oregano – use your hands to ensure that it is well seasoned.

Cover with foil and bake in a 180 C for 15 minutes . Remove the foil and bake uncovered until the it has just begun to turn golden brown – it may take about 40 minutes or more, depending on the size.

Allow to cool before eating.

Cover with foil – this dish will keep well in the fridge for 3 days. A perfect dish to prepare well ahead of time.

VARIATION
In a restaurant in Syracuse I was presented with warm baked ricotta sprinkled with a coating of toasted pistachio nuts.
To make this version, rub the ricotta with olive oil and a little salt. Add the nuts in the last 20 minutes of cooking.

It can also double up as a dessert if dribbled with honey.

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MINISTRA DI FINOCCHIO E PATATE (Soup – fennel and potatoes)

Several of my friends are beginning to discover and appreciate the taste of fennel. It is prolific at present in Melbourne and most refreshing eaten raw. It can be cooked – braised, baked, made into a tortino (see recipe in blog tortino di finocchio) and as in this recipe, made into a soup (not a very common way to cook fennel).

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Traditionally this recipe should be made with wild fennel and this is how I first tasted this soup.Obviously if this ingredient is not close by, the bulb can be used. If you can collect some wild fennel (make sure it looks healthy, see recipe in blog pasta con le sarde), experiment with this recipe and use both the wild and the cultivated bulb with some of its tender fronds and stalks (choose round, shiny bulbs, as in photo taken in the market of Syracuse).

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It is one of the simplest soups to make and when it was first made for me (using wild fennel) all of the vegetables went into a pot with the water and once softened, broken spaghetti were added – soup without pasta is rarely presented. The broken spaghetti were once the way to use them up, by all means use some short, small sout pasta shape. 

I am always amazed how Sicilian soups cooked so simply can be so appetising. My relative presented the minestra with a drizzle of the very flavourful oil given to her by a relative in Noto. Maybe the oil is the secret ingredient! Boiled vegetables cooked this way and presented with the water is considered rinfrescante, calming and soothing for the digestive system and very common as the evening meal (Sicilians still eat their main meal at lunch time).

I have intensified the flavours by varying the method of cooking and I sauté the vegetables before adding the liquid, this being a common way to make soup in the north of Italy. I also like to add stock instead of water, but when I cook this version it is no longer traditionally Sicilian.

I also found a version of a recipe for maccu (a very Sicilian soup) made in the Madonie which is very similar but uses wild fennel , dried broadbeans (soaked overnight and peeled) and no potato. The dried broadbeans add a very different taste and as they are floury, also thicken the soup as does the potato.
Photo below in restaurant in Modica.
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INGREDIENTS 

potatoes 250g, cut into small cubes 

onion 1 large 

parsley,1cup of chopped 

salt and pepper 

bulb fennel 1-2 (about 600g), with green top leaves chopped and sliced very finely 

tomatoes 3 large peeled, chopped 

spaghetti 300 g of broken roughly into little pieces 

extra virgin olive oil ½ cup and some quality extra virgin to dribble on top 

bay leaves, 2 preferably fresh (optional) 

water,1 ½ litres (I use stock)

 

PROCESSES 

Traditional: 

Add all all the vegetables to the water and proceed as described above. 

Not traditional: 

Saute the onion in the oil until softened. 

Add the fennel and potatoes and stir till coated, add about 2 cups of liquid and the bay leaves . 

Cover and allow to braise very gently and without drying out for about 10 minutes. 

Add the tomatoes , parsley, seasoning and the rest of the liquid. 

Bring to the boil, add the pasta, stir , cover and allow to cook . 

Drizzle with the quality olive oil and sprinkle with fresh black pepper and serve. 

 

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SPAGHETTI CA SARSA MURISCA (Sicilian) – Spaghetti with Moorish sauce

IMG_2644Salsa moresca is an interesting name for a pasta sauce. The sauce is eaten in and around the town of Scicli, a beautiful baroque town not far from Modica (also beautiful) which is close to Ragusa (where my father’s relatives live). The ingredients are a combination of the sweet and the savoury and include bottarga (tuna roe), sugar, pine nuts, cinnamon and the juice and peel of citrus.

I was interested in the name – murisca (moresca is Italian for Moorish). The ingredients could well be of Moorish origins but it is also the name of a dance – la moresca. It is still performed in some regions of Sicily, especially on certain religious feast days.

The dance is said to have been introduced by the Moors into Spain and became popular all over Europe during the 15 th and 16th Centuries. Dances with similar names and features are mentioned in Renaissance documents throughout many Catholic countries of Europe – Sicily, France, Corsica and Malta – and, from the times of the Venetian Republic, Dalmatia – also through Spanish trade, Flanders and Germany.

La moresca is remarkably like the English Morris dance (or Moorish dance) a folk dance usually accompanied by music where the group of dancers use implements such as sticks, swords, and handkerchiefs. In Sicily they only use handkerchiefs, but this may have been modified over time. La Moresca and the Morris dance are considered to be one of the oldest traditional European dances still performed and inspired by the struggle of Christians against the Moors, in some places Christians and Turks, in other places between Arabs and Turks. In parts of England, France, the Netherlands and Germany the performers still blacken their faces but it is uncertain if it is because they represent the Moors. This custom is not observed in Sicily.

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Each year in May, there is a sacred performance in Scicli that recalls the historical battle in 1091 between Arabs and Christians. Legend says that “La Madonna delle Milizie” came astride a white horse to champion the Christians. Pasta alla moresca is still cooked to commemorate this event.

Salsa moresca (the sauce for the pasta) is not cooked – it is an impasto – a paste or mixture, and probably traditionally made with a mortar and pestle.

INGREDIENTS: 500g long pasta, (spaghetti or bucatini), 150g grated bottarga, ¾ cup extra virgin olive oil, 1-2 chopped red chili, 2 cloves of finely chopped garlic, 4 finely cut anchovies, juice of 1 orange and 1 lemon, peel of ½ lemon, ½ teaspoon of powdered cinnamon, 1 large spoonful of sugar and 1 of vinegar,1 cup pine nuts, ½ cup finely cut parsley, 1 cup breadcrumbs ( from 1-2 day old bread) lightly browned in a little extra virgin olive oil.

PROCESSES

Pound all of the ingredients together preferably in a mortar and pestle: begin with the garlic the bottarga and anchovies. Follow with the sugar, cinnamon, pine nuts, breadcrumbs, parsley, peel and chilies – lubricating the paste gradually with the oil and juices as you pound.

Add the vinegar last of all.

And by now, having read about it, you can probably smell it.

Use this to dress spaghetti or bucatini. I scattered basil leaves on top to decorate the pasta dish.
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MONTALBANO’S PASTA WITH BLACK INK SAUCE

Fans of the television series Montalbano (was a big, hit in Italy and Australia) are likely to be enchanted with the beauty of the Sicilian landscape and the array of specialty Sicilian food featured in the series.

Commissario Salvo Montalbano is a police commissioner and he lives in the south-east of Sicily, near Marina di Ragusa where my relatives have their holiday houses. Montalbano’s beach house  is in Punta Secca is a small fishing village, in the Santa Croce Camerina comune, in Ragusa province, Sicily.

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Andrea Camilleri is the writer of the crime stories and the books abound with delicious Sicilian food references.

Montalbano is an extremely appealing character who loves to eat. He savours his food, relishing all that is prepared for him with appreciation and gratitude. He readily accepts invitations to the homes of others and has his favourite trattorie (small restaurants). Montalbano is a detective who uses food to cheer himself up, plan his next moves and to weigh up the evidence. In the evenings he anticipates what Adelina (his housekeeper and cook) has left for him to eat and he hates to be interrupted over his dinner, but the phone often rings. He often seems to be thinking of what he will eat next or what he has eaten and in the books, Camilleri describes almost every dish Montalbano eats. And every dish is traditionally Sicilian.

On my last trip to Sicily, I ate in a couple of trattorie in Palermo where Camilleri and his friend Leonardo Sciascia (Sicilian writer) have been frequent patrons. One of Camilleri’s favourite dishes must be pasta or rice with black ink sauce – there are references made in a number of the books in the Montalbano series. In Siracusa I ate ricotta ravioli with black ink sauce.

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Camilleri lives and works in Rome but spent a great number of years in Sicily before he moved north. He was born in Porto Empedocle, which is not far from Ragusa, and although Camilleri has given the places in Sicily fictitious names, the locations are recognisable. For example the scenes in Montalbano’s beautiful house overlooking the sea in Marinella near the fictional town of Vigàta is really of Punta Secca in Porto Empedocle (see photo). Fiacca is Sciacca, Fela is Gela, and Montelusa is Agrigento. The police station is a building in Ragusa Ibla and all of these towns are close to Ragusa, where my relatives live. The trattorie and restaurants in these south-eastern part of Sicily where the series were shot, have capitalised on this – a traveller visiting this part of Sicily can always sit down to eat pasta (or rice – risu) cu niuru di sicci. 

This is how I cook it.

INGREDIENTS
pasta, 500 g (spaghetti, linguine or bucatini)
squid or cuttlefish, 600g, and 2-3 ink sacks
ripe tomatoes, 300g, peeled and chopped
tomato paste, 1 large tablespoon
salt (a little) and, chili flakes or freshly ground black pepper to taste
onion, 1 medium or/and garlic 2 cloves
white wine, 1 cup
parsley, 1 cup finely cut
grated pecorino or ricotta to serve (optional)

 

PROCESSES
Clean the squid carefully and extract the ink sac (see pg…). Cut the squid into 1cm rings and set them aside. The tentacles can be used also.
For the salsa:
Sauté the onion and garlic in the olive oil. Add the tomatoes, chopped parsley, salt, white wine and tomato paste. Bring to a boil and evaporate until the salsa is thick.
Cook pasta.
Add the squid ink, red pepper flakes to the salsa and mix well.
Add the squid rings and cook over a medium-high heat until the squid is cooked to your liking (for me it is only a few minutes). If you prefer to cook the squid further (as the Italians do), add a little water, cover the pan and braise for longer.
Present the pasta with grated pecorino (or topped with a little ricotta – you do not want to end up with grey ricotta, so do not mix through).

Although Sicily is relatively small, the food is very local and there are always regional variations:

Keep the squid white – sauté it in a little oil for a few minutes (add a 1 chopped clove of garlic and 1-2 tablespoons of finely cut parsley). Fold it through the dressed pasta gently and reserve some for on top.
·Add 1 cup of shelled peas at the same time as the tomatoes.
·Add bay leaves at the same time as the squid.
·Reserve some of the salsa and present the black pasta with a spoon of salsa and a spoon of ricotta on top.

Photos of Ravioli and Pasta are by Graeme Gilles, stylist Fiona Rigg, from my book Sicilian Seafood Cooking.

 

 

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IOTA (Recipe, a very thick soup from Trieste) Post 1

Iota 1@300

Time to write about Trieste again. Now and again I feel nostalgic for this city where I spent my childhood before coming to Australia.

Today is my son’s birthday and lately he has been cooking iota (he does not live in Melbourne), but he tells me that it is not as good as mine.

Iota is a very old traditional dish from Trieste. It is very strongly flavoured, thick soup and the main ingredients are borlotti beans, sauerkraut and smoked meats. It is not a light dish by any means, but very simple to make and most suited to cold weather. It is usually made at least 1 day before you plan to eat it – the flavours mature and improve with age.

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This is not a dish that many would associate with Italy but if you look at the region of Friuli-Venezia Giulia it is easier to understand why this recipe is very characteristic of the area around Trieste.

I was last in Trieste in December 2007 and visited an osteria in the old part of Trieste (la citta` vecchia – the port / waterfront, see photo) to specifically eat cucina triestina. When I told the signora that I was reliving the food of my childhood she could not do enough for me – I had iota, sepe in umido (braised cuttle fish) matavilz (lamb’s lettuce salad) and strucolo de pomi( apple strudel). White wine of course (characteristic of the area) and we finished off the meal with a good grappa. Nothing like Sicilian food, but enjoyable for different reasons – nostalgia has a lot to do with it.

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I have seen iota written by a variety of spellings: iotta, jota, yota are all pronounced the same way. Some also refer to it as fasoi (beans) and capuzi garbi (sauerkraut).

In some nearby places close to Trieste turnips are sometimes used instead of saurkraut.

There are variations in the making of iota: some add smoked sausages (as I always do) some parsley, and some a little barley – the texture of barley is good.

I always buy my sausages from a Polish or German butcher. When I lived in Adelaide I used to go to the Polish stall at The Adelaide Market and now, at the Polish stall in the Queen Victoria Market. I also buy good quality saurkraut there.

Most Triestini add flour to thicken this one course meal, but I generally do not do this.

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INGREDIENTS

borlotti beans, 250g soaked overnight
potatoes, 250g, peeled and cubed
sauerkraut, 250g
olive oil, ½ cup
bay leaves,3
ham hock or smoked ribs, shanks, 300-400g
pork, smoked sausages made from coarsely ground meat
garlic, 2 chopped
pepper and salt to taste
plain flour, 2 tablespoons

PROCESSES

Place beans, salt pork, potatoes and bay leaves in large pot of cold water. Cover ingredients fully.
Simmer slowly (about 1 ½ hours). Add sausages about half way through the cooking.
Remove about half of the beans and potatoes and mash them. Add salt and pepper to taste and return them to the pan.

Add the saurkraut and cook for about 30 minutes longer (some Triestini cook them separately, but I see no point in doing this).

To thicken the soup, add the flour and garlic to the hot olive oil – use a separate small pan, stir vigorously and try not to have lumps. This is like making a French roux but using oil instead of butter. Some of the older Triestini use lard.

Happy birthday……. and I am sorry that I am not there to cook it for you.

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RISI E BISI (Risotto with peas)


Today in Venice, Venetians are celebrating the feast day of their patron saint (25 April, the date of the death of San Marco).

Risi e bisi the classic Venetian dish was traditionally offered to the Doge (do not know which one) on April 25, the feast of Saint Mark. This is not surprising, it is spring in the northern hemisphere and peas are one of the symbols of the season.

It is a public holiday in Venice and all sorts of events take place.

Although Venetians celebrate his feast day they also celebrate Liberation Day (liberation from the Nazis at the end of 2nd World War) and Festa del Bòcolo (is a rose bud) and it is customary for all women, not just lovers, to be presented with a bud. The very old legend concerns the daughter of Doge Orso Partecipazio, who was besotted with a handsome man, but the Doge did not approve and arranged for the object of her desire to fight the Turks on distant shores. The loved one was mortally wounded in battle near a rose bush. There he plucked a rose, tinged with his heroic blood and asked for it to be given to his beloved in Venice.

I grew up in Trieste (not far from Venice and in the same region of Italy) and risi e bisi is a staple, traditional dish.

The traditional way of cooking it does not include prosciutto but prosciutto cotto, what we call ham in Australia. Poor tasting ingredients will give a poor result; use a good quality smoked ham. As an alternative some cooks in Trieste use speck, a common ingredient in the region (it tastes more like pancetta). Some of the older Triestini use lard and only a little oil.

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My mother also added a little white wine to the soffritto of onion and the ham, but this also would have been a modern addition. The butter is added last of all for taste. Use parmigiano – parmigiano is the cheese used in the north of Italy, pecorino in the south.

The secret is in using good produce, preferably organic, young and freshly picked peas (for their delicate taste) and a good stock.

My mother made chicken stock. If she had no stock, she used good quality broth cubes- very common in Northern Italian cooking. Use as much as needed.

INGREDIENTS

peas (young, fresh), 1 kilo unshelled
rice, 300g vialone nano preferably,
ham, cubed 50-70g,
onion,1 finely cut (I like to use spring onions as well)
parmigiano (Reggiano), grated
50g
extra virgin olive oil, ½ cup
dry white wine, ½ glass (optional),
parsley, finely cut, ½ cup
butter, 2 tablespoons
salt and freshly ground black pepper to taste

 
PROCESSES
Shell the peas.
Heat the olive oil, add ham and onion and over medium-low heat soften the ingredients. Do not brown.
Add the shelled peas, parsley and when they are covered in oil, add very little stock (to soften the peas), cover and cook for about 5 minutes.
Add the rice, and stir, add the wine (optional) and evaporate.
Keep on adding the hot stock, stirring the rice and adding more stock as it is absorbed. End up with a wet dish (almost soupy and all’onda as Italians say) and with the rice al dente. In fact, the dish should rest for about 5 minutes before it is served so take this into consideration (the rice will keep on cooking and absorb the stock).
Add parmesan and butter, stir and serve.
 
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GNUCCHITEDDI (Making small gnocchi shapes using my great grandmother’s device)

Maccarruna (maccheroni in Italian) is sometimes used as the generic word for pasta and is still common, especially in Naples and Sicily. It is also the term used in ancient recipe books. Most pasta, of whatever sort, was labelled maccheroni until 1850-70, after which local folk names were widely adopted by producers and consumers.

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There are many explanations for the origins of the term maccarruna. Some researchers believe that it comes from the term, maccare – to squash. Others believe that it comes from the word maccu – a Sicilian, thick soup specialty made with pulses and pasta. There are also Greek words: macron meaning long, or makaria a dough of barley and broth, or makar – it means ‘very happy’ – the state maccarruna eaters presumably experience. Whatever the origins of the word maccarruna, Sicilians consume large quantities of it.

There are many small shapes of fresh pasta made in Sicilian homes. The following are some of the favourite maccarruna.

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Gnocculi, gnucchiteddi, cavati, caviateddi are the most common names for gnocchi or gnocchetti (Italian) shapes. Some are rigati (have ridges on the surface) and some are lisci (smooth). All have an indentation in the centre to ensure even cooking.

Gnocchi look like dumplings and in Italy can be made out of potatoes, bread, fine cornmeal or semolina and with wheat flour. Sicilians prefer gnocculi or gnucchiteddi (the smaller shape), made with durum wheat flour. They are called different names in different regions in Sicily. When my relatives in Ragusa make gnucchiteddi, they include 1-2 eggs for each 800g-1k of durum wheat flour and as much water as the dough absorbs, but the standard practice in other parts of Sicily is to use no eggs at all.

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Pasta making is a family affair. The photo was taken during my last trip to Sicily. The extended family is shaping gnucchiteddi by using a very useful gadget that belonged to my great grandmother. As you can see it looks like a loom. Very fine strips of dough are rolled around a needle-like reed and then the reed (and the shapes) are rolled on the shaping device. This fuses the dough together and gives each of the gnucchiteddi, the grooves on the surface.

Laura and Nancy in the U.S. have a great food blog called ‘Jellypress’. They invite readers to share photos of old foodways called ‘Hands on’ and I have contributed to this very interesting section in their blog.

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